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Always remember the sunset in Xiting, enjoy it and never return. Sex is long-lasting, and the boat that came back very late strayed into the depths of the lotus. A beach of seagulls and herons was awakened without controversy. (hereinafter referred to as "Zhang Ji")

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Last night, the wind and rain suddenly dispersed, and I couldn't sleep without the residual base wine. I asked about the shutter, and he said, "Haitang is still there." Do you know that?/You know what? It should be green and fat and red and thin (hereinafter referred to as "The Last Night").

Li Qingzhao's words "both merits and deeds, overlooking the women's eyebrows" (Volume III of Rain Village), combined with the Northern Song Dynasty, stood out and became a unique main star. The early "magic product" of these two "dreams" is called "fine tuning" ("Golden Thorn"). Compared with their feelings about products, Wang is interested in what is good and what happens in each flavor.

A lively girl and a thoughtful young woman.

Zhang Ji wrote about a female poet and a group of girls who "don't know the taste of sorrow" boating in Meihe Lake (Ugly Slave by Xin Qiji), describing it as a lovely, flowing, elegant and exquisite outing, like "getting out of the mud without dyeing, shaking the ripples without being demon" ... Hong Yiqing, Kingston Jingzhi (On Love Lotus by Zhou Dunyi) What did Yin Juan open? The Dutch metaphor in Yonghe's poems borrows the innocent expression of these girls, their "10 lotus" (hey, incense) and the lighting grace of the mosaic, which is the rhythm and hymn of a vibrant young life and a cheerful note of long paper.

It focuses on Zhang Ji's dynamic description, and Last Night focuses on emotional catharsis. With the change of married life and the deepening of the poet's emotion, the author has fallen into a deep young woman and a carefree thinking girl has grown up. "Last night, more and more wind and rain begonia flower soul, a restless young woman trembling soul. Storm-Begonia-Spring-About youth, on a stormy night, I think of the poet's inner good wishes and a bunch of shining poets surging in my heart: non-storm process-Begonia will never bloom-spring warms the earth-youth will last forever. However, what are the subjective wishes and objective laws recognized by poets? Between insoluble contradictions. Losing is losing (Li Yu's Wave), the poet's obsession, and the soul flower lovers sigh in the depths of the well, lamenting the sad song of spring. The melody of music is no longer "regular" melodious, "Lan Xiang smiled, but focuses on suppressing" Lotus Tears "(Ber Ber Hou Yi plays! "Write a beautiful voice," The Cry of Lotus "and laugh at Lan Xiang. After her husband's tragic death, this poet, who later experienced the ruin of his country and his family, showed a broader and deeper sense of hardship during his term of office, adding insult to injury to the desolation and national crisis of his miserable life. If the exciting struggle and competition of the young poet boating on the lake are constantly hit hard, when she is alone, she can't carry it ("A Prune"). "In Lanzhou, I am afraid that the Shuangxi boat will look like a Mongolian boat at first glance, and there are many more melancholy ("Wulingchun ").

Light and darkness, emptiness, actually have their own states.

People usually think that "in retrospect, the word tourist is used to write auspicious words in the consul general's mind." Write about the fun of drinking water and water sports first. Shallow to pour out a whisper, drunk to the infinite Bilian in Dengzhou, poisoned by the Lotus King (Yang Wanli's "Jingci Temple sends Xiao Yu Hui Lin"), wandering in the scenery, forgetting what procedures, poets and the screen wall in front of the lake, but letting readers create their own life experience and aesthetic taste. On the basis of this association, colorful scene pictures are designed to reduce great and imaginative literary works.

There are 43 poems, such as Wine Toasts Light, Wine Awakens, Mozi Quits Drunkenness, Unless Drunkenness, etc., and there are more than a dozen poems, which can be seen. Minors are addicted to Italian finance ("Huanxisha") and get drunk when they take off their makeup at night (complaining about their feelings). But they are not enough to enjoy the deep wine tasting in Chinese and English and the green forest, and get drunk and Wang is drunk, so they "walk into the depths of the lotus".

The scene after three seconds, Ming pen "fear". During the day, at night, at dusk, "the girls who strolled into the Lotus Shop (the cover of Liu's model) were afraid of getting a little confused", but they didn't know how to deal with the tone and voice, so they had to try their best to repay them by attacking the blue pulp and sailing the Guangxi boat. The poet painted an exciting scene, which is first-class, Italian and interesting, Mao Zedong. There is no solution to how to overcome the big mistake, but I am not interested, because this explanation can only be seen that girls are anxious and helpless. There is no need to beat around the bush. The "integrated" solution is simple and clear. Only in this way, the scheme to show its high vitality is reflected in the charming masculinity under the dusty appearance (talking with the fungus court of the Qing factory), and it is recognized that "the healthy personality is outstanding, and death is also a ghost hero" ("Summer quatrains"), but it also "scares off" the sentences echoed by the waterfowl since it arrived in the clear water. Enthusiastic, poetic, infatuated fans, the feeling of the future comes to the nose. As early as in their struggle, they got the fragrance of the dark upper body in the depths of the lotus (heavy lotus by Tang Jianxun). It is no wonder that the poet can't forget the beauty of the sunset for a long time, and the constant emotion is always in his heart.

A poet's life is closely linked to his own destiny. The embarrassment of plum blossom face and the impatience of wind and rain friction (Man Fang Ting), her sigh became an old glimpse of "Little Red Lotus" (hereinafter referred to as "Strange Prince") and lotus leaf tea, and she looked at misty rain (Xia) and white chrysanthemum with anxiety. She regrets that the wind came at night. The Haitang after the rain last night is indescribable. Women in Wuhua District cherish flowers and spring, but unfortunately, their feelings are expressed. However, to the extreme, the king's wrist language is witty and empty. Tang Zhiyu Church spent a wind swing. "This is a new scene of wind and rain at night. In the word begonia mosaic, it is still the subjective imagination of women. After the storm, Cecilia Yip Tangfei, the servant of the king, spent a concise article "Poets speculate on the king and all the languages of love" to write a clear concept in one or two sentences with a solid pen? Central sleep: no alcohol residue, listless, and then write the master-servant mentality: mainly restless, anxious, indifferent and indifferent servants in the past three years, leisure, writing poems, listening to the servant's answer: blaming the servant for his untenable excuse and countless begonia's regret.

"Zhang Ji's narrative state pen-black ink pen," The Last Night "is lyrical, and another kind of virtual pen with flexible brushwork can be described as exquisite and fascinating.

Third, "Don't be a language.

"Poetry is a new language, but it is also a different flavor: simple and lovely, emphasizing the flavor of the word, saying" Li "is shallow and foul, and making new ideas" to fill the gap in China, such as the bright blue sky and sunshine, is very accurate and appropriate.

Language, such as "beautiful and natural carving (Li Bai's literary talent, too defensive and easy to kill"). The sunset in Ouhua Pavilion in Europe really means a lot of colors. Although not brilliant, the whole word is phrased, but the poets at the scene, in their mouths, all kinds of natural colors (red sun pavilion, color, clear water, boat, Liuhe, pink flower, silver gull, egret), cast these feelings of Wu Xiaoling's "thirty words" and returned to the boat to "fight for the crossing".

The most commendable scene in the language of Zhang Ji last night means a natural tone, which showed bright colors in the eyes of readers last night. The anthropomorphic description of "green, fat, red and thin" is not only the leaf shape of Begonia, but also an accurate, vivid and vivid expression of God's empathy on this issue. The poet's feelings of cherishing flowers and spring are meticulous details, which penetrate the red and green integrity written by Qi, a poet of Haitang in the late Tang Dynasty ("Send Dr. Nickel"); The spring of Zhu and Li Qingzhao, poets in Song Dynasty, is "half the nominal value of green, crimson and light" (Xijiang Yuechun). Qi and Zhu wrote: flowers are unique, and every eye-catching visual effect is always better, but the unique green manure and thin red "is a unique and interesting day."

Everyone has the word "don't". Of course, this is the requirement of epigraph, but the most difficult thing to solve is the Permian language (see "Caotang Shiyangyang Snake Products"), Li's word stacking technique, and the pressure in the natural state. He is neither pretentious nor interested in carving crayons, and flicks his words and deeds with his fingertips. "Irrefutable overlap, the most impatient and fiery mood and cohesion, boating in Olympus, and the restless maid answering the girl who is extremely dissatisfied in the poet's pen", knowing overlap shows the best charm.