In his youth, he studied in tongcheng middle school and Wuchang Teachers College, and later graduated from the Faculty of Arts of Hong Kong University. Fang Shoudun, a famous calligrapher in Tongcheng, was also asked to write a banner with the motto "Constant, Sky, Success and Forever". During the May 4th Movement, he resolutely abandoned classical Chinese and rewritten vernacular Chinese.
192 1 year, Zhu Guangqian published his first vernacular novel "Freud's Implicit Consciousness Theory and Psychoanalysis", and then published "behavioral psychology and Outline and Criticism of Evolutionary Argument", which initially formed his own views on academic research and academic research activities.
From 65438 to 0922, he advocated cultivating "the spirit of loving truth", "the spirit of scientific criticism", "the spirit of creation" and "the spirit of positivism" on how to transform the academic circles. These views have always influenced his long academic path.
After graduating from the University of Hong Kong, he successively taught in the Middle School Department of China College of Shanghai University and chunhui middle school of Baima Lake in Shangyu, Zhejiang Province. 1924 wrote the first aesthetic article "The Beauty of Wordlessness".
From 65438 to 0925, he went abroad to study, and successively studied at the University of Edinburgh, the University of London, the University of Paris and the University of Strasbourg, France, and obtained a master's degree and a doctor's degree.
/kloc-returned to China in October, 1933, and taught in National Peking University, National Sichuan University, National Wuhan University and National Anhui University successively. Honorary President of Ren Zhonghua National Aesthetic Society. Member of the Standing Committee of China People's Political Consultative Conference, Central Committee of NLD, President and Honorary President of China Aesthetic Society, Consultant of Chinese Writers Association, Member of Chinese Academy of Social Sciences.
After liberation, Zhu Guangqian systematically contacted Marxism. After criticizing my previous idealistic aesthetic thought, I put forward the aesthetic view that beauty is the dialectical unity of subjective and objective, and think that beauty must be based on objective things, and subjective ideology or interest can make things become the image of things, and then become beauty.
He also enriched and developed his own aesthetic thoughts with the practical viewpoint of Marxist aesthetics (that is, taking subjectivity as the subject of practitioners and thinking that the objective world and subjectivity can be unified in practice), and formed an influential aesthetic school.
The History of Western Aesthetics is the most important work published by Zhu Guangqian after liberation, and it is also the first aesthetic history work written by China scholars. It represents the level of China's research on western aesthetic thoughts, and has a pioneering academic value.
After 1950, he put forward the theory of the unity of subject and object, arguing that beauty must be based on objective things, in addition to the role of subjective ideology or interest, so that things become the image of things, and then produce beauty.
In 1960s, he emphasized the practical viewpoint of Marxism, took subjectivity as the main body of practice, and thought that the objective world and subjective initiative were unified in practice. During the Cultural Revolution, Zhu Guangqian was treated unfairly, but he still studied the original works of Marxism-Leninism seriously and systematically, trying to understand the truth.
1In March, 983, 86-year-old Zhu Guangqian was invited to give lectures at the Chinese University of Hong Kong and attend the fifth academic and cultural lecture of Mr. Qian Binsi. 1984 Zhu Guangqian was awarded honorary professor by the University of Hong Kong. 1On March 6, 986, Zhu Guangqian died in Beijing at the age of 88.
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Contribution of Chinese character writing
Zhu Guangqian is a famous aesthetician, but he has also made great achievements in the study of writing theory. Although his writing theory is scattered in other aesthetic works, and there is no special and systematic monograph on writing theory, his views are really insightful and have contributed to the enrichment and development of writing theory.
He put forward: "Conciseness is a virtue that an article cherishes extremely", "Practicality and artistry are not mutually exclusive, but complement each other. Practical articles also need aesthetic feeling.
Just like a house should not only be habitable, but also have a beautiful style. ""I really believe that if you want to write a reasoned article, you should be emotional and think in images. " "People have always called writing articles writing, but in the West, writers are called writers, and works are the products of writing, which easily gives people the illusion that writing and writing are intentional.
Baidu Encyclopedia-Zhu Guangqian