Zhao Boguang, a Kung Fu Hong Kong native, has a word "Yihe". He studied under the famous calligrapher and scholar Li Henian. 1933 was born in Tianjin. He lost his father when he was young and then returned to China with his mother. He entered a private school at the age of eight and loved calligraphy since childhood. /kloc-joined the China people's liberation army in 0/950, and 1952 went to the DPRK to participate in the war. His pen in the army became a powerful propaganda weapon. 1957 was attacked by "anti-rightist" and sent to the Great Northern Wilderness the following year. In the late period of the Cultural Revolution, he was arranged to watch the fire in the forging workshop of the factory and was "reformed" by the hammer. He was not reborn until 1979. Zhao Boguang's calligraphy is invincible, and small letters are his strong point. 1997 "China 1st (Tianjin) Calligraphy Art Festival", and the lower case works won the "Top Ten Works Award". His several "reforms" to calligraphy have been essentially sublimated. He advocates writing small characters not only small, but also big enough to reach the critical point of inch characters, with steady strokes and vivid fonts. His works in small letters have participated in the "China-Korea Calligraphy Exchange Exhibition" and won the first prize in the "Electronic Excalibur Book Exhibition". In 2004, he wrote an inscription for Zhao's ancestor monument "Home of Chinese People" and participated in the "China Modern Art Painting and Calligraphy Exhibition (going to Japan)" and won the prize. His small letters in Wei and Jin Dynasties, such as Zhu Xi's "Family Management Motto", are all excellent. 199 1 year, Zhao Boguang participated in the preparatory work for the Huangyaguan Great Wall Forest of Steles, and wrote a preface for the book Ming Lian Tang Shu. At that time, he had a new understanding of ancient silk books, which played a decisive role in forming his own book. Zhao Boguang, who is over 60 years old, has set himself a goal, that is, his calligraphy should be "new". How many summers have passed since the cold? Zhao Boguang's Calligraphy on Chinese Silk has finally entered the calligraphy world, and its traditional skill and profound calligraphy attainments have been recognized by calligraphers. His silk works have been reviewed by professional newspapers for many times. The silk couplets were collected by Zhongnanhai in Beijing in 1996, and the silk "nave" was selected for the second national official book exhibition in 1997. He used to preface the bamboo couplets with Deng Memorial Hall. Not long ago, most of Zhao Boguang's calligraphy works collected in China Calligraphy Ceremony and Collection of Contemporary Calligraphers' Works were silk. Zhao Boguang's regular script method is also amazing. He combines the strengths of the ancients, is innovative and unique. Starting from copying Liu Gongquan, he also dabbled in various schools, with exquisite pen and rigorous structure. He used Chinese characters to preface the new building of Tianjin Museum, and Wei to preface the hundred monuments of Huangyaguan. 1993 Zhao Boguang won the Tianjin Lu Xun literature prize, and in 2000 was awarded the title of "China Book City, Deyi Shuangxin Member". His work/kloc-was selected into major national and international calligraphy and lettering art exhibitions for 0/8 times and won the "Excalibur Art Works" award for five times. Some of his works have been collected by art groups and individuals in Zhongnanhai, Japan, the United States, South Korea, Singapore and Hong Kong and Taiwan. Biography has been included in Contemporary China Calligraphy Art Boutique, China Art Yearbook, World Chinese Artists Painting and Calligraphy Exhibition, etc. He has published such monographs as "Thousands of Characters in Kai Cao Shu" and "Zhao Boguang Lishu Idiom Copy". In 2008, "Zhao Boguang Calligraphy Collection" was included in "China Calligraphy Grand Ceremony Collection of Contemporary Calligraphy Masters", which was published by China Calligraphers Association and Beijing Chinese Classics Compilation Center. In his busy schedule, Zhao Boguang never gave up the opportunity to contribute to society. He participated in many charity fairs to help disaster-stricken areas and poor mountainous areas and the Hope Project. It is also used as a monument in Beijing, Tianjin, Hebei, Shanxi, Henan, Shandong, Hubei, Anhui and other places, as well as Tianjin Confucian Temple and Shandong Confucian Temple. Member of China Calligraphers Association, honorary director of Tianjin Calligraphers Association, consultant of Tianjin Hongqiao, Beichen and Heping District calligraphy and painting groups.