Pu Feng devoted himself to the movement of new poetry all his life, taking poetry as a weapon of struggle. 17 years old, Chiang Kai-shek launched the "April 12th counter-revolutionary coup", and he wrote a poem "The Voice of the Crow", which reflected the reality that light and darkness continued to struggle after the failure of 1927 Great Revolution. 1930, he went to Shanghai, studied in China College, and joined the League of Chinese Left-wing Writers. 1September, 932, Mu, Ren Jun, Yang Sao and others initiated the establishment of the "Chinese Poetry Society" and published the magazine "New Poetry", which used poetry as a weapon to sweep away the negative and decadent trend of poetry circles. He is the executive director of the Chinese Poetry Society. In addition to working in the General Association, he also kept close contact with China Poetry Branches in Hebei, Huzhou, Guangzhou, Qingdao and Xiamen, and did a lot of conference work. Ren Jun, a poet, once said, "If the Chinese Poetry Society really promoted the new poetry movement in China, Pu Feng's contribution is obviously the greatest". 1934, Pu Feng published his masterpiece Night in Hebei Branch of New Poetry, and published his first book of poetry under this name. This is the creative achievement that he lived in the countryside for a long time and personally saw and felt that the peasants wanted revolution. From 65438 to 0935, Pu Feng went to Tokyo, actively participated in the activities of the "Left-wing League" in Tokyo, organized a "poetry symposium" with the progressive young people studying in Japan, and founded the magazine "Poetry" with Lei and Lin Lin. At the same time, keep close contact with domestic poets. This year, the long narrative poem "Wandering Fire in June" was published, in which the section "Liu Tie" praised the 25,000-mile Long March led by China for the first time in the history of China's new poetry. 1936 During the spring and summer, Pu Feng returned from Tokyo and wrote the poem "I am facing the storm" with high patriotic enthusiasm, expressing the poet's firm belief of "gathering hundreds of millions of iron hands" and "tenacious struggle" against the storm and winning victory for the motherland. At the end of this summer, he applied for a job in Fuzhou from Qingdao via Shanghai and worked as a Chinese teacher in the middle school affiliated to Fujian University (now Fuzhou No.2 Middle School). While teaching, he insisted on writing in his spare time and devoted himself to cultivating young poets. During his stay in Fuzhou, he and his student Ye Kegen (present-day Taiwan Province Province) jointly translated the Poems of Bodhisattva Hanggeng, which was published by Guangzhou Poetry Publishing House. 1937 65438+1In mid-October, Pu Feng went to Shantou. Introduced by a friend, he worked in the local Xinghua Daily and launched a literary forum in Shantou to carry out poetry activities. In mid-May, he went to Xiamen to organize a poetry forum with young poets Tong Qinglan and Chen Zizi. Elected as director and editor-in-chief of Xiamen Poetry Magazine. After the outbreak of the Anti-Japanese War, Pu Feng took an active part in the preparation and organization of the anti-enemy support meeting in Xiamen cultural circles. He is one of the five members of the presidium of the conference and was elected as an executive member. In mid-August, he left Xiamen for Guangzhou, organized a "Guangzhou Poetry Symposium" with local poetry friend Huang and others, and participated in the editing of "Guangzhou Poetry Talk"; 10 year 10 in late October, Pu Feng suggested that the Guangzhou poetry circle be renamed China poetry circle, and he still served as editor. During this period, he took the new poetry movement as his own responsibility and ran around. Within a few years, he published Life, Song of Steel, Song of Shake the Blue, Trilogy of Anti-Japanese War, Ode to the Maker of Light, Under Our Banner, In the Dark Corner and the second long narrative poetry collection Poor Man, and wrote many street poems and postcard poems. In order to realize the ideal of poetry creation and popularization, he seriously discussed the national form of new poetry in On Poetry, and wrote On Anti-Japanese Poetry, Modern Poetry in China, Preface and so on. 1935 published a bird's-eye view of China's poetry circles since the May 4th Movement in Poetry Quarterly, made a general analysis of different schools of new poetry, publicized the creative direction of Chinese poetry society, and introduced some influential poets and works. 1938 is a turning point in Pu Feng's life and creation. He decided to join the army, responded to the Communist Party of China (CPC)'s call to "fight for millions of people to enter the anti-Japanese national United front", and entered the Kuomintang Army 154 Division 922 regiment under the pseudonym of "Huang Feng", serving as the chief secretary of the regiment and the rank of captain. The head of the team, Wu Luxun, was an officer of the 19th Route Army who fought against the Japanese invaders. Being respected in the army, Pu Feng continued to create, published a postcard collection of poems, The Gloss of Truth, and sorted out his own translation of the long poem Twelve by the Russian poet Brock. In the autumn of the same year, he was ordered to go to Guangzhou to receive a large number of anti-Japanese young students back to the army. He was bombed by the Japanese invaders in Zengcheng, lost contact with the army, and sneaked back to his hometown (note: during this period, some people falsely reported that Buffon was a service sacrifice, while others wrote an article to mourn). I was hired as a teacher in Meixian Guoguang Middle School, and I am still passionate about poetry creation. He founded Seven-Day Poetry Magazine, edited Fengyun Bimonthly, co-edited China Poetry (Lingdong Magazine) with his poetry friends, and participated in editing Wartime Literature (monthly). He has always advocated taking poetry as a weapon and actively participating in local anti-Japanese and national salvation activities. /kloc-in the spring of 0/940, he married Xie Peizhen (later renamed Yu Fei, pen name dove, Tian Zhen, from Lianjiang, Fujian) in Meizhou Guoguang Middle School. In August, he left Meizhou with his new wife and went to the office of the Eighth Route Army in Guilin, Guangxi, where Li Kenong, director of the office, introduced him to the anti-Japanese democratic base. Leading dozens of colleagues, through Hunan and Jiangxi, through many blockade lines and overcoming many difficulties, arrived at the military headquarters of the New Fourth Army in southern Anhui in the early winter of this year. On the battlefield, he wrote a lot of wall poems, flyer poems, postcard poems, short poems, lyrics and so on. This encouraged the soldiers to bravely resist Japan. After the Battle of Huainan, he wrote a narrative poem "Pamigang" in popular language and recited it at the mass meeting, which left a deep impression on the participants. This is a glorious page in his life. He holds both a gun and a pen. He is both a soldier and a poet. 1942, Pu Feng died in Tianchang County, Anhui Province in August of 13, at the age of 32, because of overwork in marching life and recurrence of lung disease. The local anti-Japanese base area once printed a special issue to mourn the death of Pu Feng; Fang Yi, head of the local administrative office, presided over the memorial service and escorted the body to the cemetery with his comrades. Buffon's body was buried on a mound (now Xuyi County, Jiangsu Province), a small village near Ge Jia Lane between Banta Town, Hanjian Town and xinpu town in this county. Before he died, he wrote this sentence in a poem: If I die in battle, when you bury me, turn my head to the south and face my dear hometown! This shows how much the poet loves his dear hometown! Pu Feng wrote 15 poems, 4 poems and literary works (among which "Preface Poem" was unpublished) and 2 translated poems. There are also two diaries, one of which is complete, which records the details of his work, life and creation in Fuzhou, Shantou, Xiamen, Guangzhou and Hong Kong from June 65438 to June 65438+June 0938, as well as the development of the new poetry movement. His poems not only spread to Hong Kong and Nanyang, but also were translated and introduced to foreign readers by Japanese and Soviet scholars. Japanese scholar and poet Professor Akishino Jiukifu began to study Pu Feng in 1960s. /kloc-0 made a special trip to Fuzhou, Guangzhou, Shanghai and other places in China in the spring of 1985, and later published six papers in Japanese literary circles, including Pu Feng's creative activities in Japan, Pu Feng's postcard poems and Pu Feng's satirical poems. Pu Feng's poetry creation always insists on serving life and reality. His name and life story have been included in Cihai, China Dictionary of Literati, Biography of Revolutionary Martyrs, Figures of the New Fourth Army, Modern Literature Officials in China, Brief Introduction of Modern Writers in China, Review of Modern Writers in China and Encyclopedia of China.