20 10 On May 20th, a message from Chongqing Hualong. The second generation of Tolstoy calligraphy: Chinese characters can be written in this way, building blocks according to geometric shapes, said that this technology has won a national patent today after nearly 20 years of painstaking research. As soon as the news came out, it was quickly forwarded by hundreds of news media such as People's Daily, Xinhuanet, China, Zhongxin.com, Zhongqing.com, Sina.com, Dahe.com, Dayang.com, Tianjin.com, Southern.com, Xinjiang.com, Sing Tao Global Network, China Youth Daily and Chongqing Daily, and then reprinted by nearly 1 1000000 websites, causing quite a stir at home and abroad. Media from Chinese mainland, Hong Kong and Macau, such as CCTV, Hong Kong Phoenix Satellite TV, Macau Asia Satellite TV and China Network, have called to interview the inventor of this technology.
What technology is this? What is the charm? Why do you get so much attention? What is its value and basis? With these questions, the reporter once again approached Chongqing Tongliang and approached Tuochunshuang, the inventor of Tuo's calligraphy technology. ...
Please take China's calligraphy off the altar and return it to the masses. As one of the oldest characters in the world, it is also the most difficult to write. It is an important carrier for Chinese children to express their feelings, exchange ideas and inherit civilization. At the same time, writing Chinese characters is an art and a precious spiritual wealth and cultural treasure left by our ancestors. However, it is precisely because the structure of Chinese characters is complex and changeable, and it is difficult to write. It is difficult for the vast majority of Chinese children to realize their dream of writing a good hand, and they will never have the opportunity to write calligraphy in their lifetime. Therefore, the art of calligraphy has been walking on the altar for thousands of years, away from the public. The ancients created Chinese characters according to the rapid changes of natural phenomena, mountains and rivers, birds and beasts, and the universe, which can be summarized into four categories: pictographic, knowing, indicating and sound. Take its form and meaning, such as: cow, sheep, laugh, cry, etc. Visualize and visualize. With the development and progress of human society, Chinese characters have developed from traditional characters to simplified characters, and from figurative characters to abstract characters. The only expression form of Chinese characters is lines, and the abstract meaning is expressed by concrete lines, which not only makes people feel accurate in expression, but also makes people feel visual beauty, and promotes the writing of Chinese characters to the artistic realm. Such a complex image and visual impact effect are realized by simple lines, and the structure of Chinese characters is ever-changing, so it is not easy for everyone to write Chinese characters. However, people are inseparable from Chinese characters. It seems that everyone feels ancient and modern, familiar and unfamiliar, magical and ordinary, distant and close. It is as deep and mysterious as the universe! So, how can people realize their dream of writing Chinese characters well? How to make magic simple? How to reduce the difficulty of writing introduction, so that everyone can study, study, save time and trouble, and learn something? Throughout the ages, many people with lofty ideals have made arduous efforts, but this world-class problem has not been effectively solved. Duo Chunshuang, who is obsessed with Chinese characters and their writing, devoted more than 40 years of hard work and painstaking exploration, and finally achieved something, unveiled the mystery of Chinese character writing ... Approaching Chongqing Tongliang Du Painting and Calligraphy Art Museum, the exhibition hall of 1000 square meters condensed his life's struggle, and his Chinese character writing practice and research results, artistic works and various news reports were displayed one by one for decades. In the face of many achievements, Du Chunshuang is very modest. He said: the happiest thing is to see that my innovation can effectively solve people's entry problems in Chinese character writing, serve the public and make some tangible contributions to the inheritance and promotion of Chinese national culture, which is the greatest happiness in my life! As early as the early 1990s, Ruan Chunshuang successfully developed "Ruan's Calligraphy Technology (First Generation)". His inventions of "Ruan Hui MiG" and "Chinese character copybook" have won national patents and have been recognized by all walks of life and experts. Ji Xianlin, a master of Chinese studies, praised Tuo's calligraphy techniques: "Unveiling the mystery of Chinese character writing" and "solving the eternal problem of Chinese character writing". On the basis of the first generation technology, after more than 20 years of painstaking research and repeated teaching practice, he explored a new method of "playing with building blocks", that is, the second generation technology of Yu calligraphy, "writing Chinese geometric blocks". "Huimige" is divided into five basic blocks: triangle, square, rectangle, trapezoid and polygon. It is like "playing with building blocks" and reorganizes Chinese characters in blocks, which overcomes people's fear and boredom in learning calligraphy. The basic essentials of this new technology are: first, the size of Chinese characters in the box is adjusted by the inner frame of Huimig; The second is to establish the "coordinates" of Chinese character strokes with the dotted line in MiG; Thirdly, according to the geometric block decomposed by dotted line in MiG, the local positioning of Chinese characters (that is, the structural relationship between up and down, left and right, inside and outside) is established; Fourthly, the dotted line in the grid and the geometric blocks decomposed by the dotted line are randomly combined according to the different structures of Chinese characters, and all Chinese characters will be easily solved in Huimigi. These four essentials make the size, stroke position and positioning of Chinese characters in the grid more accurate and standardized, and make Chinese character writing dissect the structure of Chinese characters like "building blocks", thus subverting people's traditional thinking on Chinese character structure writing. Even Chinese characters with complex structure can be mastered accurately by beginners in a short time, which can shorten the time by more than 90% compared with the traditional Chinese character learning method, and effectively solve the entry problem of Chinese character writing for people all over the world. In July, 2009, the seminar "The Second Generation Technology of Handwriting" was successfully held in Beijing. At the scene, Du Chunshuang demonstrated this latest new calligraphy technology, so that people can understand it at a glance and learn it as soon as possible. It has been highly praised and fully affirmed by leaders, experts and the media. Yan Chunshuang said: I want to take China's calligraphy off the altar and give it back to the public! Simplifying complex things and letting the public master them is a contribution!
Struggle for the realization of dreams, although hard, is also happiness. The ancients said, "everything is established in advance, and it will be abolished if it is not foreseen" and "it is obtained by taking the law"! Although he comes from a poor family, he is ambitious. From an ordinary calligraphy lover to a national first-class artist and a special allowance expert of the State Council, his legendary and bumpy life experience reflects a capital life of self-improvement and struggle for ideals ... 1959, born in hufeng town, Tongliang District, Chongqing, his father died in his early years and his family was extremely poor. His four brothers only rely on their weak mothers to sell cold water and do coolies for a living, and they have suffered from life and loneliness since childhood. A primary school teacher's casual words in class changed his fate. "Students in grade three write better than students in grade six!" His classmates cast envious eyes on him, and he was surprised! From then on, he made up his mind to write well and live up to the teacher's expectations. In the second year, due to family history problems and the special blow of the "Cultural Revolution", Duo Chunshuang left school early ... 17 years old went to the mountains to be an educated youth, and then went to work on the farm. In the dormitory where the pigsty is less than 6 square meters, the walls are difficult to shelter from the wind and rain. He insisted on learning to practice calligraphy there despite the heat and cold. On a hot day, he was sleepy or bored, so he either plunged his head into cold water or ran to the threshing floor to bask in the sun and then went back to the hut to adjust the temperature difference and cool down to drive away. Reading and practicing calligraphy until late at night, he was hungry, drank "ten drops of water" and took medicine ... He jokingly called himself "the landlord of the storm". Nowadays, his calligraphy works are often stamped with the title of "the owner of the stormy building", and a self-written couplet named after the stormy building is added to the famous house door, "Birds, insects and fish are the world, loyalty, wisdom and courage are the life". At the age of 28, he began to cooperate with others, editing and publishing a large-scale literary dictionary, Biographies of China Writers and Artists (1-4), An Overview of the Signature Art of Famous Calligraphers in China and Biographies of Contemporary Literary Journalists in China (a total of150,000 words). Ba Jin and Cao Yu served as general consultants, while Zhao Puchu and Qi Gong wrote the titles respectively, with Chen Huangmei as the preface. Bing Xin wrote an inscription praising him as "a good book to understand China's literature and art". By editing the biographies of successful people, he realized everyone's life growth experience and the true meaning of success. 1987 participated in the first China Calligraphy Competition held in Chongqing and won the gold medal in one fell swoop. Since then, he has won more than 50 awards in various calligraphy competitions; Selected for nearly 100 exhibitions; There are more than 60 dictionaries containing his biography. More than 200 newspapers and periodicals published more than 500 of his works; His works have also been collected by party and state leaders, heads of more than 40 countries and regions such as the United States, Japan and Canada, and friends. More than 20 scenic spots, such as Sino-Japanese Friendship Forest of Steles and China Silent Forest of Steles, are engraved in his calligraphy works. Therefore, he was accepted as a member of China Calligraphers Association. In the 1990s, after inventing the first generation technology of Tolstoy's calligraphy, Tuo Chunshuang used this technology to edit more than 80 versions of Tolstoy's Copybook for calligraphy, which were published by 7 publishing houses at home and abroad, with a print run of more than 6,543,800 copies. The textbook "Entrusting Calligraphy for Primary School Students" jointly developed by Chongqing Education Commission and Chongqing Publishing House has played a positive role in promoting the development of calligraphy art. 1995 to 2000, he also founded Tuoshi Calligraphy College of Three Gorges Union University, and served as the dean, giving more than 2,000 lectures in more than 20 provinces and cities across the country, with nearly100,000 students. In 2003, the primary school affiliated to Tongliang Teachers College established the "Tuoshi Calligraphy Characteristic Demonstration School". Students participated in various calligraphy competitions at national, city and county levels and won numerous awards. 200 1 Chongqing Tuoshi Painting and Calligraphy Art Museum, the first private painting and calligraphy museum in Chongqing, was also established, which brought calligraphy works to the market, raised funds for the research of calligraphy technology, and embarked on a benign development path of fostering research through art and promoting art through research. Since its opening 12 years ago, the museum has received more than 654.38+million people from more than 30 countries and all walks of life in China, which has been widely praised. When Huang Zhendong, then secretary of Chongqing Municipal Party Committee, visited the museum, he praised "Tuo Painting and Calligraphy Art Museum is a business card of Chongqing and a beautiful scenery in the west"; Comrade Teng Jiuming, the former deputy secretary of Chongqing Municipal Committee and now the leader of the inspection team of central enterprises, entrusted "making it bigger and stronger, making it new and practical" to the Art Museum of Painting and Calligraphy. In order to inherit Yu's calligraphy, he persuaded his daughter who had studied in Australia to come back from abroad to start a business together.
20 10 In March, at the Third Session of the 11th National People's Congress of the Chinese People's Political Consultative Conference and the Third Session of the 11th National People's Congress, Xia Zhining, a member and representative of the National People's Congress, made speeches on "Improving China people's writing ability of Chinese characters, making' Yu Calligraphy' play an active role in the foreign exchange of Chinese culture and become a symbol of Chinese children". Some members also made a speech at the plenary session entitled "Revolutionary innovation of Chinese character writing-Yu Calligraphy is worth it". He said: "With the popularization of computers, the writing of Chinese characters has gradually faded in people's daily life, the writing ability of Chinese characters has generally weakened, and the education of Chinese calligraphy has been ignored. "It is reported that Shanghai recently conducted a survey on the current situation of Chinese character writing, and found that 70%-80% of students' pen writing is irregular and unqualified. There are few clean and tidy homework, and some college students can't even get master's and doctor's degrees. The younger generation has become a generation that can only tap the keyboard but can't write with a pen. In this way, the status quo is worrying! " The speech at the conference attracted the attention of the participants. Thirty years ago, China needed to know more about the world, and all the people began to learn foreign languages. Open the door, let the people of China integrate into the world, emancipate their minds, and China will rise rapidly in the world. Today, the world needs to know more about China. The central government has opened the Confucius Institute to the whole world, so that people all over the world can learn Chinese and write Chinese characters. The global Chinese fever is increasing day by day. The Sixth Plenary Session of the Seventeenth Central Committee of the Communist Party of China and the Eighteenth National Congress of the Communist Party of China have loudly put forward the development strategy and goal of strengthening the country by culture and rejuvenating the nation. Therefore, if China wants to have a solid position and influence in the world, it must strengthen the promotion and dissemination of China culture. As one of the backbones of traditional culture and art in China, Chinese character writing not only supports the continuation of China's 5,000-year culture, but also carries the inheritance and development of China's culture. Therefore, the complicated structure of Chinese characters and the difficulty in writing must not be an obstacle to China's development in the world. "Tuo's China Calligraphy Technology" effectively helps the world friends who are interested in learning Chinese characters to write Chinese characters quickly, so that people all over the world can enjoy Chinese civilization. The Ministry of Education listed it as a Chinese writing textbook for primary and secondary schools. People's Education Publishing House cooperated closely with Chongqing Tuoshi Painting and Calligraphy Art Museum, and used this technology to edit and publish an experimental writing textbook (complete set of 32 volumes), which was promoted nationwide. Guangdong, Hunan, Yunnan and other places have also adopted this technology to edit and publish their own local versions of calligraphy textbooks. At present, the Shanghai local edition of Calligraphy is under intense editing. We have reason to believe that the innovative achievement of "Tuoshi China Calligraphy Technology" will improve the ability of teenagers to write Chinese characters, play a great role in changing the state of weak writing ability and being trapped in the "Chinese writing dilemma" and make greater contributions to inheriting the excellent culture of the Chinese nation.