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Masaru Konuma's acting experience
Also known as: sacrificial wife/sacrificed wife/dedicated wife.

Director: Masaru Konuma Masataro of Oganuma.

Starring: Naomi Tani/Nagatoshi Sakamoto/Terumi Azuma

Release year: 1974

Language: Japanese

Country of manufacture: Japan

Introduction:

The wife of a fugitive waited for her husband for three years. During these three years, her husband gradually became insane in the mountains. After she met her husband, she was abused by him and gradually liked this way. Masaru Konuma, the pioneer of sm hardcore erotic films, has received little attention. Masaru Konuma was born in 1937. 197 1, the invitation to shoot the flower core for the first time. Since then, 47 works have been preserved, which reflect Masaru Konuma's unique aesthetic world. The emotional events during the day are Datura, an ancient capital, a girl's hell dreaming of a long night, a flower snake on the sm route and a girl in a box. While shooting colorful films, Masaru Konuma consolidated the film art with German characteristics ... (More) Also known as Hako no naka no onna: shojo ikenie.

Director: Masaru Konuma

Author Kazuo 'Gaira' Komizu

Starring: Reiko Kobayakawa, Kwai Reiko Kobayakawa ... Yukiko, Gao Qiao.

Saeko Kizuki ... Miyoko Ikeda.

Jiro KUSANAGI ... Keiji Yokozawa.

Movie genre: horror

Length: 82 minutes

Country/Region: Japan

Dialogue language: Japanese

Color: color

Introduction:

A couple with strong sexual desire really couldn't meet each other's needs, so they arrested a girl and tortured her sexually. I didn't expect them to have a little conscience and let her go, but the girl actually came back because she was used to this kind of sexual assault and enjoyed it. Director Masaru Konuma claims to be one of the Japanese erotic masters. The classic erotic series works combine the essence of Japanese traditional culture. SM is a master of erotic writing, which has a great influence on erotic films in the world. Masaru Konuma's masterpiece. The story begins with a van with a single mirror window, sometimes parked downtown and sometimes parked at a tennis court. A middle-aged couple with strong sexual desire curled up in the carriage, making love while watching passers-by passing by in a hurry outside the window. OL stroked the "glass mirror" of the window, and the female student shook the tennis racket. Not satisfied with this indulgence, the couple simply kidnapped a pure female college student as a sex slave, imprisoned in the basement of the sewer, and repeatedly carried out threats, training, indecency, threesome, puncture, sexual intercourse, humiliation and other acts. In order to prevent her from running away, they locked her body in a wooden box, only showing her head. Finally, the couple's successful sexual transformation opened the door of female students' desire, from a shy virgin to a lecherous slut. Although the husband and wife surrendered to the police station, the charges were not established because the female students were in the way.

Also known as Hako no naka no onna II.

Director: Masaru Konuma

Starring: しほり nagasaka/みゆき /みゆきKawamura/Si Xia Asai/Ogawa is really beautiful.

Release year: 1986

Language: Japanese

Country of manufacture: Japan

Introduction:

This film tells the story of a man who was abandoned by his wife's crazy revenge on other people's wives, and finally got the love of the abused. It's incredible. The film is more attractive, and the protagonist's behavior is logical and affectionate. ...

The source of desire in Woman in a Box 2 is not Junichiro Tanizaki's twisted masochism or foot-obsessed sexual disorder, nor is it the abnormal sexual interest of Danoni VI's sadist, but the normal sexual desire of ordinary citizens with sexual intercourse as a clear purpose. Even if the girl is locked in a wooden box and her lower body is pierced, these are undoubtedly purposeful and natural, and do not stop at the formal symbols of sadistic consciousness. The former is to prevent girls from escaping, and the latter is to stimulate sexual desire. The sexual abuse here is not so much SM as offensive instinct contained in sexual impulse. The taboo described in the film is undoubtedly the crime of sexual assault, however, the director conveys another kind of information-the liberation of sexual desire. It is precisely in the form of imprisonment that the woman whose sexual desire is imprisoned has been liberated. The passive position of oriental women in gender roles does not allow them to actively pursue sex. Camouflage, shyness, virtuous personality and protective layer stand in front of the torrent of desire. The protagonist and his wife in the film take it as their responsibility to pierce this false barrier, deceive the girl with cruel means that threaten her life, help her cross the boundary of shame, trigger the girl's latent sexual impulse instinct under the threat of death, and let her taste the sweetness of sex, and fall in love with it deeply, becoming addicted.

Also known as hirousagarino jojikoto-mandara

Screenwriter: Takehiro Nakajima

Director: Masaru Konuma

Starring: Morio Kazama/Junko Miyashita

Release year: 1973

Country of manufacture: Japan

Language: Japanese

Introduction:

In Kyoto, teahouse, Heimu, a bank clerk sent from Tokyo, encouraged her boss to have a blind date with Minako, the adopted daughter of the old painter. At first, Minako was indifferent to ebony, but soon took the initiative to have a physical relationship with it. Then, Heimu loves her so much that she can't stop, and she is also addicted to fierce love entanglements, but she has no intention of marrying Heimu, because her adoptive father …