Leaning against the dangerous building, the wind is fine, looking forward to spring sorrow, and the sky is dark. In the afterglow of grass and smoke, no one can rely on the meaning of silence.

I plan to get drunk on the map of madness and sing songs for wine, which is strong and tasteless. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq.

A butterfly in love with flowers

Liu Yong

It's easy to lean against a dangerous building. (2) Looking at the extreme spring sorrow, the sky is dark. (3) In the afterglow of the grass, who will lean on the bar and be silent.

I plan to get drunk, (4) treat wine as a song, and (5) it is strong and tasteless. (6) I don't regret my belt widening, (7) I was wasted by Iraq.

To annotate ...

(1) This word was originally a song by Tang Jiaofang, and it was renamed to take the meaning of Jian Wendi's sentence "Stepping over the steps and falling in love with butterflies". Also known as "Magpie Stepping on the Ground" and "Wu Fengqi". Two tones, sixty characters, and rhyme.

(2) Dangerous buildings: high-rise buildings.

(3) gloomy: unknown.

(4) plan: plan. Boring: careless and wild, out of place.

(5) Sing a song about wine: Talk about Cao Cao's Short Songs. The meaning of "when" is the same as "right".

(6) strong: reluctantly. Le Qiang: Force a smile.

(7) The belt is gradually widened: it means that people are gradually getting thinner. The Chinese version of "Ancient Poetry" says: "The day of parting is far away, and the day of wearing clothes is slow."

Brief analysis

This is a sentimental word. In the last film, it was written about climbing high and looking far, leaving sorrow and parting. "Stay in a dangerous building" and "dangerous building" imply that the lyric hero has a high foothold and must swim far. Yi shows the hero's long-standing and deep nostalgia. But I didn't expect that the result of "leaning" was "looking forward to spring sorrow, and the sky was dark." "Spring sorrow" means to bid farewell to sadness with a vision for the future. It is not that "spring sorrow" is hidden in the heart, but it is born from the distant horizon. On the one hand, it tries to avoid platitudes, trying to turn intangible into tangible, abstract into concrete, and increase the visual and flowing sense of the picture; On the other hand, it is also because its "spring sorrow" is caused by the scenery in the sky.

Then, the phrase "grass is smoke" explains what the hero sees when he looks at the horizon. The phrase "who can speak for themselves" is not only a feeling of self-reliance, but also a lament of not seeing Iraqis and having no regrets. The word "speechless", if there are thousands of thoughts.

In the next film, the hero decided to drink a crazy song to get rid of his troubles: "I'm going to get drunk." However, forcing a smile will eventually make you feel "tasteless." From "quasi-handle" to "tasteless", the brushwork is turbulent and quite turbulent. The knot "the belt is getting wider and wider" writes tenderness with a healthy pen and swears that I am willing to be thinner and haggard for missing Iraqis. "Never regret", that is, "I will never regret when I die", shows the hero's resolute character and persistent attitude, and thus the realm of poetry can be sublimated.

He Shang's Wrinkled Shuixuan Poem holds that Wei Zhuang's Four Towns says, "Who is a young romantic stranger? I doubt whether I will get married and rest all my life. Even if you are mercilessly abandoned, you can't be ashamed. This is "decisive speech is wonderful"; The last two sentences of this word are based on Wei's words, but "the spirit is gentle" In fact, Yan Feng has said in "A Magpie Treading on the Moon" that "wine is often ill before flowers bloom every day, and you are not afraid of thinness in the mirror". Although the language is decadent, it also belongs to its category. Later, Wang Guowei said in The Tales of the World that "those who have achieved great success in ancient and modern times must go through three realms when asked by universities", and he borrowed it to describe the "second realm" as "clothes are getting wider and wider, but they never regret it, and people are haggard for Iraq". This is probably a persistent and firm character and persistent attitude summed up by Liu Yong's two sentences.