Professor Xue Yongnian of Central Academy of Fine Arts:

The ink-accumulated landscape in Jiang Baolin was formed later than the sketch landscape. It is also very strong to win with ink instead of pen. If his sketching landscape is the absorption and development of cloud and water images in Lu's works, then his ink-accumulating landscape is the refinement and development of Li Keran's ink-accumulating method.

Wang Luxiang, a famous art critic and distinguished doctoral supervisor of Tsinghua University Academy of Fine Arts;

His freehand flower-and-bird paintings learn from Huang's landscape techniques, pay attention to ink accumulation, and are especially good at ink accumulation with old ink. So far, this is the only great success I have ever seen. Huang once expected that the ideal of landscape painting was "vigorous and colorful", but people had to admire his talent and skills in flower painting.

Lu Hong, a famous art critic:

Jiang Baolin's Sketching Landscape strengthens the function of lines, pays attention to the beauty of decoration and repetition, is rich in density change and visual impact, and has both modernity and China characteristics.

Professor Su (English) of Oxford University:

If these quiet and quasi-geometric landscape paintings expand the meaning of line drawing, what should we say about a group of ink paintings created by Jiang Baolin in the mid-1990s? This group of paintings is made up of short and powerful ink lines, which makes the paper powerful and will overflow the space of the picture.

Liu Yulin, a researcher at China Art Museum:

I think the flowers in Lin Bao are, firstly, integrated, secondly, pure, thirdly, bold and unrestrained, and fourthly, they have mountains and rivers, and their creativity is not inferior to that of mountains and rivers. Famous art critic, Tsinghua University beauty.

Professor Lars berglund of Lund University in Sweden:

These compositions have both modern nature and ancient ideas, and they are precious samples in China's painting history. In fact, Jiang Baolin has successfully developed the visual potential of ink lines in calligraphy and strengthened the most fundamental foundation of Chinese painting, which is a great artistic achievement worthy of world attention.

Li Qingcheng (Korea), consultant, former curator and art critic of the National Museum of Modern Art in Korea;

Jiang Baolin is a painter who is in an important historical position in the combination of traditional painting and modern painting, oriental art and western art in China, and his truly meaningful artistic career has just begun. Although it is still too early to draw conclusions about his artistic achievements, it is an important subject for us to study and understand Jiang Baolin's painting creation as a whole. I believe that China's sketches of mountains and rivers will also have an important impact on Korean modern art.

Snyder, Visiting Professor in Peking University (Germany);

Jiang Baolin's works have reached a balance in a sense, because he has achieved two different effects here. On the one hand, he tries to keep the consistency of unit composition to draw the viewer out of the picture; On the other hand, he emphasized the expressive force of each unit's composition as much as possible, so as to keep the tradition of pen and ink and show the skills of painting.

Professor Laurie Adams of new york University, USA:

Obviously, Jiang Baolin's paintings contain many new methods of observing, experiencing and depicting natural forms. Text and images are interrelated, which is deeply rooted in the tradition of China. At the same time, it is a refreshing dynamic appearance.

Jiang Baolin has been exploring this land for nearly forty years. From realism to abstraction, from monochrome black and white to color filling, it gradually matures and goes to the world. /kloc-0 held his solo exhibition in Taipei for the first time in 1987, and then held solo exhibitions in Kaohsiung, Bonn, Paris, Hong Kong, Malmo, Seoul, Vermont, Beijing, Jinan, Yantai and Qingdao. Won two international awards and was collected and published by art galleries and individuals at home and abroad. And has been praised by experts and scholars at home and abroad; Rush of Lund University in Sweden? Doctor, Professor Herbert from the University of Mü nster in Germany, Professor Su from Oxford University in the United Kingdom, former director of the Korean Museum of Modern Art and famous aesthetician Li Qingcheng, professors Laurie and Adams from new york University in the United States, and famous domestic experts and professors Feng Yuan, Xue Yongnian, Lang,, Fu Jingsheng all wrote articles and gave full affirmation and praise. It has been listed in the national key discipline "History of Modern Art in China" approved by the Ministry of Culture.