1976, she is already a freshman, clamoring to learn drama. At Uncle Wang's suggestion, he was admitted to Hebei Art School, where he studied with many famous artists, including Qi, Luo Huilan, and Wang Huilan, and systematically studied the performing arts of Peking Opera. He has studied and performed several repertoires, such as Wangjiangge, Shiro Visiting Mother, Dragon and Phoenix, Farewell My Concubine, Fierce Horse with Red Bristle, Yutangchun and Cosmic Front. Under the guidance of famous teachers, she studied hard and achieved excellent results, which attracted wide attention. Hebei Daily published an article: "Liang Lingwei, with beautiful appearance, sweet voice and standardized performance, is a promising actor." Hebei TV Station specially recorded her drama Feng Haichao, which was staged many times and received rave reviews. Liang 198 1 graduated with honors and was assigned to work in Hebei Peking Opera Theatre. At that time, a group of old artists in the theater, such as Luo Huilan, Liang Qingyun and An Rongqing, galloped on the stage in middle age. Traditionally, the newly assigned students' inaction is reasonable, but many young people who are not sensible complain all day, and many people can't stay away from poverty, go into business or switch to other industries. When someone asked Liang why she was in a bad mood, she said, "What we learned at school is just a little superficial, which is far from meeting the requirements. Now teachers are skilled in acting, and watching them perform is learning. " Therefore, every time she performs, people will always see her absorbed.
Because most students in art schools learn the main roles at school, they are reluctant to come to small roles such as ladies-in-waiting or walk-on after they arrive at the troupe. Comrades in charge of role assignment often get emotional and even quarrel about this matter. But Liang has never been unhappy. She thinks it is a good way to take advantage of the opportunity of standing in the palace to get stage practice and watch the teacher's performance at close range. Why are you unhappy? To this end, the leaders of the war zone praised her many times at the conference. 1990, she was elected as the head of the second troupe of Hebei Peking Opera Theatre. In Liang's family, she is the youngest good girl. Her parents love her like the apple of their eye, and her sisters treat her like a baby. In the art school, she is a student with excellent academic performance, and the leading teacher is also spoiled. She had never been a team leader since she was a child, and suddenly she became a team leader. Dozens of men and women, complicated routine work, she not only has to contact the performance, but also creates new plays and completes various contract indicators. She should not only take care of old comrades, but also cultivate young comrades, and also care about the most tired middle-aged comrades on the stage. She never knew about worry, and she tasted it for a while.
Once, a troupe performed in a village in Lixian County. After the performance in the morning, everyone was busy unloading the stage, packing their bags and preparing to rush to the next performance point, but the reserved bus never came. Liang is in a hurry. He is afraid of missing the performance in the evening. Seeing her impatience, the village cadres struggled to mobilize several tractor drivers. When the actors who didn't eat or drink all day sat on the rickety walking tractor and bumped on the uneven dirt road, everyone was angry. Just arrived at the destination, the car has not stopped, people surrounded the beam and shouted noisily: "Colonel, what crime have we committed?" Stop acting and send us home quickly. "In the face of everyone, she usually doesn't like tears, and at this time she shed tears of injustice. She sobbed and said to everyone, "I didn't do my job well. The driver temporarily took on more profitable work and abandoned us, so the car I contacted didn't arrive." "It's my fault to make everyone suffer. Now that the audience eager to see the play has come, can't they be worthy of the folks who came more than ten miles away? " Her touching words touched everyone's heart. The angry person comforted her in turn: "Ling Wei, you didn't miss the train. Don't be sad. The play will continue as usual. " At this time, Ling Wei wiped her tears and said, "Thank you for your support." Then the sound of gongs and drums.
During his tenure as head of the regiment, Liang always put social benefits first. In order to cooperate with the activities of eliminating pornography and illegal publications, the Second Regiment created a modern Peking Opera "Casino on the Sea". After the performance, it received rave reviews, and all localities rushed to invite the troupe to perform. There was a troupe in Suqiu Village, Luancheng County who performed this play. In one scene, the father led his son, and his wife coaxed her husband to help the old and the young to go to the theatre. Tens of thousands of spectators suddenly came to the square. Liang plays Xiao Fang, the wife of gambler Shuguang. There are heavy cycling dances and tearful arias in the play. Her emotional performance and singing made her cry about the dangers of gambling. Accuse gambling of the disaster to families and the harm to society. The audience who experienced it personally could not help but think of their own experiences and shed tears. The audience cried. After the play, an aunt took the actor's hand and asked, "Can you play it again so that my son who loves to play with money can be educated again?" A village cadre said gratefully, "Your game of banning gambling is more useful than how much work we do." Liang's performance was a great shock. She didn't expect a performance to have such a great effect. She is determined to take good care of the troupe and dedicate the best plays to the audience.
1998, the theater created and rehearsed the new historical drama Longbiefu. Liang plays the leading role in the play. She is always the first to arrive at the rehearsal scene and the last to leave the team every day. When it is cold, she will put her coat on others' shoulders; When the weather is hot, she will buy sorbet for everyone to relieve the heat. Which comrade is ill, she will take time to see it; She will take time to talk to any comrade who is in a bad mood. The actors feel that there is a harmonious family atmosphere in this group, and there is a friendship of comrades and brothers between people. With the unity and efforts of all my colleagues, the play was successfully staged and won the Excellent Drama Award in the 5th Hebei Drama Festival, and Liang won the Excellent Drama Award. 1999 1 1 As an excellent play in Hebei Province, the play was reported to Beijing and won unanimous praise from experts and audiences in the capital. Liang also won the Plum Blossom Award for Chinese Drama with this drama and a traditional opera. Zhang Yanling, a famous actor of Hebei Peking Opera Theatre, won the14th Plum Blossom Award for Chinese Drama with his handsome appearance, loud voice, full emotions, singing and exquisite artistic skills. He became the first actor in our province to win the Plum Blossom Award for Peking Opera, and was affectionately called "a branch of Peking Opera".
Zhang Yanling graduated from Hebei Art School with a major in Peking Opera Performance on 1974. He studied under Song Dezhu, Li Yanqiu, Jin Xueqin, Luo Huilan and Zhou Xiaoyun, and worked in Beijing Opera Blues and Hua Dan. In the early 1990s, when two troupes, "Provincial and Beijing", contracted to perform abroad, she went to China Theatre Academy for further study at her own expense, and was guided by famous teachers such as Li Jinhong and Xie Ruiqing, which laid a solid foundation for her future artistic path. From 1987 to 1994, she won four prizes in the national opera competition. Among them, 1992, she participated in the new performance of the National Peking Opera Youth League organized by the Ministry of Culture with "the Goddess Chang'e flying to the moon", and stood out among 28 leading actors and won the Best Actor Award. 1997 won 14 "plum blossom award" for China's drama with "Bloody Classroom", "Crossing the Sea with Eight Immortals" and "Zhao Jun's March".
After winning the prize, Zhang Yanling studied under Liu Xiurong, a famous performing artist from China Theatre Academy, hoping that he could become an artist by going up a storey still higher. The teacher taught me everything, and personally taught Mu's classic plays such as Hong Zhou Da Po and The Legend of the White Snake. Today, Zhang Yanling still takes Mu's Hong Zhou Da Po as his masterpiece.
From June 5 to 10, 2000, the provincial Peking Opera Theatre went to Beijing Chang 'an Grand Theatre to perform the representative play "Eight Immortals Crossing the Sea". In 20 days, Zhang Yanling performed 18 performances with his solid and profound basic skills, which won the love of many domestic and foreign audiences. During the Spring Festival this year, the "provincial capital" artistically reappeared the ancient ceremony of ancestor worship in the capital, and Zhang Yanling gave a vivid performance of the newly-married queen, which made the audience in the capital feel refreshed. During 1989, Zhang Yanling suffered a neck injury during a performance. After several years of injury, she still insists on learning drama for eight or nine hours and practicing kung fu for eight or nine hours every day. She hopes to constantly create new images when her acting skills become more mature. "Without a little chill, where does the plum blossom fragrance come from?" Liang's quiet, delicate and tepid performance not only won her the17th Plum Blossom Award for Chinese Drama, but also made the female images such as Chen Miaochang, Bai Niangzi glow with the moving brilliance of oriental art under the "packaging" of Beijing Opera.
Liang was admitted to the Peking Opera Class of Hebei Art School with excellent results of 1976. 198 1 joined the Hebei Peking Opera Troupe, studied under the famous Peking Opera performer Luo Huilan, and got the true story of Mei Pai. He was modest and eager to learn, and he was also very serious in acting. Playing the leading role, she was absorbed; Playing a supporting role, she is meticulous. Qiu Jiang, Qin Xianglian, Xi Stone, Fan Siguo, Wujiapo and other famous Mei operas are all vividly interpreted by her. Beijing opera experts once praised her as a very successful Wu Jiapo. "There is no Tsing Yi like her in Beijing".
In the early 1990s, the Peking Opera TV series Snow Spring starring Liang received a good response and won the "Horse Racing Award" for Hebei TV series. 1990, Liang rehearsed the new drama "Gambling at Sea", and Liang portrayed the protagonist Xiao Fang as authentic, which triggered many touching scenes in the theater where his wife took her husband and mother and son to watch the troupe performance. The play has been performed in various cities in the province 100, and was soon adapted into a drama and TV series, renamed "Bitter Fruit", which was broadcast on CCTV and Hebei TV Station, with strong response and won the "Enterprise Award" of the seventh national drama and TV series. In the drama Farewell to Liang, she reveals the emotional changes with a euphemistic and clear performance. "This trip to Wan Li is long,
Mo Wen's return is a tearful exhortation, describing Cai Wenji's farewell to her children as a mother. The play went to Beijing to participate in a cultural performance celebrating the 50th anniversary of the founding of the People's Republic of China, and won the "Five Ones" Project Award in Hebei Province in 2000.