The best answer-Tian Han, Shou Chang, pen name Jesuli Chen, was selected by the questioner 1 years ago. 1898 was born in the home of a poor farmer in Chunhuashan, Dongxiang, Changsha, Hunan. Tian Han's boyhood was unfortunate. His father died when he was nine years old. He and his two younger brothers make a living by spinning and weaving with their mother Yi Keqin. Because of his poor family, his mother can hardly afford to send him to a private school. However, this kind of hardship in life has caused some obstacles to the young Tian Han's study, but more is to encourage him to study harder and pursue. His teacher has a pair of eyes, especially for this handsome boy. 19 12, Tian Han was recommended to study in Changsha Normal School, the provincial capital, at public expense. At that time, the principal of the normal school was Xu Teli. At that time, Tian Han had no money to buy books and mosquito nets, and he received meticulous care and help from Lao Xu. Tian Han received a good education in this school. 19 16, graduated from Tian Han Normal University. At this time, it happened that his uncle Yixiang was sent to Japan as an international student manager, which provided Tian Han with an opportunity to study in Japan. 19 17, Tian Han went to Japan with his uncle, studying navy first and then education. But he loved literature and drama, and he had the ideal of being a playwright at that time. Tian Han's uncle Yi Xiang, whose real name is Mei Chen, joined the League in his early years and participated in the Revolution of 1911 with Dr. Sun Yat-sen, a patriotic poet of Nanshe, who was killed by warlord Zhao Hengti in Changsha at the age of 38. The death of Yixiang made Tian Han hate feudal warlords, and the national disaster and family feud in his youth inspired him to constantly impact and challenge the feudal system in his works. While studying in Japan, Zong Baihua introduced him to Guo Moruo, who was also studying in Japan at that time. They hit it off immediately, became bosom friends and exchanged many letters. They sincerely and frankly talked about literature and art, love and life, and explored the true meaning of life. They expect Goethe and Schiller from each other. Later, his correspondence with Guo Moruo and Zong Baihua was published in public, entitled "Three Leaves". 1920, Tian Han published a one-act play "Huan (Wang Ming) Lin and Rose" in Tokyo. From 65438 to 0922, Tian Han returned to China and worked as an editor at Zhonghua Book Company in Shanghai. He also taught at Daxia University and Shanghai University. At the same time, he and his wife Yi Shuyu founded Southland Monthly. They raise money for printing, proofread manuscripts, bind them into volumes and distribute them. Southland Monthly has published such plays as Tiger Catching Night, Night in Coffee Shop and Before Lunch. He also translated Shakespeare's Hamlet and Romeo and Juliet, which were the first translations to introduce Shakespeare's famous plays to China. Southland Monthly also edited and published manuscripts of Guo Moruo, Yu Dafu and Zong Baihua. 1925, Tian Han founded "Southern Film Drama Club" and filmed his first screenplay "Towards the People". Two years later, the "Southern Opera Du" was reorganized, referred to as "Southern Society", and its scope was expanded to five major departments: literature, painting, music, drama and film, with the aim of "uniting the times and making an artistic revolutionary movement for young people". 1927 Tian Han presided over the liberal arts of Shanghai Art Institute, and 1928 established the Southern Art Institute. During this period, he filmed his second screenplay, The Sound of the Broken Flute, and held a week-long art fish dragon meeting, performing his plays, The Will to Live, The Little Scene of Jiangcun, The Painter and His Sister, The Night Talk in Suzhou, The Death of a Famous Player, and his translation of Father's Return by Kan Kikuchi in Japanese. Famous drama artist Ouyang Yuqing and Peking Opera performance artist Zhou staged a new Peking Opera Pan Jinlian created by Ouyang Yuqing. This activity caused a sensation in Shanghai at that time and achieved great success. Hong Shen, Xu Beihong, Tang Huaiqiu, Chen, Zheng, Wu Zuoren, cutie,, Chen Ningqiu (Seck), Yu Shan, Tang Shuming, etc. Tian Han's literary road was tortuous, but he never stopped pursuing the truth. Especially after the May 4th Movement, influenced by Marxism-Leninism and general literature from the Soviet Union, his creative thoughts began to change, gradually getting rid of the emotional appeal and color of aestheticism, romanticism and sentimentality, and resolutely moving towards the people's revolutionary drama movement. 1930, his Critique of Our Own was published in Southland Monthly, which summarized the drama movement in Southland in recent ten years and criticized his creative thoughts. In June of the same year, Carmen, a six-act drama adapted by Tian Han from the novel of French writer Merimee, was staged in Shanghai. The reactionary military police ordered the performance to be banned on the charge of "advocating class struggle and propagating red", and Nandu was also confiscated. At this time, Tian Han led all members of the "Southern Society" to join the Chinese Left-wing Writers' Union, and the activities went underground. 1932, Tian Han joined the Chinese Production Party in Shanghai and served as a member of the Central Cultural Committee. Under the leadership of the Party, he worked hard in all fields of literature and art and made many achievements. In the aspect of drama, I wrote "Chaos Bell", "Plum Rain", 1932 Moonlight Song and "Song of Rejuvenation". In terms of movies, I wrote three modern women, the light of motherhood, national survival, the golden age and so on. He also actively organized and promoted revolutionary music and created a large number of lyrics. Musicians Nie Er, Xi Xinghai, cutie and He Lvting are all his close collaborators. Some songs are still circulating today, such as Graduation Song. 1934, Tian Han composed China's first new opera, Storm of the Yangtze River. Nie Er composed music, directed and starred, and achieved good results when he performed in Shanghai. After the closing ceremony, the audience shouted slogans such as "Down with imperialism" and stayed in the theater for a long time. In his screenplay Children in the Storm, he wrote the lyrics of the theme song March of the Volunteers, which was composed by Nie Er and soon spread widely in China. 1935 In February, Tian Han was arrested in Shanghai and later transferred to Nanjing. Because of carbuncle on his back, he was released on bail pending trial by Xu Beihong and others, released on medical parole and placed under house arrest in Nanjing. He is firm in prison. He once ground a copper plate into a five-pointed star and left a poem to show his unyielding. Some time after he was released from prison, Tian Han organized the China Stage Association to perform progressive dramas such as Song of Rejuvenation, Flood and Resurrection in Nanjing, the heart of the Kuomintang, and made bitter satire and criticism on the reactionary rule of the Kuomintang. 1937 The Lugouqiao Incident broke out and the state cooperated again. Tian Han was released from house arrest in Nanjing and regained his freedom. During this period, he wrote a long play "Lugou Bridge" in time, which was banned by the Kuomintang. At the end of the same year, Tian Han returned to his hometown of Changsha and founded the Anti-Japanese War Daily, with Liao Mosha as the deputy editor. The following year, Guo Moruo came to Changsha and invited him to Wuhan. Under the leadership of Comrade Zhou Enlai, he participated in the literature and art propaganda work of the Third Hall of the National Government. According to the instructions of the Party, he organized ten anti-enemy drama teams and four drama propaganda teams in Wuhan. In the early days of the Anti-Japanese War, he created and adapted a large number of drama scripts, such as Biography of Heroes of New Children and Fishing Songs of Jianghan, and enthusiastically supported the performance of the troupe, and established deep feelings with many artists in the theater industry at that time. In his early forties, Tian Han lived in Guilin for several years. During this period, he gave his full support to the New China Drama Club, with its members as the backbone, performed his plays, such as Ode to Autumn Color and Storm Returning to the Ship, and edited Drama Spring and Autumn Monthly. After War of Resistance against Japanese Aggression's victory, Tian Han returned to Shanghai and successively wrote plays such as Two on the Road, Memorizing Jiangnan, and Hero in Liyuan, which was later adapted into a film. 1948 Tian Han went to Xibaipo, Pingshan, Hebei Province via Tianjin to attend the first political consultative conference. There, he met with Comrade Mao Zedong and Comrade Zhou Enlai. He came from the white area to the free world in the liberated area, and his inner joy was self-evident. At the first political consultative conference held in Beijing, March of the Volunteers, who cooperated with Nie Er, was chosen as the national anthem of the new China. On l day, the majestic national anthem resounded through the magnificent Tiananmen Square. After the founding of New China, he successively served as the director of the Drama Improvement Bureau and the Art Bureau of the Ministry of Culture, the chairman of the Chinese Dramatists Association, the party secretary, and the vice chairman of the China Federation of Literary and Art Circles. He was elected as a deputy to the National People's Congress and a member of the CPPCC. But he has no official airs, retains his past personality and style, and is approachable and helpful. From 65438 to 0957, Tian Han was unexpectedly criticized for his deep concern for actors and his pleading for their youth. The rugged road did not make him silent and stop. While doing administrative work, he insisted on drama creation and wrote an excellent new historical drama "Xie Yaohuan Guan Hanqing and Princess Wencheng", which became famous on the stage of drama. Tian Han is a model of unity in literary and art circles. Comrade Zhou Enlai once said, "Comrade Tian Han has three religions and nine streams in the society, and all corners of the country have contacts. He cares about old artists and is good at uniting them, making them close to and working for the Party. This is one of his advantages. " No matter in the fields of drama, drama, film and music, or the vast number of literary and art workers, he is good at contacting and uniting the masses, often listening to their opinions and expressing their voices. 1962, Guangzhou Creative Conference put forward the principle of walking on two legs. Because Tian Han actively carried out and publicized this policy, he was envied by Jiang Qing and Zhang Chunqiao. 1963, Tian Han went to Shanghai to participate in the East China Drama Creation Exhibition. Zhang Chunqiao and others put forward the slogan of "writing for thirteen years" with ulterior motives at the meeting, opposed the policy put forward by Premier Zhou, spread the remarks that Tian Han was a "traitor" and made vicious political attacks. From 65438 to 0966, during the Cultural Revolution, Lin Biao and Kang Sheng were accused of being "anti-Party and anti-socialist poisonous weeds" on the grounds that Tian Han's Peking Opera "Xie Yaohuan" contained words such as "pleading for the people" and "carrying a boat without overturning it", and criticized them in national newspapers, thus smearing all the literary fronts led by the Party since the 1930s as "literary black lines". 1966 tianhan arrested person prison. 1968 12 10, died in prison at the age of 70 due to long-term cruel persecution. After the downfall of the Gang of Four, Tian Han's unjust case was rehabilitated. On April 25th, 1979, a grand memorial service was held for Tian Han in Babaoshan Revolutionary Cemetery. More than 1000 party and state leaders and literary and art circles attended the memorial service. The memorial service was presided over by Liao Chengzhi, and Mao Dun gave a eulogy. Tian Han's name will be recorded in the history of China literature forever. His plays and poems, especially March of the Volunteers, who has been designated as the national anthem, will be sung among the people forever.