It has definitely reached the level of a masterpiece and is the best film in recent years. Nolan's unique narrative skills, visual style and image language have been perfectly implemented. Nolan's nostalgia spread from character modeling and lines to shooting techniques and special effects production, but because of this, some action scenes and visual wonders were not so enjoyable. Anti-physics discussion, wonderful action scenes, strong emotions and Leonardo's amazing performance are all fascinating, which is a brand-new field of Nolan's films. You look at the dream world and say it's a dream, and the dream world looks at you and it's a dream. Cherish what you have and cherish the people around you.
Inception didn't first put forward love love love's point of view, and films such as Red Pepper and Total Memory all involved the concept of love, love and love. But Nolan is the director who shows this concept to the extreme. The whole film can be regarded as constructing five layers of dreams, and each layer has its own unique physical laws and psychological time. With the participation of movie audiences, it can be said that Inception shows six kinds of realistic spaces based on ideas.
Generate Out of Silence is an extremely real work for me, which accurately reflects this "aphasia era", and I belong to the "aphasia generation".
Perhaps children living in greenhouses can't understand it now, but I come from a remote mountainous area in southeastern Guizhou and have a deep understanding of this "aphasia".
In the movie, the village head encourages everyone to sign a contract to exploit the resources in the village. He said "no loss" to the villagers, so everyone signed, but Zhang refused to sign, so he was excluded by everyone. However, after mining, the environment in the village gradually deteriorated and the water quality became worse and worse. Many people in the village are sick. The poor can only drink polluted water in the mountains, and the village chief's car is filled with boxes of mineral water.
It's the same in our place. Because of a large number of mining, our deep forests have gradually disappeared, and the water quality and environment have obviously deteriorated. But once there is a project, the village head still earnestly advises everyone not to lose money. Because the farmers in the mountains don't have much consciousness, most of them signed it, and a few people who refused to sign it eventually signed it. They have to be "aphasia" under the oppression of the public.
In the movie, Zhang didn't find the dead child in the end, but he saved his daughter. As a middle-class lawyer, Xu Wenjie chose "active aphasia" for her own benefit after her daughter was rescued. In the end, he said that "gone" represented his conscience, children and justice. In reality, I have seen too much aphasia.
The upper class like Chang Wannian is not uncommon in reality. Let me give you a real example. When I was in primary school, our school was a wooden house, and the children in the city certainly didn't know it was a big wooden house. Then one day, I suddenly heard that our school was donated by the big boss to build a physical school. So in the fifth grade, we moved into a new school, but there were many problems in just one year. It's broken here today, and it will collapse there tomorrow.
A few years later, I heard that my boss was arrested. It is said that he committed many crimes, including murder. In those years, he collected several kinds of herbs from us. Because he donated money to the school, those mountains were rented to him at a low price, and he often donated money to the school. We all think that he is a good man.
Of course, there is a lot of warmth in society, but the hypocrisy and cruelty of the upper class, the selfishness and indifference of the middle class and the weakness of the lower class are really true social portrayal!
The movie "Don't laugh at our gender", a "special movie", lets you be there.
This film is a lovely one, and few people find it lovely after watching it. This movie happens to be because I like Cam very much and because it looks relaxed. The atmosphere in the movie and the feeling the actors gave me made me feel like I was in a movie.
I don't know why the movie was promoted as a "special movie" when it was released, and I don't know why the ratings of several websites were not too high, but I still simply thought it was good. I can't help laughing at the thought of characters with personality and interesting plots. Isn't that what romantic comedies need (as a consolation for watching some unintelligible movies recently)?
The plot is actually very simple and clear, isn't it the most common love, so the focus of watching is naturally on the favorite actor.
The role of Bomei this time is very different from the previous role. After watching this movie, I will feel that she is the real her, and it is also in line with her delicate appearance. She is a printmaker in the film, and she is in love with her student Ken'ichi Matsuyama. They have a good grasp of the character's character, and her lively character in the play is in sharp contrast with Ken'ichi Matsuyama's quiet and restrained style.
I like the design of movie posters very much. The scene on the poster was taken by Ken'ichi Matsuyama when she went to Hiromi Nagasaku to be a model. They snuggled together in a blanket, and the orange colors were warm to each other, so they were introduced by the crew like stickers, which was very suitable for the atmosphere of the film. Even if this is a fruitless love, the beauty of that moment is also a beautiful memory. Many times, the pictures in movies are fixed shots (perhaps this is the reason for the low score of movies), which requires the actors' natural and coherent acting skills and the actors' life experience to better express what needs to be presented.
Hiromi Nagasaku came home and appeared in the photo of the fixed seat. Watching her figure leap into the picture lightly, she began to take off her clothes easily, turn on the player and hum a song softly. The atmosphere soon became lively and I began to feel relaxed and happy. Watching this movie full of life always attracts me the most. I will feel the sense of reality conveyed by her and feel that the characters in the film are as kind as the people around me. Similarly, when Yuu Aoi appeared in the exhibition in white, she had a refreshing feeling, a very different feeling. This feeling may not appear in many movies. This may be the unique temperament of being a Mori woman. Natural freshness is the most appropriate word I can think of. Seeing her sitting on the bench next to the exhibition, with a little anxiety and tension in this strange environment, and then starting to eat cookies by herself, this casual feeling is great and will make me feel higher.
Looking at these full-featured characters in the film, I will gradually feel as if I were in the film, enjoying the quiet winter and feeling the cold air. It seems that everything is true. These are the most authentic experiences during my watching.
The plot of this film is rare in today's film market. Wandering on the edge, but not crossing the line at all. Whether it is an ethical film or a romantic film, it is very excellent. Its plot is unique. Although the actors' acting skills are slightly inferior, the pattern of the whole film has been positioned. There is no doubt that this is a success. Movies are not just special effects. It would be nice to go directly to the boxing match. Movies pay more attention to the heart. There is no plot intention as the premise, and everything is empty talk. It is said that the box office determines the quality, but I think it should be the other way around. Without good quality, there will be no good box office, even if it is two brushes and three brushes by fans. In short, movies still have to speak with strength. Those so-called appeal are so vulnerable in front of real power films.
For movies that give me an immersive feeling, I will choose bullfighting.
Bullfighting is directed by Guan Hu and starring Bo Huang. The story tells the story of Niu Er (Bo Huang), a native of Shandong Province, who was entrusted to take care of the cows left by the * * * production party during the War of Resistance against Japanese Aggression period. The whole village was brutally killed by the devil, only Niu Er was left. He kept his promise and fought with the devil, bandits and refugees, and finally saved the cow and fulfilled his promise to the * * * production party!
Perhaps because I have lived in the countryside since I was a child, I have an inexplicable affinity for my hometown Bo Huang's Shandong dialect, so many scenes in the movie make me feel immersive, especially the various sound effects in the movie: the cry of cows, the roar of the north wind in winter, the sound of bullets breaking through the ears, the rubbing sound of cows crawling around rubbing against the wall and the ground, and so on. All these give people a strong sensory impact, making people feel that the plot of the movie is like happening around them, that is, the feeling of being there.
There are not many lines in the whole movie. Most scenes revolve around Niu Er and Niu Er. Niu Er fought with a cow by virtue of a "contract", which showed Bo Huang's superb acting skills. Bo Huang's acting skills were bursting, and he propped up the whole movie by himself. Especially at the end of the film, when the Eighth Route Army passed by, Bo Huang returned the cow with the contract. He didn't forget to ask the Eighth Route Army to sign and draw a seal, so that this rural old man who has gone through vicissitudes of life and can't even speak clearly for a long time can be vividly interpreted. It is such a performance that Bo Huang also won the reputation of "Chaplin of the East".
I believe everyone can answer this question, and everyone has a different answer!
Watching movies is believed to be the best way for many people to decompress. Whether it is a story produced by Marvel Comics or a domestic story, there is always a movie that can make us feel like telling our own story. Of course, this is the charm of movies.
Jing Tian thinks that the film that impressed me the most is A Life.
I'm not saying how much Jing Tian likes the word love, or how desperate she is about love, but if she loves it, the theme of life is Jing Tian's favorite.
"A Life" is actually a story about two childhood lovers who fall in love but can't be together, starring Nicholas Tse and Gao Yuanyuan.
As a pure romantic movie, I think this is the most classic work that Jing Tian thinks.
At the beginning of the film, the background of two people was explained. Zhao is a grandmother who always brings up her children, while Enron, played by Gao Yuanyuan, is a single-parent family with the same bitter background, but Enron's family is slightly better.
When they grow up, they study in the same school. Because Zhao Yong's family is poor, he follows Enron, so they both have a little affection for each other (I can only say that I like it at my age, haha).
Later, Zhao Zong was taken to Guangzhou by his uncle because his grandmother died, and he didn't say hello to Enron when he left.
When we met again, after graduating from Enron University and preparing to study abroad, Zhao came back forever. The unexpected encounter and goodwill when they were together made them fall in love quickly. In order to make money for Enron, they are always targeted by the black boss. Later, in order to protect Enron, they wounded a punk and waited for him in prison for several years.
Enron, who was about to explain everything to his father, knew nothing about it. He is still waiting for Zhao Yong to appear at the station where they met. Everyone should be able to guess such a result. Zhao Yong's friend Sun Yuejin said that Zhao Yong likes others and won't appear, so he will go to the United States to study. Everyone knows what is going on, but it is inevitable to be depressed to see such a sad result.
Of course, that doesn't count
The following year, Zhao Yong was released from prison, but she lived a hard life in the United States, aborted her eternal child, and followed a painter who was also an international student.
Zhao has always been a big boss through his own efforts, and the company has also opened to the United States. All he cares about is Enron. But at this time, Enron had a boyfriend, which was contradictory.
Zhao Yong, who has achieved great success, is undoubtedly a person. He can't forget Enron, like Enron, because Enron's boyfriend's temper problem and Zhao Yong's appearance are temporarily separated. At this time, Zhao Yong regained Enron's heart, and they walked together again.
(suddenly found that it was too long, a little off topic, alas! )
Then it was probably Enron's boyfriend's car accident. In order to take care of him, Enron had to leave forever again, and Zhao Yong could only wait for her in the United States. When the painter let him go, he called Zhao Yong safely and learned that Zhao Yong was waiting for him. She cried, but unfortunately Zhao Yong died in the World Trade Center, and the movie was over.
People in love can't be together. I think it is a stalk elaborated in this film. Of course, love is the understanding and expectation of life love. This kind of love will be unforgettable and unforgettable.
I don't know what to express. Love is a lifetime, and it may be the thing I recognize most.
End!
There are a thousand Hamlets in a thousand audiences, and everyone's experience is different, which leads to people's different views and feelings about the same thing.
Tell me about the recent movie that made me feel immersive, Dog Thirteen.
This is a very simple narrative film, with a dull plot and no lofty theme, just telling the daily life of a junior high school student. Parents divorced, grandparents brought up, and dad gave birth to another child, a boy. In order to appease Li's mood, he gave a puppy named Einstein, but later the puppy got lost ... The whole story slowly unfolded around Li and the dog.
Everyone is young and has had a rebellious period. I believe this movie will give you a little insight, and I believe it may make you feel immersive.
Quiet place
First of all, the setting of the film makes the audience enter a state: no sound is allowed, even a little bit.
The film tells the story that human beings are threatened by alien monsters. These monsters have no vision, but they hunt cruelly according to the sound of their prey, so people must keep their mouths shut in life, otherwise they will be hunted by mysterious creatures. In order to survive, the protagonist's family had to spread fine sand on the road and walk barefoot carefully, keeping absolutely quiet during the game. Even prayer and communication can only rely on sign language. Nevertheless, mysterious creatures are always with us, and the silent world is full of suffocating unpredictable traps.
At the screening in Wuhan, the whole theater was silent. When people are immersed in this state of silence for more than ten minutes, you will understand the sense of suffocation and instantly pull you into the plot and be there.
Secondly, the film sets up a large number of human synaesthesia plots to increase the sense of suffocation and excitement.
In silence, the heroine faces childbirth. And all this happened when the hero left home. How can a fragile woman endure great pain and give birth as quietly as possible? At this time, the last flight of stairs was tested. Just as my mother stumbled and fled to the basement to give birth, she stepped barefoot on the spikes protruding from the stairs. At that moment, all the audience tried hard not to make a sound ... the muffled sound of metal piercing muscles was frightening, and the exclamation that was about to burst out of the heroine's throat could not be sent out. Everyone's heart is in their throats.
This film magnifies the fear of human beings in the silent environment to the greatest extent, and at the same time blocks all the exits that should be vented through sound, eventually creating a sense of suffocation. The so-called immersive experience comes from this.
To say which movie makes me feel immersive when I watch it, the first thing I think of is 20 1 1 "flying swords of dragon gate" directed by Tsui Hark and starring Jet Li, Zhou Xun and Chen Kun. This is the first real 3D martial arts movie in Chinese mainland and the first officially certified IMAX 3D movie in the history of China movies. At that time, I came for the names of Tsui Hark, Johnson and Jet Li, but what really shocked me was the 3D effect in the film. It was the first time I watched a 3-D version of a martial arts film. Xu Laoguai also likes to shoot with the first person lens. I remember flying stones and arrows at you at the movies. I really have a sense of urgency and subconsciously want to dodge. I really felt that I was there.
Up to now, what impressed me most in this movie are the flying stones and the arrows shot at you, and of course, the beauty of Chen Kun, the "flower of the factory".
After Avatar started shooting in 3D and achieved great success, major film companies at home and abroad seem to feel sorry for the audience when shooting movies without 3D. All the subjects have to shoot in 3D, even fake 3D, which makes me a little tired of aesthetics. A movie with 3D effect just adds some color to the movie, without the immersive shock of this movie.
Seeing this, some people may ask, since Avatar is the first real 3D movie, why not say Avatar? What I want to say here is that Avatar is a pioneer of 3D film shooting, but it is a science fiction movie after all. The picture is too unreal, unreal, and it can make you feel like you are painting, but you don't feel like you are there.
It is rare for domestic films to have such a good film, which can poke everyone's pain points and uncover a profound but long-neglected social contradiction, but the story is just right and the details are full but not too sensational.
It's like a melting pot, but it's essentially different from a melting pot. A movie like Melting Pot probably won't pass the trial.
Yong Cheng, a middle-aged man, is as poor, abusive, selfish and obscene as most middle-aged men in reality. I'm sorry for using so many harsh words in a row, but there are many people who are shiny in appearance and wretched in heart. At that time, Yong Cheng couldn't even pay the rent, but his old father, his wife who was about to divorce at any time, and his eight-year-old son just began to understand vanity and knew that he needed 260 yuan to buy a pair of shoes. After all, money in 2002 was still very valuable. At that time, I just entered junior high school and lived on campus. A lunch never exceeds one yuan.
However, he was a seller of Indian oil-a profession that became the beginning of all the stories that followed.
Pandora's box was opened when the uncle next door brought Luli. Beneficiary Lu is a person with chronic myeloid leukemia. He knows that there is cheap Green in India, and he also believes that Yong Cheng has a way to get this medicine. The shrewd Shanghainese, wearing a three-layer mask, lured Yong Cheng with a huge potential market. After being rejected, he stubbornly left his phone number.
I really didn't see that this wretched man turned out to be Sekitani Kamiki. Eric Wang's acting skills are really bursting.
After stopping the drug, the condition of beneficiary Lu quickly entered a period of rapid change. The doctor said that bone marrow transplantation can be done, but the success rate is very small. She interrupted the doctor and said decisively, let's do it.
But can bone marrow transplantation be done casually if you want? How hard is it to wait for a successful donor? Where can the beneficiaries of Shandong Province who have entered a period of rapid change have time to wait?
So when I saw her and her son sleeping peacefully by the bed of the beneficiary Lu, my hair stood on end.
Who else is more worthy than his own son?
In fact, when Lu Yili was just diagnosed with the disease, she was only five months pregnant, and it was too late to induce labor. However, for her husband, she took the whole family, her whole life, and even made up her mind to take her son.
After drinking wine that day, when Yong Cheng insisted on sending Sihui home, Sihui understood. She didn't shirk, just sat in the taxi blankly. When Sihui went to take a bath, her daughter pushed open the bedroom door and saw Yong Cheng, who was half naked. She was as ruthless as ever, not frightened or asked. It can be seen that such a thing has happened more than once. In order to make money to buy medicine for her daughter, Sihui must have tried everything and suffered all the grievances.
When Yong Cheng quietly closed the door and left, Xi Caihui showed a heartfelt smile.
Yong Cheng also began to consciously protect Sihui. They go to the bar where Sihui works to drink. When the foreman asked Sihui to dance, Yong Cheng threw a pile of money with deep pockets and asked the foreman to dance. Sihui cheered under the stage, but finally she quietly shed tears. There were so many grievances in the past that she didn't know how to vent them.
Huang Mao is another sad character. He got leukemia, afraid of dragging his family down, fled to the city and worked in the most bitter and tiring slaughterhouse. This man, full of rage and dealing with murder all day, is actually a childlike and grateful child. He and Lu benefited from taking medicine, in fact, to share it with others. After Lu beneficiary died, only he silently ate Lu beneficiary's oranges.
King Cao, like Huang Mao, once looked down on Yong Cheng, but later he sincerely regarded him as a friend.
People will grow up.
The two people who are most concerned about leukemia, one is in prison and the other is willing to accept any punishment from the superior; Finally, only the two of them went for a drink together.
I can imagine their drinks, one for the past and the other for tomorrow.
There are several posters in this movie, and my favorite one is actually this one, going around the Buddha and entering the world. The bergamot holds a pill that attracts all beings, and the hands around the bergamot are like desperate cries of patients.
The last time Yong Cheng came out of an Indian pharmacy, the Buddha statue was carried down the street. The Buddha walked away expressionless, and the pedestrians were expressionless. Buddha is universal and can't be evil in the world.
Because the greatest evil in the world is actually the collective unconscious.
The Buddha said that all evils are just ignorance, and the Buddha only cares about people. If you don't want to wake up, Buddha doesn't care about you.
In this world, there has never been a fairy to save people.