Wang Moyuan is good at mountains and rivers, green and green, and paints with mountains and rivers. His layout is novel and ingenious, and he is good at supporting the virtual with the real, showing the real with the virtual, dense and scattered, beautiful and bright in painting style, rich in decorative meaning, broad and profound in artistic conception, diverse in environmental creation methods, and sometimes full of vigor and vitality; Sometimes the ink falls into a corner, and the small one sees the big one; Sometimes open and honest, straightforward; Sometimes virtual reality is real and sports are appropriate. The environment is born of the heart, and the heart moves with the emotion. There are no established rules, it all depends on the modality when painting. Among them, pen and ink still come from tradition, including more traditional brushwork, more brushwork and the independence of ink interest, including his training in western painting and his understanding of the charm of western painting when he was young, which has been fully exerted in his landscape paintings, and the treatment of light, shadow and space is naturally integrated into ink and wash expression. His works pay special attention to the temperament and inspiration of brushwork. The brushwork is vigorous, the pen and ink are vigorous and watertight, the image is simple, and the point, line, ink and color are organically combined, showing the charm and reason of natural landscape in the change of reality and reality, showing a strong flavor of the times. Its original Taihang and Yellow River series works are well-known in the art circles at home and abroad. More than 65,438+000 of his works have been selected for national exhibitions and won the first prize and the second prize for many times. Many works have been collected by the Ministry of Culture, China Art Museum, Diaoyutai State Guesthouse and relevant overseas institutions.
2000 yuan/square foot