When Xie Tao 1 1 was years old, he tore up the admission notice of key middle schools behind his parents' backs. She was determined to enter Taiyuan Culture and Art School to study Jin Opera, and her mother was an actress in Jin Opera, so she was given a beating. /kloc-started her internship at the Experimental Gold Theatre at the age of 0/5. 16 years old, Xie Tao, whose career has just begun to show its edge, once again gave up a smooth road and devoted himself to a deep and connotative career. The Youth Troupe of Taiyuan Experimental Jin Theatre has to complete about 260 performances every year, with a maximum of 400 performances. And most of them are performed in rural areas, always one after another. Sanjin has left the footprints of plum blossom prize winners everywhere. Actors in youth troupes often go to the countryside with bedrolls, and it is common to run long distances overnight. In the past ten years, Xie Tao never missed a channel or performed a performance, and often performed more and sang more for the audience's requirements. On July 8 this year, she performed at Eling Temple in Daixian County. When the local people invited Xie Tao to give a live performance, she agreed. In five days, he performed five dramas and sang six times, which was warmly welcomed. Years of grassroots performances and experiences have enabled Xie Tao to absorb a steady stream of artistic nourishment and win brilliant artistic achievements. "Plum blossoms come from bitter cold" can be said to be the best portrayal of Xie Tao.

In 200 1 year, Xie Tao brought Jin Opera to Europe for the first time, which made the world know about the traditional Jin Opera culture in China and was warmly welcomed by European audiences. Since then, Xie Tao has constantly broken through himself in vocal performance; She paid special attention to Shanxi's historical and cultural celebrities, and tried her best to adapt such plays as Lu Hua, Fan Jinzhong Residence, and Under the Broken Mountain. In 2003, "Fan Jinzhong Drama" began casting, and three years later it was changed to a sideline performance. After several drafts, it finally became a novel and close to the aesthetics of the times. This is another excellent play by Xie Tao after Ding Guoxian. From June 5th to 10, 2005, I participated in the 7th China Shanghai International Art Festival with Ju. This is another trip to Shanghai after a lapse of 69 years. The whole performance was unprecedented and caused a sensation in Shanghai. According to 18 drama experts, this drama is a rare drama in recent years, and the whole drama is a "jade carving cabbage", which sets a benchmark for contemporary drama. Experts especially praised Xie Tao's creation for its depth and thickness. She is a rare female veteran in China. Thanks to his superb performance in Fan Jinzhong Drama, Xie Taorong won the16th "Magnolia Drama Performing Arts Leading Role Award".

From June 5 to 10, 2005, A Jin opera Fan Jinzhong Opera, which was carefully created by its crew, was staged at the 7th Shanghai International Art Festival in China, which aroused strong response. Experts and opera fans unanimously praised: "Xie Tao brought Jin Fan to life, and the characters she created have a feeling of being ancient but not old, and have a strong sense of freshness."

In 2007, it was the 400th anniversary of Mr. Fu Shan's birth, and the Jin opera Fu Shan went to Beijing came into being. Different from traditional operas, the Jin opera "Floating Mountain into Beijing" has no cliché s such as fighting and killing, the relationship between men and women, gimmicks and tricks, but only frequent confrontation between the two sides. The whole drama skillfully combines traditional opera performance skills with modern handling methods of film and television dramas, and is bold and innovative. In order to properly present the "cultural Kunlun" of Fu Shan, Xie Tao consulted materials, consulted teachers and pondered it carefully. The Fu Shan she portrayed clearly conveyed rich meanings and implications to the audience. On the stage, Xie Tao was deeply immersed in the play and reached the highest artistic level. "In a trance, I feel that I am Fu Shan and Fu Shan is myself."

From June 5th to 10, 2007, Fu Shan went to Shanghai to attend the 9th China Shanghai International Art Festival.

In June, 2007, the 3rd China Opera Festival, co-sponsored by the French Ministry of Culture and the China Cultural Center in Paris, kicked off at the Adiar Theatre in Paris. As one of the six major dramas, Fan Jinzhong Drama, a Shanxi opera, appeared at the Drama Festival. As soon as the performance was over, the packed Adiyar Theatre immediately gave a warm applause.

In March 2008, he was elected as an Olympic torchbearer and participated in the Olympic relay for life.

On May 18, 2009, the awarding party of the "Second Chinese Drama Award Plum Blossom Award" (the 24th Chinese Drama Plum Blossom Award) sponsored by China Federation of Literary and Art Circles and Chinese Dramatists Association was held here. Xie Tao won the first place in the Second Plum this year with the newly edited Shaanxi Opera "Fushan Going to Beijing".

20 1 1 April, 2008, what is the disciple of the experimental group of Taiyuan Jinju Art Research Institute?

On August 20 12, he was elected as the representative of the 18th National People's Congress of China.

20 15, 15 was awarded the honorary title of "National Young and Middle-aged Literary Workers with Virtue and Art" on September 5th.