2) What is the basis of their emotional conflict (psychological problems)? What causes them to have psychological problems? Psychological problems are usually the biggest crisis. )
The answers to these questions are the necessity of the establishment and development of love and plots, so it is necessary to master them from the beginning and know what psychological problems they have in order to give your characters depth and make them have various problems like real people.
3) Where will your novel start? How to start?
Choose the most effective start, the sooner the better, because it can save you a lot of wasted time. Do you want to start from where things changed or from scratch?
4) How does the biggest event (the biggest conflict) in the story progress and how does it merge with the love event?
For example, the biggest conflict in your story is that the protagonist is found cheating, so you should pave the way at the beginning of the story. Why did he cheat and bury the cause and let it break out when the time was right? What kind of skirmishes will happen before and after the outbreak? You should consider all these clearly; In order to avoid ineffectiveness, you should design between points (between stories) and make sure that your story is logical.
5) When-when does the development of character relationship affect the story line? And how does the story line affect their relationship?
Because of the cheating of the hero, it highlights the hero's mental illness. How should the heroine face it and solve it after she finds out? After adopting this method, what impact will it have on their relationship? Of course, it should also include the changes and influences of their physical intimacy.
(Chapter 1)-Establish the time and place, introduce the roles (main characters), and point out the problems to be solved.
(Chapter 2) —— Establishing the attraction between male and female protagonists, sowing or revealing the seeds of future conflicts, and the role of secondary plot appears.
(Chapter III)-The feelings between the hero and heroine have further developed, and the secondary plot has also further developed.
(Chapter 4)-Conflicting hearts germinate, sexual tension germinates, and the relationship between the Lord and love goes further (for better or worse).
(Chapter 5)-The contradiction rises, the contradiction that the hero and heroine can't be together appears, the obstacle of love appears, and the hero and heroine make a difficult decision.
(Chapter VI)-The hero and heroine should stay together, try to ignore their problems, and the secondary plot will develop again.
(Chapter 7) ── The hero/heroine discovers her feelings, but doesn't confess, and the secondary plot reaches □□.
(Chapter 8)-The conflict broke out and the problem was so serious that there seemed to be no way to solve it. The relationship seems to have failed, both of them gave up, and the plot was solved.
(Chapter 9) ── The protagonists can't find a way out, and the future is dark.
(Chapter 10)-The hero and heroine showed heroic behavior and chose love, and new information was introduced (confession), which changed the environment, whether external methods or internal awakening, and urged them to get together, resolve conflicts and live happily ever after.
When designing the plot, there are several points to pay attention to. You should avoid designing the following scenarios:
1) Fragile misunderstanding: A simple dialogue can clear up the misunderstanding. Such a novel is too far-fetched, and the gap between the hero and heroine must be very strong. It is worth reading for readers to see how they can solve their own problems.
2) Third Party: Using this third party to increase the conflict between the hero and heroine shows that your imagination is not enough, so you need to use this old-fashioned method that will make people lose their books. You can regard the third party as an additional misunderstanding that increases the intensity of the conflict, but it cannot be the main misunderstanding.
3) The hero and heroine are very ill and need to be sent to a mental hospital for treatment: Who will be interested in your novel then? The hero and heroine must be normal people and have room for growth in personality, but remember, romance novels are not novels about human nature, so don't put a lot of Freud's words into novels.
4) The protagonists in novels that readers can't accept are criminals, sadists, eroticists, women who sleep everywhere, (or men's), liars, disloyalty and mental problems.
These are trivial things, but they will affect your novel, so use these settings carefully.
These are naturally not enough. The only way to write a good composition and outline is to write more, keep writing and keep writing. Baidu Google authors communicate, improve and learn endlessly. Jujube is just to inspire ideas, and more content needs everyone to practice and collect tutorials independently. Mark respects all those who write seriously and extends his sincere wishes.
What you want to go is an eternal journey, and what you can see is an instant shortcut!
A perfect outline should at least include the following parts:
I. Work Settings
1, character setting:
The character setting here includes the protagonist in the work and the characters entangled with the protagonist. This is the same as the protagonist when we watch the movie.
When setting the main characters, they should include their names, family background, personality characteristics, appearance preferences, strength attributes, etc. In addition, it is best to establish a resume.
In character setting, no matter what kind of works, the most important setting is "personality characteristics". The characters in many works, like puppets, are not active at all, just because the author doesn't grasp the "personality characteristics" at all.
In order to make the characters in the works full of vitality and everyone alive, it is necessary to carefully set their personality characteristics, and then pay attention to them all the time in writing to see if their characterization conforms to the character setting.
2. World Settings:
World setting, fantasy works are very needed. This setting is to describe the world where the story takes place within a framework, so as not to distort the world in your own writing.
World setting should include world composition, power distribution, power level, currency conversion and so on.
This is just like the settings in online games: map, monster distribution, role occupation, role skills and so on.
Carefully constructing the world in which the work takes place has played a great role in perfecting the story.
Second, the main line of the story
The main line of the story is the main line of the story development of the work.
This is the main line of the story, whether it's about a fool who goes to hell to ravage a kid, or about the love entanglement between two men and three women, or about the rise of a gentleman from a rogue to a tycoon.
In addition, when setting the main line of the story, you'd better think about what you want to attract readers and whether you can attract readers.
Third, an overview of diversity
The diversity program should include two parts. That is, the characters in this episode and the detailed outline of this episode.
1. The characters appearing in this episode should list all the participants in this episode. If there is a non-starring actor who is not set in the "related settings", it is necessary to describe the character of this girl or groom in simple words.
2. The detailed outline of this episode is a detailed introduction to the development of this episode, which requires three elements: people, places and things. It's what someone is like somewhere, and then what happens.
A detailed outline of the diversity story, if all the diversity of the whole work can be set at the beginning, is of course the best. If you can't set it, at least you need to set a story of about 65438+ ten thousand words in the future.
When setting the detailed outline of the diversity story, we should carefully consider whether the plot of this episode we set revolves around the main story and whether it is promoting the development of the story.