I think the greatest value of Zhou Hao's movies is that he doesn't want to tell you, but just wants to show you. In other words, the highlight of his film is "no position" or "chaos". There is no narration, no soundtrack, and few questions are asked to the interviewee. He is like a fly, silently watching everything happening here. Today's China is a labeled China. It seems that each of us can immediately express our preset position on hot issues. However, if you think about it carefully, how did these positions come about? What is the proportion of personal experience, media reports and even positions from others? Who can 100% believe that their position is perfect? However, it seems that everyone believes that their position is perfect. So today's things have become like this: it is easy to have a position, but it is so difficult to see the essence of the event behind the position. So Zhou Hao did a simple thing, that is, he tried to record and restore the original appearance of the incident. He chose hot and painful people, such as government officials, doctors and nurses, police officers in police stations, drug addicts and so on. Those who were tagged in the news were stripped of their solidified tags in his lens and really survived. Then you will see: the mayor who is good at forced demolition always gets up at 4: 30 every day to go to work, and also gives answers to the petitioners at home; Drug dealers and addicts commit all kinds of crimes, but they admit their mistakes like primary school students under the supervision of their friends. The secretary of the county party Committee is sitting in the car where he took office, but from time to time he will vomit "institutional problems" with dirty words like angry youths. Zhou Hao did this well: he presented the event to you and judged for himself whether it was right or wrong. The best documentary is like this: 1000 people have seen it, and then there are 1000 views, just like people have the same view on the real event itself.