Fu Baoshi: (1904- 1965), a native of Xinyu, Jiangxi, studied in Japan in his early years, focusing on the history of oriental art. Because of his long-term observation of true mountains and waters, his paintings are profound and his composition is novel, and he makes good use of thick ink, rendering and other techniques to blend water, ink and color, achieving magnificent results. It is unique on the basis of traditional techniques and plays a connecting role in the landscape painting after liberation. His figure paintings are strong and vivid. Art professor of Central University before liberation. After liberation, he served as a professor in the Fine Arts Department of Nanjing Normal University, vice chairman of China Artists Association and president of Jiangsu Provincial Academy of Traditional Chinese Painting. He has published Studies on the History of Ancient Landscape Paintings in China, Characters Techniques in China Landscape Paintings, On Chinese Painting, Chronicle of Shitaoshan, Romanian Sketch, Czech Sketch, Northeast Sketch and Zhejiang Sketch. He is also good at seal cutting and has a "printed spectrum". Representative works include There are so many beauties in Jiangshan (and cooperation), Lanting Gathering, Two Ways, Nine Songs-Sweet Lady, Spring in the South of the Yangtze River, Jiangshan Pictures to Be Careful, etc. /kloc-0 died in Nanjing in 1965 at the age of 62.

Fu Baoshi was born in 1904. His original name is Rui Lin, the owner of Gem Village. Fu Baoshi advocated innovation in art, and his artistic creation achieved the greatest success in landscape painting. His figure paintings are greatly influenced by Gu Kaizhi and Chen Laolian, but they can be transformed and used in a unique way. Most of the characters in his works are drawn from ancient literary masterpieces, washed and practiced with pens, and pay attention to charm, which has achieved superb results. Characters seek God in form and deliberately express their inner temperament. Although confused and rough, but reserved and quiet. Mr. Fu Baoshi's figure painting lines are extremely concise, emphasizing the changes of speed, pressure and area in the outline, which is different from the traditional painting method of following the music score. He also integrated the techniques of landscape painting into his figure painting, which changed the style of figure painting since the Qing Dynasty and showed his unique personality.

Fu Baoshi (1904- 1965): Formerly known as Changsheng and Rui Lin, he was born in Xinyu, Jiangxi. The young man is very poor. 1 1 years old as an apprentice in a porcelain shop, teaching himself calligraphy, seal cutting and painting. 1925 wrote an overview of the origin of Chinese painting. 1926, graduated from the art department of the first normal college of the province, and stayed as a teacher. 1929 wrote the Outline of the History of Painting Changes in China, 1933 went to Japan to study with the help of Xu Beihong. 1934 held a solo exhibition in Tokyo. 1935 returned to China and taught in the Art Department of Central University. During his stay in War of Resistance against Japanese Aggression, he settled in Chongqing and continued to teach at Central University. 1946 moved to Nanjing, 1952 worked as a professor in the Fine Arts Department of Nanjing Normal University. 1957 Dean of China Painting Academy. He is good at landscape painting and figure painting. He studied with the ancients in his early years and especially admired Shi Tao. During my stay in Japan, I studied Japanese painting. While inheriting the tradition, I incorporated Japanese painting techniques. Inspired by the majestic scenery of Sichuan, I made artistic changes and created a unique method-bouldering. Unique style, creating a new style of modern Jinling painting school, good at calligraphy and seal cutting, and a generation of master artists who started the school.