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1999 1 1 won the excellent postgraduate scholarship of Hubei University.

200165438+February won the first-class scholarship of Zhejiang University.

In June, 2002, 5438+065438+ 10, the paper "Unique Style of Ci-Tang Fu Single-plank Bridge" won the third prize of outstanding achievements of Dongshi Literature, History and Philosophy Research Fund of Zhejiang University.

In February 2002, he was awarded Guanghua Scholarship of Zhejiang University.

In June 2003, he was awarded the title of outstanding graduate of Zhejiang University. The doctoral thesis "Reorganization of Cultural Territory and Reconstruction of Literary Fate —— A Historical and Cultural Survey of Song Literary World" was rated as an excellent graduation thesis by Zhejiang University, and participated in the selection of the top 100 national doctoral theses in 2004.

The paper "Different Mentality and Environmental Changes of Lingnan Literati before and after Du Nan" won the third prize of the 6th Social Science Award in Xiamen. Since 1999, the following papers have been published:

1, System Development and Reconstruction —— Comment on Liu's Study of Li Shangyin's Poetry: Jianghuai Forum 1999 2.

2. Respecting Ci and distinguishing style-a pair of contradictory factors in the formation of the unique style of Song Ci. Journal of Hubei University, No.3, 2000 (this article is taken from Academic Abstracts of Journal of Liberal Arts in Colleges and Universities, No.4, 2000).

3. A Review of the Research on the Staging of Song Ci, included in the Yearbook of Ci (1995-1996), Wuhan Publishing House, March 2000.

4. A unique history of broken pronouns-comment on Journal of Wuhan University, No.3, 2000.

5. Theoretical Promotion and Humanistic Care in the Study of Classical Literature —— Comments on Yu Shucheng's China Book Review (200 1) and China Yunwen Magazine (200 1) (co-authored with Mr. Shang).

6. Love and folk customs in Huajian Ci-A preliminary study of Liu Guo's love ci. China Journal of Rhyme, No.2, 200 1.

7. Comment on Liu Zunming's China Book Review, No.6, 2002.

8. "A Unique Style of Ci —— Textual Research on The Bridges of Madison County by Tang Fu", Knowledge of Classical Literature, No.3, 2002.

9. Textual research on the unique style of the word "Tang Fu Single-plank Bridge" and the full-text copy of "NPC Copy Materials" in 2002.

10, Comments on the General Theory of Ci in Jin and Yuan Dynasties and Yearbook of Literary Studies in Song Dynasty, published by Wuhan Publishing House in June 2002.

1 1。 Introduction to the Style of Tang Poetry, China's Poetics (Seventh Series), edited by Jiang Yin and Zhang, People's Literature Publishing House, June 2002.

12, A Collection of Textual Errors in Dongpo's Ci, Literary Heritage, No.5, 2004.

13, "Buddhist karma and Du Nan scholars' literary creation", Journal of Zhejiang University, No.3, 2003 (written in cooperation with LARA I INGEMAN, assistant professor of East Asian Department in Indiana, USA), the full text of this article was reprinted in No.8, 2003, and it was also the abstract of Journal of Liberal Arts in Colleges and Universities, No.3, 2003 and Social Sciences in China.

14, Textual Research on the Birth and Death Years of Zhuang Chuo, Lin Jizhong, Guo Yin and Cao Xun, Literature,No. 1, 2004.

15, Celebrities and Court Literati in Qiliangyu Family in Jiangling of Southern Dynasties, included in China Cultural Family Series (Jingchu Volume), edited by Cao Yuetang and Shu Huai, Hubei Education Press, March 2004.

16, Political Changes and Poetic Atmosphere in the Early Period of Southern Song Dynasty, Journal of Xiamen University, No.3, 2004.

17, Nandu in Song Dynasty and the Prosperity of Chorus in Ci, Journal of Xiamen Institute of Education,No. 1 issue, 2005.

18, Different Mentality and Environmental Changes of Lingnan Scholars Exiled before and after Du Nan, Journal of Zhejiang University, No.5, 2004.

19, the southward crossing of Song Dynasty and the reorganization of cultural territory —— Taking the literati in Song Dynasty and their literary activities as the starting point.

20. Papers of the International Forum on Literary Heritage in 2004. Jianghuai Forum, No.6, 2005.

2 1, Qin Gui and the Praise in Shaoxing Literature (cooperation with Zheng Ling), Journal of Jimei University, No.6, No.22, 2006, The Battle of Peace and War and the Division of Scholars in Du Nan (cooperation with Li Benhong), and Anhui History, No.5, 2006. 23. Books are teachers, Guangming Daily, June 5438+ 10. 24. The literary heritage of "The Geographical Distribution of Du Nan Poets and the New Situation of Southern Song Literature Development" in June 2006, 1 1. The full text of NPC Reproduction Materials is reproduced. 25. Imperial Examination and Wandering of Jianghu Poets, June 5438+ 10, 2007. 26. On Ding Bing's Thought of Ci (co-edited with Sabrina), Knowledge of Classical Literature, No.2, 2007. 27. Qian's analysis of the fraud in the three-year examination of Su Shi's imperial examination-also on the reasons for Li Zhi's fall, Journal of Zhejiang University, No.3, 2008. 28. Imperial Examination and Literature Collection of Song Dynasty, Education and Examination, No.5, 2008. 29. Some Questions about Zhao Mingcheng's The Scholars and Li Qingzhao's Life Creation, Collection of Papers Celebrating Professor Wu's 50th Anniversary of Teaching, Zhejiang University Press, June 5, 2008-10/October 38. 30. The Formation Opportunity of the Southern Song Dynasty Jinshi Sub-subject Examination —— Also on the Debate between Confucian Classics and Poetry and Fu in the Song Dynasty Imperial Examination History, Journal of Xiamen University, June 5-438+ 10, 2008. Reprinted Journal of Peking University and Research on the History of Education. 3 1, A Collection of Examiners-A Reply to Poems of the Same Sect (in cooperation with Yang), Education and Examination, August 2009. 32. Gu Ci and Tang Poetry (in cooperation with Sun Zongying), Knowledge of Classical Literature, No.6, 2009. 33. Twenty Supplements (in cooperation with Su Biquan), China Phonology Magazine, No.4, 2009. 34. The evolution of relegation culture in Northern Song Dynasty and its literary influence (in cooperation with Professor Shang), On China Literature and History, 20 10 September. Excerpts from China Social Science Abstracts. 35. Four Textual Research on the Life Stories of Song Dynasty Painters and Calligraphers, New Art No.6, 20 1 1. 36. Dialectical Analysis of the Truth of Abolishing the Imperial Examination in Song Huizong, Imperial Examination Series, 20 1 1. 37. Textual research on the year of Xiao Guan's birth and death in Song Dynasty, Jianghai Journal, No.3, 20 12. 38. Book of Scholars in Song Dynasty under the system of copying names, literary heritage, May 20 12. The full text of NPC copy materials is reproduced. 39. "Without words, people are as pale as chrysanthemums", included in the book "Pursuing the Teaching Realm of bosom friends", September 20 12. 40. Textual research on the year of Liu Qian's death in Song Dynasty, Journal of Jianghai, 20 12 1 1. 4 1, worship of scientific names, analysis of scientific names and document dissemination in Song Dynasty, Journal of Xiamen University, 20121. 42. Supplementary Notes on the Work and Life of Northern Song Dynasty Painters Guo Zhongshu, Huang, New Art, 20 13. 43. "That's what I heard-in memory of Wu Xiong and his teacher", Literary Heritage (online edition), 2065438+March 2003. 44. A Successful Attempt of Quantitative Analysis in the Study of Ci Poetry, Ci Poetry 20 13. 45. Historical Sources and Values of Biography of Yuan Lie, Journal of Xiamen University, 20 14. (1) Cultural Reorganization and New Changes in Literature in the Early Southern Song Dynasty, Xiamen University, 2006, 10 Edition. What this book chooses is an important aspect that is still weak and urgently needs to be opened in the study of culture and literature in the Song Dynasty, trying to provide an anatomical map of cultural outlook, literati spirit and literary style for an era under the broad background of the times. Trying to find an intermediary point between culture, literature and the social life of scholars is a starting point of this book's research and an important goal that this book needs to achieve. As far as the early Southern Song Dynasty is concerned, the most profound influence brought by the southward crossing of a large number of northern scholars to the culture and literature of the Song Dynasty is the reorganization of cultural territory and the change of literary destiny. Therefore, all the important factors related to the reorganization of cultural territory, such as the class and type of scholars, the route of southward migration, and the geographical distribution of scholars, are the research objects that this book tries to explain. The second chapter of this book revolves around this. The deep relationship between political changes, the connotation of the current situation, geographical environment, the life of scholars, the policies and measures of the Southern Song government to resettle scholars, the literary process and the literary atmosphere is also the focus of this book. The third and fourth chapters of this book focus on this. With understanding and sympathy, it is a main perspective of this paper to try to show the true life of Du Nan scholars in Song Dynasty. Therefore, although this book only chooses "Ci poets" as the description object, it is intended to highlight the living conditions of a generation of literati, and then analyze the reorganization of cultural ecology and the new trends of literati's cultural creation at that time. Therefore, when explaining the overall characteristics and features of culture and literature, the focus is not on the description of phenomena, but on in-depth historical materials, trying to dig deep into the background and living environment of people. Mutual proof of literature and history is the principle that this book strives to practice in research methods. On the one hand, this book is different from the previous literary research methods of artistic criticism and appreciation in the interpretation of Song Poetry, Song Ci and Wen Song, and pays more attention to the available historical value of these cultural achievements and the new mentality and spirit of literati; On the other hand, for the literary creation and ideological trend of literati, it is often from the outside to the inside, from the outside to the inside, focusing on the analysis of its causes, not just the description of style and value judgment. Main social evaluation: Professor Ye Bangyi of Anhui Normal University pointed out in the article: "From the perspective of historical and cultural research, Qian's works are at least worthy of recognition. First, the collection and textual research of documents; The second is to find problems from materials, find perspectives and refine opinions. ..... Zhu Qian has his own experience and innovation in materials, viewpoints and methods under the condition that the research results of Du Nan's Ci have been quite accumulated. This is very remarkable. " (Song Dynasty Literary Yearbook, 2006-2007, Wuhan University Press, 2009, 10 edition. Pages 370-372). (2) A Survey of Literature, History and Culture in Song Dynasty, Fujian Education Press, 20 12. Content Description: This monograph is divided into two parts. The first part is the theoretical part, which mainly investigates the literature of the Song Dynasty from three aspects: imperial examination, relegation and regional culture, aiming at revealing the extensive social content and profound cultural details covered by the literature of the Song Dynasty. The second part is the compilation of textual research, which combines the knowledge application of system history, social history and custom history with traditional textual research methods to textual research, analyze and compile the life stories, spreading skills and works of important writers in Song Dynasty. There are three main academic contributions of this monograph: First, from the research point of view, this monograph attempts to apply the knowledge of institutional history, custom history, political history and cultural history to the study of Song Dynasty literature, fully absorb the existing academic achievements of contemporary Song Dynasty history circles, and find some intermediary points between history and literature (such as the style of imperial examination, the style of literary collection, and the roaming of literati, etc.). ) .2. Judging from the research results, the literary style of the literati in the Song Dynasty has a long history, and the formation of the Jianghu poets in the Song Dynasty is closely related to the literati's pursuit of the South. The rise of southern literature, the shift of literary focus to the south, and the reorganization of literary territory after the Song Dynasty's southern crossing are all viewpoints that have not been touched or given enough attention by predecessors. To some extent, it fills the relevant gaps. The textual research method adopted in this monograph has certain enlightenment significance. For example, the knowledge of the history of imperial examinations in Song Dynasty (the system of locking officials and the process of marking examination papers) is used to verify the authenticity of Su Shi's cheating case in the examination room, and Li Qingzhao's life creation is verified from the system of buying and selling concubines in Song Dynasty. Stones from other mountains can attack jade and fully absorb the knowledge of adjacent or related disciplines, which is very important for literary research. This monograph deepens and refines the understanding of this theory with examples. Social evaluation: Most chapters of this monograph have been published in such important journals as Literary Heritage, China Literature and History Series, Journal of Xiamen University, Journal of Zhejiang University, Rhyme of China and Journal of Jianghai. Among them, the writers and literature in Song Dynasty under the system of copying names, the geographical distribution of poets in Du Nan and the new situation of literature development in Southern Song Dynasty, and Dongpo Ci received three articles by mistake, and the first two full texts were reprinted in the fourth issue of Literary Heritage in 2007 and the seventh issue of 20 12. In addition, the ninth issue of the National People's Congress in 2002 reprinted the article "Textual Research on the Bridge Body of Tang Fu Dumu Bridge". The article "The Opportunity for the Formation of Jinshi Examination System in Southern Song Dynasty" is taken from the second issue of Journal of Peking University in 2009. I also commented on Liang Jianguo's article "Research Trends of Song History in 2008" (Research Trends of China History, June 2009).

(3) The Biography of Song Shiwen Yuan Jian Zheng, Phoenix Publishing House, 20 12 edition. Content abstract: This book lasted for seven years, based on Biography of Yuan, collected extensively, and made a detailed textual research on the birth and death years, native place, family background, official calendar and writings of nearly 100 writers in Song Dynasty. The main points are as follows: (1) The most direct historical source of Biography of Song Shiwen Yuan is the History of Song Dynasty. Compare the fragments of the national history of the Song Dynasty quoted in Zi Zhi Tong Jian, Shi Wen Hui Ji, Fan Zhongyan Ji, Zhai Jun Du Lu, Rong Zhai Essay, Jiading Chi Cheng Lu and Jingkoujiao Old Biography. Chen Chong, Xie Yan, Zeng Zhiyao, Su Shunqin, Pan Yang, Mi Fei, Zhang Lei, Lu Nangong, etc. They are all biographies of national history, and their stories can be cross-referenced with Yuan's biography. However, Hong Zhan Biography of National History and Hong Zhan Biography of Song History contained in Xin 'an Documentary Records are all the same except for a few slightly different sentences, while the original texts of many Biographies of Huang Tingjian of National History quoted in Chronology of Mr. Gu, a series of Shi Yuan in the Republic of China, are all the same as Biography of Wen Yuan of Song History. (2) The national history and original records of the Song Dynasty, as well as the inscriptions, poems, family biographies, anthologies and notes of the Song people. Therefore, the epitaphs and anthologies of Song people are actually the original historical materials of Song Shiwen Yuan Zhuan, but they are not direct historical materials.

(3) The Biography of Wen Yuan in Song Dynasty has many mistakes, but its position as a history of faith is beyond doubt. Take Lunan Palace as an example. It is said that Ning is in the middle, and scholars have praised the careers of Ma Rong, Wang Su and Xu Shen. But Nangong can't be good every hour, so it no longer means enterprising. The minister of Siku Library dismissed it as gossip, saying that "the history of Song Dynasty is poor, and this is also one end". However, after examining all the dramas, this is what Lu Nangong said. The history of the Song Dynasty is true. Don't mention this example again.

(4) The history of the Song Dynasty caused mistakes, either along the national history (such as Mi Fei's native place), or because of biographies (such as "Zhang" being mistaken for "Sun", etc.), or because of historical materials being misreported (such as Tang Geng being mistaken for his brother Tang Zhan, why is it a preface to poetry). Or because of misreading the original text (for example, remembering the lineage of Chaobu). However, more "mistakes" are actually the simultaneous occurrence of several events in Song history, or the previous after-the-fact narration, which was not well thought out and thoroughly studied when it was deleted, leading to inaccurate narration. In other words, the calligraphy of The History of Song Dynasty caused many suspected mistakes, not real ones. Therefore, later scholars should take the history of the Song Dynasty as an example and cannot judge its right and wrong. The academic contribution and theoretical innovation lie in: (1) making up for the shortage of literature arrangement of History of Song Dynasty. (2) This topic not only investigates the mistakes in Yuan Zhuan, but also corrects them, thus correcting some long-standing prejudices and profound misunderstandings with empirical research, and returning them to the true colors of history. (3) Collected a great deal of information about the life stories of nearly 100 writers in the Song Dynasty, which further enriched the literature foundation of literature research in the Song Dynasty. Notes. " Social evaluation: 1. Part of the book's achievements are: Discrimination of Su Shi's Three-year Imperial Examination Falsification —— Also on the Reasons for Li Zhi's Fall; Four Texts on the Life Story of Song Dynasty Painters; Textual Research on the Birth and Death Year of Xiao Guan; Textual Research on the Death Year; Revision of the Life Story of Song Dynasty Painters Guo Zhongshu and Huang, etc. Published in Journal of Zhejiang University No.3, 2008, Art Nouveau (Journal of China Academy of Fine Arts) No.201No.6, Journal of Jianghai No.3, No.6, 20 12, Art Nouveau. Secondly, after the book was published, I received letters from scholars such as Wuhan University, Shang, Peking University Qian and Taiwan Province national cheng kung university Wang, affirming its academic value. 3. As an important part of the important topic of Biography of Literary Gardens in Past Dynasties, this book was reported by domestic newspapers and websites such as Ancient Books and New Books, China Ancient Books Network, Literary Heritage, and China University Humanities and Social Sciences Information Network, and was highly praised. 2. As an important part of Biography of Literary Gardens in Past Dynasties, this book won the second prize of outstanding achievements in social sciences in Xiamen and the first prize of outstanding achievements in social sciences in Fujian.