About the details of Yan Zhenqing, we will introduce you from the following aspects:
First, Yan Zhenqing's poems
Persuade to learn, climb the bridge, and enjoy happiness in three words. Huangfu once participated in the drama of the Moon in the South Building and carved a Taoist poem in Qingyuan, so he continued to write it, gave it to the monk Jiao Ran, wrote the twilight word of the pavilion on the mountain (created by Lu Hung-chien), gave it to General Pei, and made the Yaotai Temple. Lonely people, five words to the court, five words to get together at night, five words to sing the wind with Geng _ Shuiting, five words to send osmanthus, five words to sip tea on a moonlit night, five words to sing lights at a night banquet, five words to send it to fly again, and so on.
Second, unofficial history anecdotes
When Yan Zhenqing was the secretariat of Fuzhou, there was a man named Yang Zhijian in the county who loved to learn, but his family was poor and his fellow villagers didn't know him. His wife asked him for a divorce because of lack of money. Yang Zhijian wrote a poem for her, saying, "I have long been determined to be a teacher, but now I have become a sideburns. Camel road governor is late, and waste road is late. Chai Jin combed his new hair at will, and Luan Jing never combed it from him. When you come here, you will walk with passers-by. Go down the mountain as soon as we meet. " His wife took the poem to the state to handle the official documents so as to remarry. Yan Zhenqing said in the official document of evaluation: "Yang Zhijian studied Confucianism very early, and he was also famous for writing poems. Although he was envious of passing the imperial examination, he didn't enjoy any salary himself. His silly wife, seeing that he has never passed the exam, doesn't even want to live with him anymore, and doesn't want to help her husband achieve his career like a poor wife. Women who just want to learn from Zhu Maichen hate and abandon their husbands. Bring shame to hometown and ruin moral education. How can we stop this frivolous behavior without punishment and warning? A woman should be beaten twenty times to make her remarry. Yang Zhijian is a scholar, and he is funded to take up his post in the army temporarily. ". People from far and near have heard about it, and no one is unconvinced. Since then, no woman in Jiangbiao has dared to abandon her husband.
Third, the main works
Dong Fangshuo Portrait Praise There are two regular script works of Dong Fangshuo Portrait Praise, one is Wang Xizhi's small script, and the other is Yan Zhenqing's big script. This inscription is engraved with the inscription "Praise and Preface of Dr. Oriental Painting in Taichung, Korea". Tang Tianbao was founded in Ling County, Dezhou on1February 13, when Yan Zhenqing was 46 years old. Su Dongpo once studied this monument and wrote: "Yan Lugong wrote a monument in his life, but this monument is Qingxiong." This sentence is very clear, and then I saw Wang Youjun's book. I know the words are very close to this book. Although the size is different, the charm is still good. "There is a cloud in the Ming Dynasty:" Calligraphy is vigorous and powerful, and it is Lu Gong's proud pen. "This monument was originally located in the Oriental Temple in Dong Fangshuo's hometown (Shentou Town, Ling County), but it was moved to the city in the Yuan Dynasty. In the sixth year of Kangxi in Qing Dynasty (1667), the monument was half buried in the soil. It was not until the fifty-seventh year of Qianlong (1793) that it was dug up by Wang Benzhuang, the county magistrate of Ai Yan Shu, and a monument pavilion was built for protection. 1958, the monument pavilion was rebuilt in Texas as a key cultural relic protection. During the cursive Anshi Rebellion, Lv Gong's cousin Yan Gaoqing was appointed as the prefect of Changshan County. Thieves and soldiers advanced on him, so that Taiyuan saved our army, and Yan Gaoqing and his son were killed. Therefore, the article says that "thieves and ministers cannot be saved, the isolated city is besieged, the father is trapped and the child dies, and the nest collapses." "Later, Duke Zhuang of Lu sent his nephew Quan Ming to clean up the mess. He only got one foot and Ji Ming's skull, so he did it. Duke Lu is fifty years old. Calligraphy works are words, and people say there are words. Duke Lu is a loyal and heroic man, and his life is awe-inspiring. His spiritual integrity is embodied in calligraphy. This manuscript is the most enjoyed by book reviewers. This post was originally a manuscript, but it was deleted and smeared. It can be seen that Duke Lu conceived the article and his feelings fluctuated from beginning to end, so it was written with high spirits, magnificent brushwork and natural charm. All the places where the pen is used up and the belt is pulled can be seen clearly. From beginning to end, I used a slightly bald pen, a round and healthy brushwork, and finally surrendered because the ink was not dry. Although the ink color changed greatly because of the initial pause, the black ash was thick and dry, but it was done at one go. In the Yuan Dynasty, Zhang Jingyan wrote an inscription: "It is better to speak than to write a letter, and it is better to write a letter. The cover is an official work, although the end of the letter is a rope contract; Letters are quite indulgent when they are on a whim; Moreover, the drafting was unintentional, and it was his palm that was forgotten. It's great to see it here. Yuan Xianyu commented on this post as "the second running script in the world".
The full name of the multi-tower monument is the multi-tower induction monument of Qianfu Temple in Xijing, Datang. It was built on April 20th in the 11th year of Tianbao (752), written by Cen Can, inscribed by Yan Zhenqing Shu Dan and Xu Hao, and engraved by Shihua. It is now in the forest of steles in Xi 'an. The inscription tells that longxing temple in Xijing and Monk Chu read The Goblet of Fire on a quiet night today, as if many stupas appeared from time to time. He is determined to turn the stupa in illusion into reality. In the first year of Tianbao, Qianfu Temple was built, which took four years to complete. In Qianfu Temple, it is of special significance in the history of Buddhism to write the golden eye of fire and the precepts of bodhisattva for the emperor and ordinary people every year. This tablet is a famous work in Yan Zhenqing's early years, and its writing is respectful and sincere, which directly reflects the legacy of the kings of Europe, Henan and Chu, but it has obvious similarities with the writing of the Tang Dynasty, indicating that Yan Zhenqing paid great attention to absorbing nutrition from the folk calligraphy art while learning from the previous calligraphers. The whole article is tightly structured, with fences between the lines. The stippling is round, dignified and beautiful, as static as moving, and fascinating. He inherited traditional works. Postscript of calligraphy and painting: "This is the most flat and stable book of Lu Gong, and it is also full of charm and vulgar. It is the originator of modern historians. "
The full name of the Eight Official Pavilion newspaper Kidd is "There was an Eight Official Pavilion newspaper Kidd in the Tang and Song Dynasties". Tang Dali was carved on the octagonal stone building in 7 years. Tang Wuzong destroyed the Buddha in front of him and its five faces. In the third year of Emperor Taizong, the county magistrate urged that it be completed according to the rubbings, and a pavilion was built in Jiajing period of Ming Dynasty. During the War of Resistance against Japanese Aggression period, the Japanese army tried to steal this monument, and it was preserved with the efforts of local soldiers and civilians. During the Cultural Revolution, pavilions and historical sites were destroyed. The stone building was smashed into three pieces, three quarters of which are now in Shangqiu Museum, and the rest are still missing. 1993, Shangqiu government re-carved the stone building inscription on the original site, which was recorded in the history books. In the Tang Dynasty, there was a department in Shi Siming called Tian. When the "An Shi Rebellion" happened, the rebels Nan Dexin and Liu Congjian besieged Shangqiu. Tian killed Nandexin, drove Liu Congjian away, led his troops to the imperial court, and lifted the siege of Suiyang (Shangqiu). After Tian surrendered, he was named Emperor Hong Qing, and later moved to Xuzhou as the secretariat and Ziqing as the ambassador. In the first year of Baoying, the rebels attacked again, and Tian lifted the siege of Suiyang. Later, Tian was repeatedly praised by North Korea, and the "An Shi Rebellion" was put down in the second year. Tian formally bowed to our envoy in Biansong, and later he was promoted to prince, Taishi and king of Xindu County. In April of the seventh year of the Tang Dynasty, Tian had a fever for more than a month. Suiyang people suggested to the court to pray for Tian in Baguanting to repay his kindness in saving Suiyang. Xu Xiang, the secretariat of Song State, agreed to pay 300,000 yuan. On the eighth day of the fifth lunar month, an Baguan Pavilion meeting was held in Kaiyuan Temple, which is now Baguan Pavilion, and 1000 monks were invited to chant Buddhist scriptures. Then state and county officials, long history and other civil servants were established at one time 1500 people; The military attache in the town, such as the official health deputy, set up 500 people for a while; The local nobles organized a meeting of 5000 people. For a time, Buddhist rice fragrance filled the countryside, Buddhist stories were heard day and night, and good men and women gathered everywhere. In order to record this activity, the county magistrate invited Yan Zhenqing, a famous calligrapher thousands of miles away, to write in person. Yan Zhenqing was invited from thousands of miles away, full of passion and anger. His words not only have high calligraphy value, but also are extremely precious historical materials. Later carved into an octagonal stone building, 3 meters high, with 8 sides, each side is about 5 1 cm wide, and the full text is 983 words. This tablet is as big as a fist and was written by Yan Zhenqing in his sixties. Its brushwork is old and spicy, but it does not lose its astringency. Much more comfortable than aunt ma's kiss. Concise than many pagodas. It is quite special in Yan Bei, and there is not much regularity in the later period of Yan Shu. The brushwork seems to be loose and solid, but it is exquisite and rigorous in dissipating the vastness. What is the similarity of style? Because the inscription has been robbed repeatedly, there are different versions of rubbings. The rubbings in Qing dynasty are very precious, and the early ones are rare. Most of the rubbings that can be seen are restored, which is different from the original.
The full name of Magu Xiantan is "Magu Mountain Xiantan in Nancheng County, Fuzhou in Tang Dynasty". Yan Zhenqing writes, writes and writes books. In addition to his achievements in calligraphy, Yan Zhenqing also studied paleontological fossils. In the sixth year of Tang Daizong Dali (AD 77 1), Yan Zhenqing was appointed as the secretariat of Fuzhou, Jiangxi Province. At this time, his official career was frustrated, so he sometimes asked Zen. In April of that year, Yan Zhenqing visited Magu Mountain, Nancheng County. Near an ancient altar, he saw some fossils of snail shells sandwiched in the stratum. He studied this phenomenon carefully and put forward his argument: here used to be an ocean, but later it became land, and those fossils are evidence. To this end, he wrote a paper "Fairy altar of Magu Mountain in Cheng Nan, Fuzhou", which described Magu's enlightenment and recorded it with stones. Not only remembering things, but also reflecting the mood at this time. This monument is magnificent and has always been valued by people. It is one of the representative works of Yan Ti, and it is the work of Yan Zhenqing in his sixties. At this time, Yan Zhenqing's regular script style has been improved. Ouyang Xiu's Collection of Ancient Records said: "This monument is steep and tight, especially fine, with fine strokes." Later generations often only admire Gong Yan's calligraphy, calling it "the second book in the world".
The full name of Yan Shibei in Tang Dynasty is "Tombstone of Tang Secretary, written by Yan Zhenqing's great-grandfather Yan when he was 7 1 year old". The ancients called the tomb a way to clear the way and built stone pillars as the standard, which was called Shinto, that is, the tombstone. The content of the inscription traces back to the achievements of the ancestors of the Yan family and describes the achievements of future generations in the Tang Dynasty. All his books are silent except The Record of Jigu and The Record of the Stone. "Yan Bei" is engraved on all sides, with male 19 lines and female 20 lines, each with 38 words. There are 5 lines and 37 words on the side of the tablet, accounting for 1667 words. The inscription on the left has been worn out in the Northern Song Dynasty, and there is no date for setting up the monument. Ouyang Xiu's Postscript of June 1st in the Northern Song Dynasty was written in the 14th year of Li Yu's Tang Daizong Dali (779). Shijiu is located between An, Song and Shaanxi, and its whereabouts are unknown. 1992 10 was unearthed behind the old fanku hall in an (now an social road), which made this masterpiece of "Yan Ti" that has been sleeping underground for more than 0/000 years come to light again. It is now hidden in the forest of steles in Shaanxi Provincial Museum and has been designated as a national key protected cultural relic.
The full name of Ode to Zhongxing is Ode to Zhongxing in Datang, which was written in 77 1 year in regular script. Jie Yuan wrote an article, and Yan Zhenqing wrote it on a cliff at the age of sixty-three. Carved on Wuxi Cliff in Qiyang County, Hunan Province, with a diameter of nearly14cm, it is a rare cliff word in Yan Shu. Yuan Jie was a famous writer in the Tang Dynasty. After he was dismissed from office, he lived in Wuxi, where rocks piled up and stone walls were rugged. Ode to Zhongxing is carved on one of the largest stone walls. This article recorded the Lushan Mountain Rebellion and praised Tang Zhongxing. At this moment, the stone book stands upright and majestic, and the stone is hard. It has been preserved intact for thousands of years. "Lu" praised this cliff stone carving as "the calligraphy is particularly wonderful and the language is quaint" and "Postscript of Guang Chuan Shu" commented: "Grandmaster praised your title, which was precious in the past."
Yan Jia Temple Monument was built in July of the first year of Tang Jianzhong (780). Its full name is "Inscription and Preface of Prince Shao Baoyan's Temple, where Dr. Gu of Tang Dynasty gave a toast to the minister's son", which is a tombstone for his father Yan Weizhen. Yan Zhenqing writes, writes and writes books. The calligraphy style is similar to that of Li Bei, with dense structure, roundness and richness, and the calligraphy is extremely standardized. The monument is in Xi City, Shaanxi Province. Comments on Zhao Hanshi's ink engraving in Ming Dynasty: "The conclusion of this book is in agreement with the East, which is vigorous and straightforward, and the brushwork is faint." Wang Shizhen commented: "I tried to comment on Yan's Monument to the Family Temple, thinking that there was a jade prism in the modern nation. Elegant and dignified, Zhuang Mi is quite beautiful. A real calligrapher is a treasure. "
The seat is also called "On the Seat" and "Shooting a Book with Guo Servant", which is a cursive script. It is a letter manuscript of Yan Zhenqing and Guo Yingzhi in the second year of Tang Guangde (764). In the Song Dynasty, it was returned to An Shiwen, Chang 'an, and Anshi people used it as a stone to carve the forest of steles in Xi 'an, Shaanxi, but the ink was not passed. Su Shi once saw the original work in Anyi and praised it: "This is even stranger than publishing other books. Trustworthy, self-written, and gesture. " This post is Yan Zhenqing's fine cursive script. Throughout the calligraphy, the characters are consistent, and the tiger is powerful. This manuscript was written by Yan Zhenqing because he was dissatisfied with the arrogance of power traitors. Therefore, he is full of momentum, strong and open-minded, and there is a sense of loyalty between the lines, which shows Yan Zhenqing's upright and honest character. It has been more than a thousand years, and it is awe-inspiring to read. This post was originally a draft, and the author meditated between words, but did not care about pen and ink, but it was full of paper and became a masterpiece in the history of calligraphy. Later generations called this post and Preface to Lanting "Two Treasures".
In 780 AD (the first year of Jianzhong), Yan Zhenqing named Prince Shao Shi a "confession". Calligraphy is vigorous and rigorous, and the fine print of the title is meticulous and light. Zhan Jingfeng called this book: "Calligraphy Gu Zhuo is vigorous, vigorous and natural." It's just like northerners use horses and southerners use boats. Although it is a sum, it is rich in time, three times. "Dong Qichang said," There are very few people who are curious and unrestrained in this volume. "Between the lines of this post, we can learn about the subtle changes in Yan's font and structure, which is a rare example for future generations to learn regular script.
Begging for rice paste "Begging for rice paste" was written in 765 AD, which coincided with the drought in Guanzhong, the flood in the south of the Yangtze River and the agricultural failure. As a result, Yan Zhenqing "ate porridge for several months, and now he is exhausted", so he had to appeal to his colleague Li Taibao to "help more with less rice". When it comes to the reasons for embarrassment, he is also outspoken, because he is "not good at making trouble", that is, there is no other way to make money except salary. Huang Shang, a famous artist, said: "I know that Lu Gong is not ashamed of being poor and humble, so I can keep the road, even if I am in trouble." . Honesty is based on sincerity, just like its font. "("Xishan Collection ") Mi Fei also commented that" the most ridiculous thing is that this book misses my loyalty and indignation, my frustration, my intention is not in words, and my naivety. Indeed, Begging for a Meal is not only a priceless treasure in calligraphy art, but also a spiritual wealth of the Chinese nation. Studying Begging for a Meal can make us appreciate it all the more, not only to appreciate the true meaning of Yan's calligraphy art, but also to be influenced by its high morality and integrity.
General Pei Monument is 64 cm long, 33 cm wide and 12 cm thick. Righteousness, line, seal and official title are all the first examples of broken calligraphy. The first line is engraved with the words "General Pei" and the name of Yan Zhenqing is engraved at the end; There is a five-character poem "Poem of General Pei" in the middle, engraved with magnificent and dangerous words. The whole poem is 18 sentences and 90 words. The full text of the poem is: "The great monarch is a six-in-one, and the fierce generals are all clear. If the war horse is a dragon and tiger, how magnificent Tengling is! The general faced the Great Northern Wilderness and was brilliant. Sword dance jumps and swims, following the wind. Climbing the Tianshan Mountains, Cui Wei is covered with snow. Entering the array to break the arrogance, the sound is megatron and thunderous. Shoot a hundred horses, and then shoot ten thousand people. The Huns didn't dare to fight the enemy, so they fought back. If the report is successful, you can draw Lin Tai. " The words of the poem are full of vigor and vitality, and the words are well-written. After reading it, people were full of praise for Yan Zhenqing's Pei _, which made him leap. After reading this bold and majestic lettering, people have a feeling of bravery and heroism. Thirdly, the composition is rigorous and the font structure is strange. No line, 2345, changeable; Sword dancing, one shot dead, afraid to return. The brushwork is coherent and seamless, which is amazing. No wonder Su Shi praised Yan Zi in Song Dynasty and said, "Poetry ends in Du Zimei. The book ends with Yan. " This is indeed a very accurate evaluation. Until today, its artistic life, in the garden of calligraphy art, still shines brightly. Yang Shouzhi, a contemporary calligrapher known as the world's "fantastic book", is in Yahoo! Forum (55) is well received by calligraphers.
Song _ Monument Song _ Monument is the tombstone of Song, a famous figure in the Tang Dynasty in China. It is called "Tai Wei Wen and Song Gong Shinto from the Right Prime Minister Monument of Xuanzong in Tang Dynasty". Because the inscription was written by Yan Zhenqing, the founding father of Luxian County, when Dr. Jin Ziguanglu went to Fuzhou, it was also called "Yan Monument" in the Tang Dynasty. The monument is now located in Donghu Village Middle School in Shahe City. Originally a provincial-level cultural relics protection unit in Hebei Province, it was approved by the State Council in 2006 as one of the sixth batch of national key cultural relics protection units. The monument is 4.08m high, 0.6m wide and 0.47m thick. The front, back, left and right sides of the monument are all engraved with Yan Zhenqing's surplus inch regular script, which is more than 3,000 words long, and tells the glorious story of "the three dynasties stood upright and upright" in the Song Dynasty. The head of the monument is semicircular, and the relief is wrapped around the tails of the four dragons, which is vigorous and powerful. The tablet is square, with 20 Chinese characters in the center, "The tablet of the right prime minister in Tang Dynasty, the ancient ministers, Wen Gongzhen, the Duke of Song Dynasty". The original tablet bearing the wallet was solemn and steady, but it has been lost. At the end of the inscription, the inscription reads: "Dr. Jin Ziguang Lu went to Fuzhou to make a secretariat, and the book was written by Yan Zhenqing, the founder of Luxian County." Because Song _ is a generation of famous players, he is a plum blossom poet, and as a metaphor, he has a noble character and outstanding achievements. His inscription was written by Yan Zhenqing, a famous official and great calligrapher in the Tang Dynasty. Yan Zhenqing was 65 years old when he wrote the inscription for Song. It can be said that the art of calligraphy has reached the point of perfection, so scholars in the Ming Dynasty all called Song _ stele "the true three unique characters of Chinese characters". Indeed, the Song tablet integrates moral articles and calligraphy art, which is an important reason why it has been passed down from generation to generation and enjoys a good reputation at home and abroad. In the Song Dynasty, Ouyang Xiu once said something different and incomplete when he saw the Song _ Monument written by Yan Zhenqing: "If you are a loyal martyr, first of all, a gentleman respects you solemnly, making people fear and love you, even though you are reluctant to give up." Fang Hao, the magistrate of Shahe County in the Ming Dynasty, once compared it with many towers and monuments written by Yan Zhenqing, saying that Song _ Monument had four victories: "He explained the cause, which was based on Confucianism, and one was also; The second generation of Censhu, this is self-writing, and the second is also; He is still A Lang, a book in his early years, which has been made public, and a work in his later years, three books; He is in a famous county, and the expanding people have lost the truth after repeated carving. This is in a humble state, without repeated development, and the painting is as good as ever. Wei, a bachelor of the Qing Dynasty, also said: "Tombstone was written by Yan, while Jingxing Qingyun wrote the word Longxiang Fengqi. Mr. Gai Wenzhen is a strange man in the Tang Dynasty, while Mr. Lu is an atmospheric festival, winning glory with the sun and the moon and refusing to caress him. He is a real treasure. "Now it is listed in the monument of the Chinese people's home. In addition, the Suo Jing Monument has been handed down from generation to generation.
Fourth, the realm of calligraphy
In the history of calligraphy, Yan Zhenqing created a unique realm of calligraphy with "Yan Ti". Yan calligraphy is characterized by excellent spirituality and natural magnificent realm; It is cast by its powerful soul, and its realm is naturally vigorous; It enriches the people, and the realm is naturally broad. In his youth, Yan Zhenqing asked Zhang Xu "how to be equal to the ancients". This is the aspiration of Yan's calligraphy, and it is also Yan's flying mandarin fish. This strict Miao descendant who used a loess broom to sweep walls and learn calligraphy since childhood stood at a towering starting point of calligraphy almost from the beginning. In calligraphy, Kun Peng spread his wings, and it took almost thirty or forty years of experience to become his own face and climate. Then after decades of hard work and enrichment, the "face and body" has both form and spirit. In his later years, he still pursued perfection and perfection. "Yan Ti" finally stands tall in the book world. Yan Zhenqing's life experience of calligraphy realm.
The first realm is to build a solid bone body and seek a style of writing. Before the age of 50, it can be said that it is the first level of experience. In this process, I initially established my own "face". If Zhang Xu awarded Yan Zhenqing the brushwork in Pei Mansion in the fifth year of Tianbao (746), then Yan Zhenqing was still in a difficult groping stage before that. The works handed down from generation to generation at this stage are rare. For example, in the first year of Tianbao, he wrote Zhang Renyun's Political Monument, and in the fifth year of Tianbao, he wrote the word "Longxi" on Cliff Calligraphy and Heshan Stone Wall. At this time, Yan Zhenqing had achieved considerable accomplishment in calligraphy. When Zhang Xukao asked Yan Zhenqing's twelve tricks, Yan Zhenqing either learned from Zhang Xu or answered what he had learned, which impressed Zhang deeply. He is ambitious, aiming at "keeping up with the ancients". Zhang Xu is therefore willing to give brushwork again. Yan Zhenqing accepted Zhang Xu's brushwork and said with delight, "It's wonderful to attack books from now on. Five years later (or seven years later), I really know that this can be done. " Therefore, the five years (or seven years) after Tianbao's five years can be said to be the stage of Yan Zhenqing's efforts to hone according to Zhang Xu's guidance. Sure enough, eleven years after Tianbao, there are more and more calligraphy tablets in Yan Zhenqing, which has enjoyed a certain reputation in the society. The eleven-year books of Tianbao include Guo Monument, Guo Yan Monument, Duota Monument and Confucius Temple Monument. In the 13th year of Tianbao, there were masterpieces such as Dong Fangshuo Portrait Praise and Dong Fangshuo Portrait Praise Monument Seal Ji. In the 14th year of Tianbao, An Lushan rebelled, and Yan Zhenqing was preoccupied with fighting the rebels, so he had no time to care about the art of writing. This can be said to be the first stage of Yan's calligraphy experience and the first realm of experience. During this period, although there may be differences in the appearance of each monument, on the whole, it was the initial formation stage of "Yan Di". From the analysis of many pagodas and other typical works, it can be seen that Yan Zhenqing pursues calm and heroic pen, vigorous bone strengthening and thick flesh color painting; The structure is dense, dignified and deep, changing from slender to square; Reduce the spacing of lines on the cloth and become dense. At this stage, what Yan Zhenqing pursues in Xiong is the realm of charm: pointillism has bones and muscles, pointillism is pure and charming, and its strength and danger make it clear and charming. Besides, he basically specializes in learning real books and cursive scripts. Although there are official scripts and seal scripts, there are not many. Yan Zhenqing's first realm came from the early Tang Dynasty, which broke away from the track of the early Tang Dynasty and stood on its own feet. The experience of this realm is based on Zhang Xu's example.
The second realm is implicit in the word and majestic outside the word. From 50 to 65, it can be said that it is a second realm experience. In this process, "Yan Ti" has both form and spirit, and gradually matures. In the meantime, his works include Jin Tianwang Temple's Inscription (758), Poem Inscription Table of Xiaoyaolou (758), Biography of Fairy Jade Leaving the Pile (762), Erase Biography (762), Yan Yunan's Inscription (762), Wei Zhenbei (763) and Zang. Yin Jianyou Monument (770), Zhang Monument (770), Love Monument (770), Baoying Temple Altar Memorial (77 1), Magu Mountain Xiantan (77 1). After experiencing the turmoil of "An Shi Rebellion" and being imprisoned again and again, he expanded his spiritual space again and again. Scholar-soldier-commander-in-chief, standing in North Korea-standing in North Korea, with frequent lifestyle changes, more life experience and deeper artistic taste. These, Yan Zhenqing's "One Book", have repeatedly tempered the early "Yan Ti", refined in form and spirit, making both spirit and form, and finally maturing. As you can see, he strengthened his wrist, moved the center, adopted the printing method, and moved the circle to the front line in Tibet, such as Yin Yinni. The strokes form the swallowtail of the silkworm head, while the straight drawing forms the shape of a crossbow. The contrast between strokes is complicated. Pinch the end of the hook, kick out the sharp edge and show off its spirit. His brushwork shows a tortuous rhythm. Its straight hook, flat hook and inclined hook are full of potential, with uniform curvature and strong roundness. Its folding pen is secretly rotated by holding the pen, forming an inclined plane to fold down, and it is drawn by "folding pin". Structurally, it is dignified and steady, with a wide middle palace and dense shapes around it. It does not occupy the lateral advantage of the center of gravity, nor does it occupy the left and right advantages, but shows people with a symmetrical positive image like turning inside. On the white cloth, there are rows of words and dense lines, and the momentum is taken by shape, not by thinning. At this point, Yan Zhenqing swept away the regular script style since the early Tang Dynasty: the former is square and the latter is positive; The former is beautiful and the latter is strong; The former is elegant and the latter is straightforward; The former is thin and the latter is fat; The former has profound statutes, while the latter has laws to follow; The former is decorated with flowers, while the latter is full of vitality. It can be said that it is reform and innovation, and the male soul casts a "face."
The third realm has become a god, and it shines with life. More than ten years after the age of 65 can be said to be the experience of the third realm. From maturity to magic, every monument has its own glory. The works of this period include stele (772), Ganlu Zishu (774), Yan Gao Qing stele (774), Miaoxi Temple stele (774), Zhushantang (774), and Li stele (777), etc. Taking typical steles such as Yan stele and Yanjiamiao stele as examples, Yan Shu is full of vividness in the old and spicy. Confucius said, "Sixty is pleasant to the ear, seventy is satisfactory, and it doesn't go beyond the limit." Yan Zhenqing also reached this level in his later years. He has a thorough understanding of life and calligraphy in reflection, and has a thorough understanding of the philosophy of life and calligraphy, so his paintings are mottled with blood and tears of life, and are full of life carols in the movement of pen and ink; It not only fills a cavity of pride in the ups and downs of the lines, but also inspires personality brilliance in the dense white! At this point, his book is like an ancient _ withered forest, but it has dense flowers and buds. A book full of anger, a thousand schools of thought contend.