Brief introduction of the painter Badashanren
Zhu Da (1626? About 1705), a painter in the late Ming and early Qing dynasties and a master of Chinese painting. The word Snow Song is named Badashan Man, Geshan, Donkey House, etc. , Han nationality, Nanchang, Jiangxi. King Zhu Quan of Ning Ming. Ming Chengzu became a monk after his death, converted to Taoism and lived in Daoyuan, a scenic spot in Qingyunpu Scenic Resort. Good at painting and calligraphy, flowers and birds take ink freehand brushwork as the Sect, with exaggerated and strange images, concise and heavy pen and ink, and magnificent and meaningful style; Dong Qichang, a landscape teacher, is concise in writing, quiet and interesting. Good at calligraphy and poetry. Existing works include Shui Mu and Tsinghua, Lotus Bird and Six Gentlemen.
Painting personality of Badashan people
Badashanren's poems are full of mystery and irony because of their eccentric and quiet style, which has always been puzzling.
Generally speaking, all the poems and paintings in the paintings and calligraphy works of the Eighth National Congress of the Communist Party of China before the age of 57 are characterized and inclined to express their followers' thoughts and moral integrity with paintings and calligraphy, and they are often mixed with Zen and historical allusions, so the poems are obscure and astringent. For example, "The Stone inscription on the Lake" in "Biography": You should break your waist, but you should break your tail: you can't scare ghosts and gods without an axe. Another example is "Plum Blossom" in "Plum Blossom Atlas" in 1952: For thirty years, Chu Shi's family has been swaying in the wind of wine flags. There is no saying that the bridge is broken, and the color is like apricot flowers today. This poem describes the poet's character and integrity, almost as if it were his own.
However, after returning to the secular world at the age of 57, he showed his poetic style and characteristics. Win without fear? , boldly surpass predecessors and self. During this period, many insightful poems emerged in the Eighth National Congress. For example, in the inscription of calligraphy landscape book, there are? The combination of painting and painting? Two inscriptions, and then? Calligraphy and painting? Clearly put forward, it is unprecedented.
It can be considered that the outstanding artistic achievements in the last eight years are closely related to the changes in the style and characteristics of poetry in the later period. Just like the Eighth National Congress asked a question in the calligraphy and landscape painting book:? The outstanding feature of the article's non-human calligraphy and painting is based on the mutual unity of its artistic view and outlook on life, which is also the essence of Ba Lao's poems.
Painting characteristics of Badashan people
Badashan people are good at painting landscapes and flowers and birds. His paintings are unrestrained, irregular, vigorous and beautiful, full of escape, and the composition is incomplete but complete. His "one flower, one bird" lies not in quantity and size, but in the position and momentum in the layout. And whether it is used in a timely, surprising and ingenious way. This is his "win-win" method. If the layout of the painting is flawed, sometimes books and clouds are used to fill its meaning. Badashan people can write poems and have exquisite calligraphy, so even though his paintings are not many, with his poems, the artistic conception is enough, and his paintings make people feel small and numerous, which is the artistic ingenuity.
Badashan people can moisten Ming Jie by dry rubbing. So the paintings are the same? Bold and unrestrained? What Badashan people say is different from others. Are they the same? Moisturizing? Badashan people are different from others. Picturesque fish and birds, once made? Staring at people? A form of cynicism. His flower-and-bird painting style can be divided into three periods. It's too early to become a monk before the age of 50. Chuanqi? 、? A mountain? 、? Donkey? 、? A human house? , more paintings of fruits and vegetables, flowers, pine plums and other themes, with a large number of volumes. The picture is more exquisite and powerful. From the age of 50 to 65, the painting style gradually changed, and I like to paint fish, birds, grass insects and animals. The image is exaggerated, and the mouths and eyes of birds and animals are mostly square, with oval faces, large and small, and are on the verge of extinction. A bird lives with one foot and hangs with the other. After the age of 65, it will be late, and the art will become more and more mature. The brushwork became Park Mao Xiong Wei, and the shape was extremely exaggerated. Fish and birds have a little circle of eyes, and their eyes are facing the rim of the eye. Staring at the sky? Look at that. Some birds he painted seem to be stubborn. Even if there is not much pen and ink, they show the feathers of birds, which makes people feel untouchable and fly at the touch. Some birds shrink their necks with their fists and feet, which are both bullying and afraid of hard work, and are also concise in composition and pen and ink. These images are undoubtedly the portrayal of the painter himself, that is? Grief and indignation elegy, human grief and indignation, one by one with pen and ink? . He wrote in Huang's landscape poems:? Guo Jiayun is small, Dong Laoma has many trees. People can understand if they want to see pictures. Yifeng is still with Song. Show his national consciousness.
Badashanren's paintings had little influence at that time. Only Niu Shihui and Wan Wan spread the dharma, but they had a far-reaching influence on later paintings. His artistic achievements are mainly unconventional and created by himself. His freehand brushwork is different from Xu Wei's bold and unconstrained, and Badashan people's rigor can be released. Mid-Qing Dynasty? Eight eccentrics in Yangzhou? Late? Shanghai style? Modern masters such as Qi Baishi, Zhang Daqian, Pan Tianshou and Li Kuchan were deeply influenced by it.