China calligrapher of Tang Dynasty. The common surname is money, and the word hides the truth. He is from Lingling County, Hunan Province. It was founded in the 25th year of Kaiyuan in Xuanzong of Tang Dynasty (737) and the 15th year of Zhenyuan in Dezong (799). Because all three ethnic groups are monks, they are called "Lingling Monk" or "Shichangsha" in history books. Huai Su is an outstanding calligrapher in the history of China. His cursive script is called "Crazy Grass". His pen is round and powerful, making it turn like a ring, unrestrained and smooth, just like Zhang Xu. Later generations called it "Zhang Dian vegetarian" or "drunk". It can be said that it is a classical romantic art, which has a far-reaching influence on later generations. He also wrote poems and had contacts with poets such as Li Bai, Du Fu and Su Xun. Good at drinking, whenever drinking rises, regardless of walls, clothes, utensils, arbitrary writing, when people call it a "drunken monk." His cursive script was written by Zhang Zhi and Zhang Xu. Lu Tang, the general manager, said in his reading review: "Huai Su's cursive script changes at will with the help of electricity, and Huai Su's book is listed as a wonderful work in The Continuation of Books by Song and Zhu. Praise said, "A strong man draws his sword, and his color is moving. "
Huai Su was smart and studious since childhood. When I was 65,438+00 years old, I suddenly felt homesick, and my parents couldn't stop me. In his autobiography, he said straight away: "Huai Su lives in Changsha, a young Buddhist. After meditation, I am quite fond of writing. " His spirit of studying hard and practicing hard is amazing. Because he couldn't afford to buy paper, Huai Su found a board and a disc and painted it with white paint to write. Later, Huai Su thought the lacquer board was smooth and not easy to ink, so he planted more than 10,000 plantains on a wasteland near the temple. When the banana grew up, he picked the leaves and spread them on the table, waving at the post.
Because Huai Su practiced calligraphy day and night, the old banana leaves were peeled off and the lobules were reluctant to pick, so he thought of a way to stand in front of the banana tree with pen and ink and write to the fresh leaves, even if the sun shone on him like a frying pan; The biting north wind cracked his hands and skin, but he kept practicing calligraphy regardless. He kept writing about one place after another. This is the famous calligraphy practice of Huai Su Banana.
In Chang 'an Huai Su's fame, there are as many as 37 poems praising his cursive script. His cursive scripts include autobiographical notes, bitter bamboo shoots, fish-eating notes, notre dame notes, essays in books, thousands of grass articles, thousands of grass articles, forty-two chapters, thousands of words, Tibetan true notes, seven notes, Beiting cursive pens and so on. Among them, "fish paste" is extremely thin, strong in bone strength, cautious and calm. However, the book "Self-narrative Post" is full of charm because of its different mood from the book "Eating Fish Post". It's really amazing. Mi Fei's "Haiyue Book Review": "Huai Su is like a strong man wielding a sword, and his spirit is moving, but he advances and retreats in a roundabout way." Many poets in the Tang Dynasty praised it, such as Li Bai's cursive music and Huai Su's master Manji's cursive music.
In the history of cursive art, Huai Su and his autobiographical notes have been talked about by calligraphy lovers for more than 1,200 years since the middle Tang Dynasty. Huai Su, a monk at the age of ten, was born in Lingling, Yongzhou (now Lingling, Hunan). When he was young, he loved calligraphy in his spare time after meditation. He is poor and has no paper or ink. He planted more than 10,000 plantains to practice calligraphy and used plantain leaves instead of paper. It's funny to call the residence "Green Temple" because the residence is all banana forests. Huai Su's "Simple Music", in which lacquer plates and lacquer plates are used instead of paper, is diligent in research and meticulous in research. All the plates were written, and many pens were broken. They were buried together and named "Pen Tomb".
He is generous and keen on cursive writing, but he has no intention of practicing Zen. He drinks and eats meat, makes friends with celebrities, and makes friends with Li Bai and Yan Zhenqing. Known as "weeds". There are many records about Huai Su in Tang literature. "The pen is as fast as a whirlwind, flying around, changing at will, and the statutes are available." Princes and celebrities also like to make friends with this crazy monk. Tang Renhua wrote in a poem: "The mad monk moved to Beijing the day before yesterday, rode the princes' horses in the morning and stayed at the princes' home at dusk. Who doesn't build a plain screen, who doesn't draw a white wall. The powder wall is shaken clear and the plain screen is frosted. I can't forget your swaying posture, the horse welcomes the seat, and the golden plate drinks bamboo leaves. Ten drinks and five drinks don't understand. After a hundred drinks, you will be crazy. ................................................................................................................................................................................. had a great influence on later generations.
Huai Su is good at using the pure momentum of the central pen to make a big grass, such as "a whirlwind of sudden rain, full of momentum", reaching the realm of "suddenly whistling three or five times, and a thousand words are full of walls". Although the speed is fast, Huai Su can cross the grass with few mistakes.
Compared with the confusion and omissions of many calligraphers, it is much better. Wild grass knows Huai Su. Although it is the first, it is ever-changing and will never leave the statutes of Wei and Jin Dynasties. This is really due to his extreme penance. There are many books handed down from Huai Su, including Thousand Words, Jing Jing, Notre Dame, Hiding the Truth, Fa Gong, beriberi, Self-narration, Bitter Bamboo Shoots, Eating Fish and Chapter 42.
Studying the works of Huai Su above, we can find that their styles are not all the same, which can be roughly divided into three types: First, those who have not completely got rid of their predecessors' styles, such as Notre Dame, Eating Fish, Sorrow, Zang Zhen, Zhu Tie, etc., have retained a lot of Jin Fa, while Notre Dame has Yan Zhenqing style. Secondly, he has his own style skills, such as Pure Classics, Forty-two Chapters Classics, and Self-Narrative Posts (a standard Huai Su Book). Third, following a peaceful style of writing, such as a thousand words of grass, is quite different from his arrogant style of writing and completely changed, which can also be said to be his outstanding point.
Self-narrative post
Paper, vertical 31.4cm, horizontal1510.0cm; 126 lines, 698 words in total. Li Dongyang's seal script before the post begins with the words "hide the truth and tell a story". The original is now in the Palace Museum in Taiwan. Self-narrative posts are the representative works of Huai Su's cursive script. The first six lines are said to have been written by the collector of this post (Song). Compared with those below the seventh line, there is a world of difference, and it is even more obvious to open the whole volume and overlook it. The whole article is full of wild grass and pen heart, such as drawing sand with a cone.
Disk, all the way vertical and horizontal oblique straight; Echoing up and down like a storm, you can imagine that when you are doing exercises, your heart and hands are in harmony, and pride is full of enthusiasm. In the Ming Dynasty, An Qi called this post: "The color of ink paper is wonderful and moving, and the vertical and horizontal changes occurred at the beginning, which is mysterious." As far as cursive script is concerned, among the traditions since the Jin and Tang Dynasties, Xi's father and son are the mainstream with the most bookish characteristics, while those who belong to the anti-tradition should push Huai Su's Crazy Grass all the way. It is said that Yan Zhenqing once awarded Huai Su with Zhang Xu's brushwork, so it can be described as "Zhang Xu-Yan Zhenqing-Huai Su". Judging from the remaining works, Yan Zhenqing showed an anti-traditional tendency in both regular script and running script. As far as cursive writing is concerned, Huai Su probably learned his own calligraphy from Zhang Xu's works.
Qianyancao
A thousand words of ink on grass. In the 15th year of Zhenyuan (AD 799), there were many thousands of characters in Huai Su, among which the Small Character Zhenyuan Edition was the best, also known as the silk book of Qianjin Tie, with 84 lines and 1045 characters. Inexplicably, he said, "Huai Su's" A Thousand Words and a Silk Plain "has an abnormal stippling, which is divided vertically and horizontally. It was awkward at first, but it followed the model and was suitable for chemical industry. " This book was written by Huai Su in his later years. In Huai Su's later years, the cursive script changed from a whirlwind to quaint and simple, and the words were not connected with each other, which made the brushwork more vigorous and simple. It has always been valued by the book forest because it returns to the dull work for glory. Huai Su cursive script. Wang Shizhen commented:
"All Su Shi's posts are thin and explicit, and this book is unique, stable, familiar and wonderful."
On the book stick
Cursive ink and paper, 38.5 cm long and 40.5 cm wide, 9 lines, a total of 85 words. Generally speaking, it inherits and develops Zhang Xu's cursive script, so it is called "following the madness". Dong Zhui said in the Postscript of Guang Chuan: "Huai Su is good at calligraphy, and he knows his brushwork from his own words. People who read the storytelling in the Tang Dynasty all said that Zhang Xu would not decrease. Although it is beyond the rope and ink, it will go back and forth. " "Today, his books call themselves True Bell (Zhong You) and Grass (Zhang Zhi)." However, in any case, his cursive script always aims at indulgence. Moreover, Lun Shu Tie is very different from our common Huai Su cursive script. His "book posts" are written in a uniform and steady way, and "going in and out is crazy and strange". This is a masterpiece with the significance of Cao Zhang in this meadow.
In the history of cursive art, Huai Su and his autobiographical notes have been talked about by calligraphy lovers for more than 1,200 years since the middle Tang Dynasty. close
Su was born in Lingling, Yongzhou (now Lingling, Hunan) and became a monk at the age of ten. When he was young, he loved calligraphy in his spare time after meditation. He is poor and has no paper or ink. He planted more than 10,000 plantains to practice calligraphy and used plantain leaves instead of paper. It's funny to call the residence "Green Temple" because the residence is all banana forests. Instead of paper, we use paint plates and boards to study hard and study hard. All the plates were written, and there were many broken pens, which were buried together and named "Pen Tomb".
He is generous and keen on cursive writing, but he has no intention of practicing Zen. He drinks and eats meat, makes friends with celebrities, and makes friends with Li Bai and Yan Zhenqing. Known as "weeds". There are many records about Huai Su in Tang literature. "The pen is as fast as a whirlwind, flying around, changing at will, and the statutes are available." Princes and celebrities also like to make friends with this crazy monk. Tang Renhua wrote in a poem: "The mad monk moved to Beijing the day before yesterday, rode a vassal's horse in the morning and stayed at the vassal's house at dusk. Who doesn't build a plain screen, who doesn't draw a white wall. The powder wall is shaken clean, and the plain screen is frosted. I can't forget your swaying posture, the horse welcomes the seat, and the golden plate drinks bamboo leaves. Ten drinks and five drinks don't understand. After a hundred drinks, you will be crazy. ................................................................................................................................................................................. had a great influence on later generations.
Huai Su is good at using the pure momentum of the center pen to make big grass, such as "a whirlwind of a shower, full of momentum".
It has reached the realm of "three or five sounds suddenly, and all the walls are full of words". Although the speed is fast, Huai Su can cross the grass with few mistakes. Compared with the confusion and omissions of many calligraphers, it is much better. Wild grass knows Huai Su. Although it is the first, it is ever-changing and will never leave the statutes of Wei and Jin Dynasties. This is really due to his extreme penance. There are many books handed down from Huai Su, including Thousand Words, Jing Jing, Notre Dame, Hiding the Truth, Fa Gong, beriberi, Self-narration, Bitter Bamboo Shoots, Eating Fish and Chapter 42.
Studying the works of Huai Su above, we can find that their styles are not all the same, which can be roughly divided into three types: First, those who have not completely got rid of their predecessors' styles, such as Notre Dame, Eating Fish, Sorrow, Zang Zhen, Zhu Tie, etc., have retained a lot of Jin Fa, while Notre Dame has Yan Zhenqing style. Second, he has his own Huai Su style, such as Pure Classics, Forty-two Chapters Classics, and Autobiographical Notes (a standard Huai Su book). Third, following a peaceful style of writing, such as a thousand words of grass, is quite different from his arrogant style of writing and completely changed, which can also be said to be his outstanding point.