Sometimes, I miss the magpies that have followed me outside the window for many years.

It must be behind the concert hall, brightly lit.

If a desperate man walks under it.

I'm sure to hear the symphony.

Once I long for quiet, quiet and sleep.

Magpie will bring me an afternoon garden.

When I am tired and bored

It took me to night, where there was a bright concert hall.

Rest garden.

This poem successfully uses magpie as a token. This is a switch. When you press it, it will be bright, brightly lit, and illuminate the dark soul. Press it again and it will go out, such as a quiet night and a spacious garden, so that the body and soul can rest, be corrected and be filled with necessary energy. When the sky is clear, the magpie chirps, and its exquisite voice is like a bright lamp, infecting the viewer's mood; In the dark, magpies stop singing and calm down, just like a harbor, suitable for souls who have crossed the wind and waves to enter the gentle land.

This poem embodies the technical characteristics of synaesthesia and synaesthesia. Synaesthesia is not only a mutual feeling in the traditional sense, such as transforming the voice of magpies into a visual concert hall and garden, but also the mutual transmission and induction of feelings between magpies: magpies influence and change people's mood, and the voice of magpies makes desperate people feel strength from it, which is a touching scene; People's moods make magpies quiet, and magpies in turn correspond to and comb people's moods. This is fate. This series of sensory communication is synesthesia and metaphor, one after another, which makes poetry develop in depth.

In fact, it may be that the poet stood at the window and stared at the magpie, causing hallucinations or inducing hallucinations. In either case, emotions are indispensable. Magpie is just the poet's soul mate, the poet's hope and good luck. In this way, magpies were poetized and people's hearts were sublimated.

Specially invited comments: A brief introduction of Li Li's The Poet

Han, male, from Hebei, 1982 began to write poetry.

Expert introduction

Li Li: His real name is Li Yusheng. Member of Chinese Writers Association. He began to write poems and comments in the 1980s. Rewritten in 2008, there are more comments than poems. Published poetry anthology "Gale", "Black Poppy", "Twenty-four Songs of a Village", literary criticism anthology "Boiled Poetry" and poet research anthology "Heaven has no doors-psychological analysis of suicide poets on earth"; Some poems and critical works have won awards from the state and provincial governments. Deputy Secretary-General of China Poetry Travel Organizing Committee, Vice President of Liaoning New Poetry Society and Executive Editor of Shenzhen Poetry Journal.

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