Xiao Junxian (1865- 1949) was born in Hengyang, Hunan. In his early years, he studied painting with Master Cang Ya and Shen. At the invitation of Li Ruiqing, he once taught in the Department of Painting and Handicraft of Liangjiang Normal School. He lived in Beijing in the early years of the Republic of China and once taught at the National Beiping Art College. In his later years, he lived in Shanghai and made a living by selling paintings. Longer than mountains and rivers, more like flowers. Together with Xiao Xun, it is called the second Xiao in Beijing. His works include Blue Sea and Blue Sky, Endless Mountain Map and Shan Jutu.

Chen Shiceng (1876 ——1923), born in yining, jiangxi province (now Xiushui), was born in 1999. Chen Baozhen is the grandson of Hunan Governor, the eldest son of Chen () and the younger brother of Chen Yinque. I studied in Japan and studied natural history. After returning to China, he engaged in art education. 19 13 went to Beijing to be a professor at various universities in Beijing. Good at poetry and calligraphy, especially at painting and seal cutting. His landscape paintings pay attention to learning from nature and draw inspiration from natural landscapes; Freehand brushwork flower-and-bird painting has a strong style, refreshing and interesting; Portrait painting is sketching with a pen, paying attention to charm, and doing documentary with sketches and cartoons; Genre paintings mostly depict people at the bottom. He is the author of History of Painting in China, Research on Literati Painting in China and Dyeing House Prints.

Hua Yao (1876—— 1930) is pronounced as "shigemitsu", "Manfu" and "Lotus Temple". Born in Zhu Gui, Guizhou (now Guiyang), he was a juren in the 23rd year of Guangxu, Hua Yao (1897) and a scholar in the 30th year (1904), where he studied under Yu Hengsi from the Ministry of Industry. Mountains and rivers, flowers, seals, official seals, truth and travel notes all have deep attainments.

Yu Feian (1March 22nd, 889-1July 3rd, 959) was a painter in China. Originally known as Yu Kuizhao, later renamed Zhao Yu, the word Yang Shu, also known as Idle Man, Wen Man and Old Man. Born in Penglai, Shandong Province, he was born in Beijing. He was handed down from childhood by a painter and calligrapher. 19 12 entered normal schools, and later taught in private normal schools and the fine arts department of private North China University. Part-time tutor of Chinese painting research museum of antiquities exhibition. Since 1935, he has been specializing in meticulous flower-and-bird painting. After 1949, he served as a researcher at the Institute of National Fine Arts of the Central Academy of Fine Arts, vice president of the Beijing Chinese Painting Research Association, and vice president of the Beijing Painting Academy. His works include Magnolia and Oriole, Picture of Dan Persimmon, Peony Pigeon and so on. He is the author of Not Sinking Ink, Research on Pigments in Chinese Painting, How I Draw Flowers and Birds, etc.

Li Keran (1907— 1989) is a modern painter. People from Xuzhou, Jiangsu. He studied painting since childhood and studied at Shanghai Academy of Fine Arts and National West Lake Art Institute in his early years. 1946 teaches at Beiping Art Institute. 1956 is a changed landscape painting with a journey of tens of thousands of miles. In his early years, landscape painting adopted eight methods, and his brushwork was concise. Later, I learned from Qi Baishi and became concise. He also learned the method of ink storage from Huang, and realized the shadow treatment method of Lin Fengmian's landscape painting in the sketch. The style of painting tends to be cautious, the pen and ink tend to be thick, and the pen tends to be old in his later years. He is also good at drawing cows, and his pen and ink are quite interesting. He used to be a professor at Central Academy of Fine Arts and vice chairman of China Artists Association. Representative works include Lijiang Scenic Area, Wanshan Hongbian, Jinggangshan and so on.