Appreciation of He Daqi's Selected Lishu Calligraphy
Selected pictures of He Daqi's official script calligraphy 1
Selected pictures of He Daqi's official script calligraphy 2
Selected pictures of He Daqi's official script calligraphy 3
Selected pictures of He Daqi's official script calligraphy 4
He Daqi's Personal Profile
Calligrapher He Daqi, male, special teacher. 1940 was born in Beijing and belongs to the dragon. My ancestral home is Shaoxing, Zhejiang. Graduated from Chinese Department of Beijing Normal University. Now he is a researcher in the teaching department of Shijingshan branch of Beijing Institute of Education. Director of Beijing Fine Arts Education, member of China Fine Arts Education Society, member of Beijing Calligraphers Association, member of the Textbook Review Committee of Beijing Institute of Education, and deputy editor of Art Education Reference Book of People's Fine Arts Publishing House.
The form and quality art of official script
The most important thing in art is creation, and so is calligraphy. Looking at the essence of the calligraphy of the former sages, they all take pictures first, and the magnificent achievements are macroscopic, the closest and the easiest to take pictures. Expensive is arrogant. Calligraphy can become an abstract and fascinating art, accepted by people and enjoyed spiritually, largely because their respective forms (including various calligraphy styles) determine their artistic quality and artistic value space. As far as official script is concerned, it can be considered to be composed of two types: the creation of posts and the creation of works. Any kind of art, only by grasping the external changes of form (especially line art form), can create and show rich connotations. In this sense:? Only through perspective and perception can we truly realize that the perfection of official script contains a harmonious and unified relationship. ? Copying is a hard and creative labor, and any bookkeeper, especially those who learn to divide volumes, does not lack this stage. Its purpose is to master the dynamic expression of external forms, just as a sketcher must first master the perspective relationship, and its further purpose is to find opportunities for flies to go deep into it, which is an important stage of independent thinking and basic absorption.
Calligraphy art is extremely abstract and closely related to vision. People observe natural or unnatural enjoyment through vision, and this kind of enjoyment is the function of vision. Examining Uneri external body will explain its meaning. Those who observe it are precious, and those who condense it are like kings; ? The creation of the shape of the post is nothing more than looking for the context from the vision: once the creation of the post reaches a certain height, the self-maturity of the work is likely to be highlighted, and the finalization period of the work may appear, but it cannot be said that the calligraphy work has quality. Because the relationship between environment and mood affects the inspiration of creation, once the mood and environment reach the best harmonious point, or when the creator turns himself into a plant, it may show a natural charm that Yoga Yu is beautiful, and then reflect the form and quality of the book itself to a perfect degree.
As far as the form and composition of official script are concerned, a spirit must first have a rich form, but the form is not a form. The form and quality of official script are manifested in the sharpness of lines and the rubbing force of lines, which is rough and resistant to display. What are the factors that reflect the form and quality of official script? Body posture? In fact, any kind of book has the same form and quality as this kind of book? Body posture? Linked, from the perspective of aesthetic psychological roots and aesthetics, does the beauty of official script still need to be pursued? Risk? 、? Absolutely? .
The creative form of official script works is a creative combination of further development and re-creation on the premise of fully mastering the ability of publishing and engraving. This process is to get rid of the shackles of vision and observation, completely enter the realm of self-realization, and is a process of rapid development of interest and realm. From the aesthetic principle:? The beauty of calligraphy is the beauty of form and quality, and the beauty of form and quality is the beauty of lines, not the beauty of melody? It's particularly difficult to understand. In addition, the form of calligraphy works is the combination of the internal components of calligraphy, including the strength of lines, ink color, layout, rhythm and so on. Therefore, the higher the style of the form, the greater the change of these components.
In fact, the formal beauty and qualitative beauty of calligraphy works come from the expression and creation of calligraphers' passion, that is, the outbreak of inner world. In people's impression, it seems that calligraphy is regarded as a model, and the formation of a calligraphy work is a combination of equal column induction, which only pays attention to echo, structural layout, joint components or joint changes, but just ignores the changes in the changes. Is the latter the spirit of calligraphy itself or is it called? Essence? . According to calligraphy theory's principle, to spy out the form and quality of calligraphy (especially the official script works here) and create changes in form and quality on a large scale or in a small scale (referring to more than two words), we must break through the rigid brushwork and demand to be based on changes? No change? Change such a creative process and seek its formal beauty and qualitative beauty. When we have accepted calligraphy theory and entered the practice, sometimes we may dig out something more valuable than it in a small place, and what we usually call style, taste, charm, temperament and spirit are all internally restricted.
On the other hand, the beauty of official script can best reflect its true nature and fundamental spirit, which is probably the relationship with the times. The internal components of official script and their relations are determined in different ranges, which can best reflect the other side of official script's own appearance and fundamental spirit, depending on its era. As far as Han Li is concerned, it sprouted in ancient times and tended to the Qin Dynasty, but when it was finalized in the Eastern Han Dynasty, the gradual improvement of brushwork tended to take shape, and a new typical form was re-established, which became a round pen with a right hand? Homeopathy? Down, hard to the left? Inverse peak? And the bottom became a plump wave pen, and the horizontal waves came out and the oblique waves came out. After mastering the characteristics of these official documents, we can add exaggeration and passion to the management of the works, and finally make the works full of vitality.