The story of The Red Lantern is based on the film There is an Afterlife, and the original author is Shen. "Successors" is a film that reflects the people's anti-Japanese struggle in Northeast China with the anti-Japanese coalition as the background. The story happened at the "Cui Hui" station of Hulin Railway (Hulin City, Heilongjiang Province). In the 1960s, this film was shown all over the country. Soon after, the play was adapted from Shanghai Opera Troupe into Shanghai Opera, and then it was first put on the stage of Beijing Opera by Harbin Peking Opera Theatre. At that time, it was called Revolution Followed.
Abstract: During the period of War of Resistance against Japanese Aggression, in the occupied areas of Northeast China, Li Yuhe, an underground worker of the Party, accepted the task of passing passwords to Baishan guerrillas. She was killed by the Japanese aggressors because of the traitor's betrayal. Li Yuhe's daughter Tiemei inherited her father's wishes and sent the secret code up the hill. Guerrillas wiped out the Japanese invaders who were chasing Tiemei.
Re-reading The Red Lantern: 600-word composition
The story of Red Lantern in War of Resistance against Japanese Aggression is one of the heroic deeds of countless revolutionary martyrs in War of Resistance against Japanese Aggression. As an underground party member, Li Yuhe is facing various unfavorable situations. After Wang made the decision, Hatoyama hosted a banquet to coerce and lure people in an attempt to break the psychological defense line. In this fight to the death, Li Yuhe showed his composure, determination and wit. When he said goodbye to his mother and daughter, he told them in obscure language that he must finish the task. In this passage, I was deeply moved by the wonderful performance of * * * people and the spirit of bleeding for communist beliefs. It is also their selfless and fearless dedication that makes us happy today.
Living in peaceful times, we cherish time and study hard for the growth and development of our motherland!
On Mulan, Sanniang's godson, from The Red Lantern in Sanchaoyanggou
Today, we learned a text: The Old Man and the Sea. I admire the image of San Diego as a "tough guy" in the article.
No matter how difficult it is, San Diego will never give up. We admire his spirit of not giving up until he reaches his goal. In front of Santiago's personality, I am really too small, because if I can't figure out the problem, I will be irritable, angry and give up, instead of not giving up and sticking to it like Santiago.
Once I was idle at home and thought of sewing sandbags. I hurried to get the needle and thread and started sewing. Sewing and sewing, my fingers suddenly hurt. As soon as I saw it, it was punctured. I was impatient, threw my needle and thread aside and said loudly, "I won't do it." I sat down at my desk and picked up my Chinese book. When I turned to The Old Man and the Sea, I read it. I understand a truth: life is long, hard and full of ups and downs, but as long as you bravely meet the challenge with a confident heart, you will surely win. I thought about it, so I picked up the needle and thread and continued sewing. It was finished in a short time. It was not very good, but it succeeded.
This text deeply inspired me: No matter what difficulties or setbacks you encounter, don't give up easily. You must face the challenge with confidence, and you will succeed!
Four "The Red Lantern" emotional composition 600
Model operas are distant memories. In this week's art introductory class, I was able to watch the Beijing opera "Hanging the Red Lantern High" and experience this distorted art form for myself.
"What saplings will bear fruit, and what seeds will blossom." This is a pre-deformation theory and invariance theory. Even though Li Yuhe boasted that iron beauty was the spark of revolution, this statement denied the legitimacy of the pursuit of truth by people with lofty ideals in other class positions. If the description of artistic image needs Li Yuhe's rough and simple language, then, as people criticized, Li Yuhe's long lyric poems before the execution not only did not strengthen the image of the hero, but made people feel a little gentle. In different scenes, Li Yuhe sometimes uses bitter words, such as "thief Hatoyama", exquisite sentences with allusions and rhetoric, and verb-object phrases full of classical Chinese flavor, such as "I want you to think about your fate", which is as bureaucratic as a spokesman for the Ministry of Foreign Affairs. Although this artistic image is tangible, its personality is disordered. Formally, it is a so-called hero among the three highlights, but it is actually a simple patchwork and hodgepodge of heroes with different personalities.
"In order to save China, save the poor and defeat the Guizibing." Resisting Japan and saving the nation can only be regarded as a tool theory, not an axiology. Since Li Nainai outlined the goals of the working class from generation to generation, how can War of Resistance against Japanese Aggression be regarded as the final expectation? In the play, the concepts of "poor people" and "workers" are often confused. At the time of the drama, workers accounted for a small proportion of the proletarians in China, but they were equated. This is not the treatment of art, it is the embodiment of the coercive power of politics on art in a special period, which violates the authenticity of art. In the process of dealing with this drama, Jiang Qing also violated many artistic instructions, such as asking Li Yuhe to use the Internationale as the background music when he died. Li Yuhe pointed out that Yukio Hatoyama had a trick and his camp was stronger, which was inappropriate. Similarly, just because Premier Zhou pointed out that we should follow the old idioms, we should not be mechanically divorced from the plot. It is not only the blind obedience of deductive skills, but also the attitude of actors to participate in artistic creation, which deserves our scrutiny. In the era of drama performance, a poor man and a bottom switchman are glamorous and potbellied, creating a capitalist's wealth.
In the classic TV series "Water Margin", in order to play the image of Lu well, the actor gained 20 Jin in a few months after damaging his health. In contrast, in this movie with higher ratings and higher expectations, is it really that difficult to ask an actor to control his diet out of a sense of responsibility for artistic creation so as to be close to his artistic image? As one of the eight model operas during the Cultural Revolution, The Story of the Red Lantern was one of the few spiritual foods for the people of the whole country at that time and could be watched repeatedly. I only watched it once in class and once after class. If I hadn't borrowed the script, I really didn't understand many details. In other words, dramas used for mass communication have many literary failures, which are not conducive to widespread communication. For example, the "red butterfly" on the glass, when the grandparents and grandchildren are excited, they hold high the signal and light up. There are some details that I still don't quite understand. Why can't shooting at a distance of three centimeters from you be established? I think it would be difficult to understand so many melodramatic details once or twice if people who lacked spiritual food at that time did not appreciate them repeatedly. It can be said that this work, which was widely circulated at that time and reflected the artistic understanding and educational effect, was too pedantic and divorced from the masses to some extent. The starting point of this play is to emphasize its organizational function.
My hometown is Anqing, Anhui, and the dialect is Huangmei Opera. When I was a child, I grew up watching local Huangmei opera and TV series. I don't like the fast and high singing of Beijing Opera. The feeling that Peking Opera actors give me is inevitably the same as that of Red and Black's Ridrina's evaluation of the director of The Madhouse. This heroic and fearless spirit, at first glance, is exciting. After listening to a few more paragraphs, people will get excited and have excessive hearing fatigue. Besides, the lyrics in Beijing Opera are so fast that I can't keep up with the enunciation. The more I watch it, the more bored I get. Far less gentle and soothing than Huangmei Opera. Back to the story of the Red Lantern, comparing with the language art I don't like, "Li Yuhe had a bad leg pain,' one leg back flip', rubbed his leg, and' cheated his leg out'" while Li Yuhe stood tall, unbuttoned his clothes, appeared, sneered, buttoned his buttons, put his hands behind his back, and then appeared contemptuously. These action demonstrations originated from classical Peking Opera are extremely vivid limbs.
Reflections on five red lanterns. Urgent.
The Red Lantern is a modern Peking Opera, which eulogizes the indomitable struggle between the people of China and the enemy during the War of Resistance against Japanese Aggression period. The Red Lantern, accompanied by piano, organically combines China traditional art Peking Opera with foreign traditional art pianos ... which not only retains the basic characteristics of Beijing Opera singing and percussion band, but also gives full play to the broad, majestic and expressive features of the piano. It is an attempt to combine Chinese and western arts, and Beijing opera singing is known as "the quintessence of Chinese culture". Percussion, with its basic characteristics, has been integrated into the piano of the king of western musical instruments, which has enhanced its expressive force and made people feel refreshed. It has been well received by Beijing opera lovers and piano lovers to varying degrees.
Listen to the Red Lantern and write a 700-word composition
After-class feelings of the red lantern
Grade 8 | 400 words | Post-reading feeling
After-class feelings of the red lantern
Today we had a unique Chinese class, which I will never forget.
In "Hanging the Red Lantern High", Mr. Gu vividly described a Beijing opera sung when he was arrested, and made a detailed and wonderful analysis of the lyrics. After returning to China, I learned more about the historical sense of the development of Peking Opera and the story background and general situation of The Red Lantern.
As a unique opera in China, the English name of Beijing Opera is chinese opera (China Opera). Because of its clear pronunciation and mellow voice and profound artistic expression, it is deeply loved and sung by Chinese and foreign people. As students in the new era, we should learn more about China's traditional culture and try our best to carry it forward.
The story of Red Lantern in War of Resistance against Japanese Aggression is one of the heroic deeds of countless revolutionary martyrs in War of Resistance against Japanese Aggression. As an underground party member, Li Yuhe is facing various unfavorable situations. After Wang made the decision, Hatoyama hosted a banquet to coerce and lure people in an attempt to break the psychological defense line. In this fight to the death, Li Yuhe showed his composure, determination and wit. When he said goodbye to his mother and daughter, he told them in obscure language that he must finish the task. In this passage, I was deeply moved by the wonderful performance of * * * people and the spirit of bleeding for communist beliefs. It is also their selfless and fearless dedication that makes us happy today.
Living in peaceful times, we cherish time and study hard for the growth and development of our motherland!