Dongmin Yin, born in 1982, Linqu, Shandong Province, is a doctor of calligraphy, an associate researcher, a member of China Literary Critics Association, Calligraphy Association of Central State Organs and China Calligraphers Association, and works in Hanban (headquarters of Confucius Institute). China Calligraphy and Culture Research Institute of Capital Normal University is a postdoctoral fellow in art (calligraphy), and his tutors are Mr. Ouyang Zhongshi and Mr. Ye Peigui. Committed to relying on the global Confucius Institute platform to promote China culture including calligraphy abroad, he has taught in Ireland and promoted the overseas spread of calligraphy, and his works have been collected by Chinese and foreign educational and cultural institutions such as the National Art Museum of Ireland, China Art Museum, Fudan University and Communication University of China. Academic achievements are found in People's Daily, China Calligraphy, Calligraphy Newspaper and other publications, and more than 30 calligraphy papers have been published. In 2006, he graduated from the Chinese Department of the College of Literature of Qingdao University. In the same year, he was admitted to China Calligraphy and Culture Research Institute of Capital Normal University, and studied under the famous scholar and calligrapher Mr. Ye Peigui. In 2009, he received a master's degree in literature (in the direction of fine arts calligraphy), and his thesis "Research on Yu Jianwu". He studied under Mr. Dong Naibin, a famous classical literature expert, and received a doctorate in literature from Shanghai University on 20 12 (ancient literature of Tang and Song Dynasties in China). His thesis Notes and Certificates. His research interests are mainly in China's calligraphy history and literary criticism.
Chinese name: Dongmin Yin.
Mbth: Mo Yan Shanmin
Nationality: China.
Ethnic group: Han nationality
Birthplace: Moyanchi Village, Linqu County, Shandong Province
Date of birth: 1982
Occupation: engaged in the spread of Chinese culture.
Graduates: Capital Normal University, Shanghai University.
Main Achievements: Member of China Calligraphers Association, Member of Calligraphy Association of Central State Organs.
Masterpiece: Textual Research on Yu Xin's Lake Book
Zhai Hao: Mo Yanzhai
Tutors: Mr. Ye Peigui and Mr. Dong Naibin.
The life of the character
In 2002, he was admitted to the China Language and Literature Department of the College of Literature of Qingdao University, and served as the vice chairman of the Student Union of the College of Literature, the chairman of the Student Union of the China Cultural Research Center of Qingdao University and the vice chairman of the Student Union of Qingdao University. Assist Mr. China Cultural Research Center of Qingdao University (honorary president of Northwest University) to successfully hold academic lectures by Peking University Wen Rumin, Tsinghua University Xu Baogeng, Nanjing University and Shandong University Professor Zheng. On Friday night, the co-organizer of the series of academic lectures won the "National Excellent Award for Campus Culture Construction in Colleges and Universities". He has won honors such as outstanding students at the provincial level in universities in Shandong Province.
In 2006, he was admitted to China Calligraphy and Culture Research Institute of Capital Normal University with excellent results. He studied under Mr. Ye Peigui, president of China Calligraphy Culture Research Institute, vice chairman of Beijing Calligraphy Association and director of China Calligraphy Association. He majored in the history of China calligraphy and studied under Ouyang, Liu Shouan, Zhang Tongyin, Wang, Gan and other famous teachers.
In 2007, he served as the vice-chairman of the Graduate School of Capital Normal University, assisted in participating in the 3rd and 4th National Postgraduate Calligraphy Academic Weeks, took charge of publicity, soliciting contributions, editing and publishing, collected and published essays and works, assisted in organizing teachers and students of the whole hospital to go to Zhejiang, Anhui and other places for academic investigation, and initiated and organized the first "Popular Calligraphy Class" in Daxing Children's Palace in Beijing, which was held many times.
In 2009, he was admitted to the College of Literature of Shanghai University, where he studied under Mr. Dong Naibin, a famous classical literature expert, and assisted Professor Tang Jinhai and Professor An Jiesheng of Fudan University to set up the "China Scholar Calligraphy and Shi Guwen Research Center of Fudan University", held international calligraphy seminars and calligraphy exhibitions, and published works and essays.
From September 2065438 to June 201kloc-0/,he taught Chinese, calligraphy and painting, seal cutting and China culture at the Confucius Institute at the University of Cork, with a total of nearly 1000 students. He also successfully held a calligraphy exhibition at the Confucius Institute at the University of Cork, and on behalf of the Confucius Institute, he wrote works such as Paying Attention to Virtue, Making the Past Serve the Present, and Learning from the Sea is Boundless, which were presented to local officials and politicians. Ni Ouqian, a student she tutored, won the first prize in the 10th "Chinese Bridge" World University Students Chinese Competition in Ireland and the "Best Talent Award" in the final of China Division.
2011June 10, recommended by hanban, was interviewed by China news service and overseas Chinese news network as a representative of outstanding Chinese teachers, and talked about the promotion of Confucius Institute in cultural going abroad.
2065438+June 2002, graduated from Shanghai University with a doctorate in literature. In July, he joined Hanban (the headquarters of Confucius Institute) to spread China culture.
Thesis monograph
1. On Three Characteristics of Ancient Calligraphy Criticism, Journal of Shandong Education Institute, No.5, 2008.
2. The pursuit of image view by China's ancient calligraphy art theory, Proceedings of the Fourth National Calligraphy Postgraduate Academic Week, Capital Normal University Press, May 2008.
3. Textual research on the creation time of Jianwu in the 24th issue of Calligraphy Newspaper in 2008.
4. On its influence, published in Calligraphy Newspaper, No.33, 2008.
5. Excerpted from Wang Xizhi's Love Goose, published in Calligraphy Newspaper, No.43, 2008.
6. On Image Criticism, published in Calligraphy Newspaper,No. 14, 2009.
7. Textual research on Yuan Ang's Shi Jianwu in Calligraphy Series No.3, 2009.
8. In September 2009, Yu Xin's "Hu Shu" was selected for the 8th National Calligraphy Seminar.
9. Let's talk about Goose in the Right Army again, calligraphy series, No.6, 20 10.
10. A comprehensive examination of Wei Shengchen's writing, China Calligraphy, No.3, 20 1 1.
1 1. A New Proof of "Hu Shu" in Jiangnan Fu, published in Literary Heritage 20 1 1 No.4.
12. A comprehensive examination of Cao Cao's calligraphy, published in Literature and Art ReviewNo. 1 12, 2065438.
13. On Chinese Teaching in Overseas Primary and Secondary Schools, published in the National Hanban Volunteer Home (20 10),No.1/issue.
14. "Talking about Chinese Promotion" was published in the third issue of Hanban Volunteer House (20 1 1).
15. The voice of a volunteer Chinese teacher, People's Daily Overseas Edition, 20 1 1, June 20, 2008.
Participate in the exhibition
In 2008, his works were exhibited in the 4th National Calligraphy Postgraduate Academic Week.
In 2009, his works were exhibited in People's Republic of China (PRC) 60th Anniversary Exhibition (China Art Museum).
In 2009, the thesis was selected into the 8th National Calligraphy Seminar sponsored by China Calligraphers Association.