I was embarrassed when I saw in the barrage that the lines of this drama were the ceiling of a domestic drama. The ceiling is a little too low, but if I had carefully read a few ancient poems when I was a student, my aesthetics would not have become like this. What I can't stand most is that a play has one good point. Someone insisted on boasting it to 100, and I was not allowed to make any mistakes. It's easy to say that others can't read, as if people who can enjoy themselves are superior. Who gave the courage? The play is really good, but it's not too good to say. Unwilling to face up to the problem, when will the domestic drama get up? I don't want to relive old dramas all the time. I hope to see better and better domestic dramas.
Now, fine clothes are bright and beautiful, and the core is a little affection and love. I dare not do it in court, so I can only cover it up with the shell of the court. We can't get a deep core, but we have to get a deep core at the shallow side. What attracts them is probably white-collar workers, who yearn for love with petty bourgeoisie and feel that they are essentially independent. The audience said that no problem is ok, and the effect depends on the ratings. Being old-fashioned and contemporary is more important than having standards, but having standards is much better than not having standards, and it is much better than crossing the Qin and Han Dynasties with the Tang and Song Dynasties. In short, there is still no good book, no good lens language, and naturally it will not last. Without a good book, natural lines are not good, the plot is weak, and there is no good lens language, which is naturally limited by the level of the director group. The writers and directors are unstable, and the actors can't save them, and neither can the Taoist robes. It can be called excellent enough, and the works in recent years are rare, let alone classics. Even in The Longest Day in Chang 'an, the rhythm of collapse has been kicked out of the classic. It is hard to say how good it is, but it is only acceptable.
There are too many main lines in this play, and the plot is really chaotic, but on the whole, I personally feel fine. As for the problem of dropping the schoolbag, I watched the latest episode, but I don't know the details of the clothes being deleted, and everything else is ok. Especially when my neighbor's children were in Chinese studies class, they asked me if my teacher had told me about the Eight Shu in this drama. I was so happy that I exploded. When I was a child, I just listened to who and what was said in the TV series, and then I was interested in watching it myself and looking for comparisons. Personally, I think it will be of great help to my future study. It can not only entertain, but also arouse interest (at least now it has aroused my interest in rereading the Analects of Confucius and leading children). How can you say that this play is not fragrant?
The focus of this play is not anti-feudal male chauvinism, but the imprisonment of people by the royal family and feudal society. In fact, I am also annoyed with this princess after reading the book. I think she is ungrateful and headstrong. But I really like Huaiji, so I watched it again and found a fragment: When the princess told Queen Cao that she didn't want to be a saint, the queen scolded her that you enjoyed the sacrifice of the people, and there was no reason not to be a saint in their eyes. Later, the princess chose to shoulder the expectations of the people. Did you find it? In fact, the princess has been growing. She also married that Xu, gave up being with Wyatt and died of depression. You can't deprive a person of the right to be sad. She is really not a perfect person. She was just an innocent little girl at first.
In fact, there is nothing wrong with what Xu and her mother want, but they can't be safe together. The princess grew up when she realized that she couldn't do whatever she wanted because she was burdened with people's expectations. There is nothing wrong with anti-feudalism, opposing parents' arranged marriage, pursuing freedom of love, not allowing a person to enjoy privileges and bear responsibilities that she cannot afford.
And there is a sense of piling up. For example, I have piled up all the roles, and the tasks have been completed. The exam is still focused, but I can't see the key points here. Moreover, the lens editing is incoherent and abrupt, as if it follows the timeline rather than the story itself, so it is not impossible to deal with it, but the daily content is not enough, and the palace fight is superficial. This is probably the way biographies are written. It is acceptable to like and unacceptable to hate (so most people don't like biographies, but novels are much more interesting, except those that are lively and interesting. I don't think reading biographies is better than reading novels. If celebrities have personal charm, who reads biographies? Furthermore, if you are a biography, you want to highlight realism instead of drama, but did the play do it? Renzong Fan Zhongyan and others hold it too high, but at least the filters of Fan Zhongyan and others are high and genuine. What about Song Renzong? He is a man with obvious shortcomings and advantages. As a result, he became a perfect man in the play, a man who has no shortcomings and always has the overall situation in his heart. In this case, knowing that Lv Yijian is a pest, is it hard for you to tolerate rape or something?
Besides, Fan Zhongyan and others say they are too tall. It is not the improper handling of the positive image in the play, but the black Lv Yijian. In fact, if you know the history of Lv Yijian's Song Dynasty, you will know that he is a man who understands human nature and is blameless in major events. Fan Zhongyan, who doesn't even hit people when he's down, has now become a wretched image framed by villains for personal gain. He does cronyism, but other things are actually handled very well and have far-reaching thoughts. Injong spoke highly of him (now Injong can only make me feel that if Injong spoke highly of Lu according to historical facts, he would be weak and indecisive. Obviously, this is not the image orientation given to him by this drama, although it is a historical image; It can only be that the characters are isolated from each other, the screenwriter itself is a bug, and the logical chain is broken. So it's better to follow the historical facts. I think it's easy to collapse for the circle. According to the reasonable inference of history, it is the deconstruction point of the novel, and the collapse is a historical reason and a historical mystery. Isn't it wonderful?
Costume drama itself is a false proposition. If written with modern values, it will make people jump into the drama. If all the descriptions are ancient concepts and run counter to modern concepts, most viewers will not be able to stand it. The idea of using ancient and modern is to walk on the balance beam. Talking about the red line of home and country on a large scale, and talking about being affectionate with children on a small scale is a bit petty. Actors, directors, scenery, serving mankind, etc. In fact, the most difficult thing to create fine works is the script, but such a script should be in the most popular words. Thick accumulation and thin hair? It is difficult to see the plan for noon without certain skills. There is no costume drama in these two years, and there is no such standard guarantee in the field of costume drama. It is estimated that the audience who want to see the boutique is still lucky.
In fact, Liang's business is doing well, because the selfish desires of the superior can inadvertently ruin a family's life. This is why Liang Huaiji became a eunuch. But after the emperor's introspection, I think he has not changed. Maybe he won't let others know his preferences for food, clothing, housing and transportation in the future, but it doesn't mean that he really understands the pain of others. Renzong's role in the street will apologize to others. He has a good temper and doesn't punish imperial secretary very much. He will try his best to help the people for the sake of the city, but that kind of kindness is like the kindness of superiors to subordinates. When he meets the princess, he will punish the eunuch. He still caused a lot of pain to his daughter and Li family for his own selfish desires, and he will never change.
The overall rhythm feels very comfortable. Eight episodes did a lot of things, grew up, regained political power, was abolished, met Xichun, and married Queen Cao. Unrealistic, the beginning of 70 episodes will not look good. The drama conflicts around 20 episodes and the spiritual core of the script are relatively normal. Before that, we will see if we can keep the audience. The previous Tiansheng long song failed. The story has been circulated for more than a dozen episodes, and many empty lines have been told, but when it is time to gather the feeder lines, it is still scattered. This is the reason why it failed. I think Qingpingle has successfully evaded this point at present.
When Nirvana in Fire was first broadcast, many people criticized the slow pace, scattered stories and stagnant plots in the early stage before it became a drama. The core of Qingpingle's story is not a power struggle, so there will be many conflicts, and the audience will not see it that way? Is it cool? , has not become an element of drama, but it does not prevent it from being an excellent work. As a drama, it is not bad to see Song Renzong's life.
When reading it, I always feel that it should be fine, not fine. For example, I am curious about what they talked about after Cao Dan got into Zhang's carriage, and told the chamberlain who had seen great waves around the emperor to pay more attention to this young lady. But no! There are various scenes in the play, such as long shots of the chamberlain walking and so on. But there is nothing I want to see that I think is more important. After all, in the original, Zhang Mao's lines about the queen's feelings are also very touching. Why do you think the initial intention created by their team is just? I hope we can use this drama to attract jade, let everyone check the information themselves, or learn more about the history of the Northern Song Dynasty through other channels? .
Personally, I think their purpose has been achieved. At least before Qingpingle, there were few TV dramas about Song Renzong's life, and ordinary people didn't know enough about the Northern Song Dynasty. To mention the Song Dynasty is to accumulate poverty and weakness, emphasize literature over martial arts, and ignore the prosperity and development of economy, culture and science and technology in the Northern Song Dynasty. Film and television plays are a good way to popularize history. At least I went to the history books to learn about that period of history on my own initiative. The interaction between Qingping Music Officer Wei and several history review teachers is also a good phenomenon. Some people talk about the costumes of the Northern Song Dynasty, some people talk about the historical events of the Northern Song Dynasty, and some people talk about the poems of the eight masters of the Tang and Song Dynasties when Song Renzong was in China. Netizens can claim it at will according to their preferences, and learn while chasing the drama. From this perspective, the play can be said to be very successful. As for the quality of the TV series itself, it can only be considered as above average, not as a masterpiece. I believe many people have psychological expectations. After all, Zhang is from Kaizhou. Zhang's progress should be encouraged, and his shortcomings should be suggested. There is no need to kill him at once. It's not that the respondent's words are too sharp. On the contrary, I hope that Zhang Can will see this evaluation and inspire him to make faster progress.
To put it bluntly, it is a pseudo-tall drama, superficial and flashy. I also grew up watching CCTV historical dramas. It's not that I haven't seen a good play. Emperor Kangxi of Hanwu, which one is better than Qingping? How to truly evaluate a pseudo-high-level drama must be labeled as uneducated and impatient? Some Zhihu's answers and afternoon comments in Weibo really upset me. There is traffic powder in front of the entertainment circle and afternoon powder in the back. Accusations and judgments. I wonder if it is difficult to shoot a play at noon? It is true that marketing and navy are very hard. I feel that noon is getting worse and worse. Although the content of Nirvana in Fire was not profound enough, it was very good as a TV series, but the plot was vivid and compact. In the first two years, even if the script logic collapsed and the screenwriter was fascinated, the victory was that the foundation of the original author was still there, the actors were awesome, and the characters in Shengjia looked good. In Qingpingle, although the texture is better than the nirvana of fire and Zhifu, it just doesn't look good. Very ugly.
The audience wants the TV series to serve well, but in fact they hope it can better serve the story itself. Now a group of pseudo-high-level dramas put the cart before the horse, using tactical diligence to cover up strategic laziness. Anyway, I'm not addicted to qingping music, so I may not watch it after watching it. The original novel seems to be about how the princess became a victim of feudalism. I think the first one who was restricted by feudal thought was Queen Liu. Well done, there is no place for women in court. It is wrong for her to go there. Everyone thinks that she should return to politics. Even if Wu Hou does well, future generations will only take her to guard against dawn. This society lasted for two thousand years. Sadly, the sincere feelings of an emperor and several women are also uncomfortable. I'd rather have less emotional drama. I think it is suitable for officials now to look more and think more about people's livelihood.