Yang, born in 1963. Professor of musicology, doctoral supervisor. He is currently the vice president of Shanghai Conservatory of Music. He is also a member of the Standing Committee of Shanghai CPPCC, vice chairman of Shanghai Musicians Association, president of China Western Music Society, vice chairman of China Music Criticism Society, deputy director of the theoretical committee of China Musicians Association, executive director of China Music Aesthetics Society, vice chairman of Shanghai Aesthetics Society and director of Shanghai Translators Association.

The third batch of leading talents in philosophy and social sciences in the national "Ten Thousand Talents Program".

Chinese name: Yang

Nationality: People's Republic of China (PRC).

Ethnic group: Han nationality

Place of Birth: Xining City, Qinghai Province

Date of birth: 1963

Occupation: teacher

Graduate school: Shanghai Normal University

Masterpieces: Loneliness and Transcendence-Biography of Pianist Gould, Melodious Music, etc.

Position: Vice President of Music, Shanghai Conservatory of Music

Title: Professor

outline

Yang, male, was born in Xining City, Qinghai Province, 1963. My ancestral home is Daxian County, Sichuan Province. He is currently the vice president of Shanghai Conservatory of Music, and once served as the deputy director and director of the Music Department. China is a famous musician and critic. He is also the President of the National Western Music Society, the Vice President of the National Music Criticism Society, the Executive Director of the National Music Aesthetics Society, the Deputy Director of the Theoretical Committee of the Chinese Music Association, the Deputy Editor of People's Music, the Standing Committee of the Shanghai CPPCC, the Vice President of the Shanghai Musicians Association and the Vice President of the Shanghai Aesthetics Society.

1977 enlisted as a member of the army propaganda team; 1979 After demobilization, he worked as a radio music editor; In the same year, he entered the university and 1983 graduated from Shanghai Normal University, majoring in music. In the same year, he entered the Music Department of Shanghai Conservatory of Music, where he studied under Professor Tan Bingruo, and obtained a master's degree from 65438 to 0986. 199 1 studied under professor Qian renkang, and 1994 received his doctorate; 1986 after graduation, he went abroad to study and teach, and his teacher title was promoted twice. 1987 studied in Britain, 1993, 1999, and went to the United States and Germany for academic research and investigation respectively in 2002. Professor Yang's research fields are very extensive, involving western music history, music aesthetics, music criticism, opera research and translation of works.

Received bachelor's degree, master's degree (tutor Professor Tan Bingruo) and doctor's degree (tutor Professor Qian Renkang) in 1983, 1986 and 1994 respectively. He studied in Britain (1987- 1988) and conducted academic research and investigation in the United States (1993- 1994, 1999) and Germany (2002). Published and translated 2 million words, and published and proofread about 3 million words. Editor-in-chief works and revisions to important western academic works are varied. The discussion involves musicology methodology, western music history, music aesthetics, opera research, music criticism and analysis, China modern and contemporary music criticism, music performance art research and many other professional fields. He was awarded as an outstanding young teacher in Shanghai universities (1993). Special allowance of the State Council (1993), Scholar Research Award of the Asia Foundation (ACC) of the United States (1993), title of outstanding expert of the Ministry of Culture (1994), Research Award of Fok Ying Tung Education Foundation (1996), Third Prize of Shanghai Philosophy and Social Science Papers (. Shanghai Shuguang Scholar (200655-2002) Honors and awards include the third prize of literary criticism of China Federation of Literary and Art Circles (2002), the academic research award of German Academic Exchange Center (DAAD) (2002), the second prize of literary criticism of China Federation of Literary and Art Circles (2005, 2007), outstanding talents of the Ministry of Education in the new century (2006) and leading talents in Shanghai.

work

Loneliness and Transcendence —— Pianist Gould's Biography (edited by Shanghai Music Publishing House, 1998 Edition)

Melodious Music (Music Collection, Shanghai Music Publishing House, 2000)

Humanistic Interpretation of Music —— Selected Music Works of Yang (Shanghai Conservatory of Music Press, 2007).

editor in chief

Top Ten Musicians in the 20th Century (Shanghai Ancient Books Publishing House 200 1 Edition)

Academic Literature of Shanghai Conservatory of Music 1927-2007 Foreign Music Research Volume (edited with Qian, Shanghai Conservatory of Music Press, 2007)

Collection of works commemorating the 50th anniversary of Shanghai Spring (Shanghai Music Publishing House 20 1 1 edition, executive deputy editor of Lu Zaiyi, Yang Wangyong).

A new theory of musicology (higher education press 20 1 1 edition)

Six Points Music Translation Series (East China Normal University Press)

translate

Participate in translation

Biography of Liszt (A. Wilkinson, Sun, Sun)

Opera as a Drama (original author: Joseph Coleman, Shanghai Conservatory of Music Press, 2008)

MusicinWesternCivilization (originally by PaulHenryLang, Chinese translation and

Gu, Zhang Hongdao, translated, Guizhou People's Publishing House 200 1, 2009)

Principles of Music History (original by Karl Dahlhaus, Shanghai Conservatory of Music Press, 2006)

Introduction to the History of Musical Aesthetic Concepts (original by Karl Dahlhaus, Shanghai Conservatory of Music Press, 2006)

Revise the translation

Oxford history and music history

Translated by Qian Renkang Yang, Shanghai Music Publishing House, 1999. )

Mending Cracks: Modernity Crisis and Postmodernism of Music (Music: Healing Legacy), by Ivan Ron Hewitt, translated by Sun, Yang Xiao, Shanghai: East China Normal University Press, 2006.

Six Lectures on Music Poetics, original by Igor Stravinsky, translated by Yang School, Shanghai: Shanghai Conservatory of Music Press, April 2008.

Opera and Concept: From Mozart to Strauss, paul robinson's original work, translated, Yang School, Shanghai: East China Normal University Press, April 2008.

Imagination Museum of Musical Works, original by LydiaGoehr, translated by Luo Donghui, Yang School, Shanghai: Shanghai Conservatory of Music Press, April 2008.

The composer's individual voice, originally created by Eduarte. Cone, translated by He Xian, Yang School, Shanghai: East China Normal University Press, 20 1 1.

Introduction to Music Philosophy: A Family Statement, original by PeterKivy, translated by Yang Xiao, East China Normal University Press, 20 1 1 year, 65438+February edition.

Greatness in Music, original by alfred Stein, translated by Zhang Xueliang and Yang Sun, Shanghai: East China Normal University Press, 2065438+May 2003.

Series articles

A Review of Western Music Analysis Theory in the 20th Century (Doctoral Dissertation)

1, the essential definition and historical review of music analysis (music art 1995No. 1 issue)

2. schenkel's analytical system (Music Art 1995 No.2).

3. The expansion and revision of schenkel's analytical theory (Music Art 1995 No.3).

4. Motivation analysis: Schoenberg and its influence (Music Art 1995 No.4 33333)

5. Meyer's analytical theory: a psychological perspective (Music Art 1996No. 1 issue)

6. Conclusion: Criticism and Prospect of Music Analysis (Music Art 1996 No.2)

Music lovers "random thoughts in the new century"

Special column

1, the new life of music-CD phenomenon (1996No. 1)

2. "What is' understanding' music?" (on, 1996 No.2)

3. What is "understanding" music? "(below, 1996 No.3)

4. Music played (No.4, 1996)

5. Big little composer and small big composer (No.5, 1996).

6. The misunderstanding of opera (No.6, 1996)

7. Visit modern music (No.1997,No. 1)

8. Entering the Opera House (No.2, 1997)

9. Brahms Centennial Celebration (No.3, 1997). Later, the book "The Classic of Flowing" was edited by Chen Zishan and published by Zhejiang people.

Press, 2000)

10, read Mahler (No.4, 1997)

1 1, Carmen >: A new explanation (No.5, 1997)

12, judges' music (No.6, 1997)

13, interpretation is not copying (1998No. 1No.)

14, ways of listening to music (1998 No.2)

15, "A maid is like a lady —— On Opera Music" (No.3, 1998)

16, "A maid is like a lady —— On Opera Music" (No.4, 1998).

17, Music Meditation at the End of the Century (No.5, 1998)

18, on Turandot and Puccini (No.6, 1998)

19, listening to Kundera's music (I, No.65438 +0999, No.65438 +0)

20. Listen to Kundera talking about music (Part 2, 1999)

2 1, and put my life into it —— Interview with Kaplan, Mahler's second expert and amateur conductor (up and down, 1999No. 1 No.2).

22. "Hiding the Lightness and Hiding the Weakness-A Brief History of Oxford Music" (No.3, 1999). Reprinted on the front page of the B edition of the 597 issue of Shanghai New Book Newspaper, slightly abridged)

23. "Clear air and slag, ascend to heaven-the musical realm of Yadak in the car" (No.5, 1999).

Wen Wei Po "Pen Club" special issue "Listening to music, thinking about music" column;

1, the ultimate experience of piano sound (7th edition,1999,65438+1October 24th)

2. Mistaken Joy (9th edition1February 24th, 999)

3. Classic Eternity (9th Edition,1March 30th, 999)

4. Vagrancy and redemption (7th edition1April 1999 1 1).

5. Yadak in the listening car (9th edition,1August 999 16).

6. new york Rose (version 1999, September 9th, 1 1).

7. Silent loneliness (9th edition, 1999.9. 13)

8. Mahler's post-modernity (9th edition, 1999, 10.24).

Papers and articles

Some Views on the Work of Music Theory in China (China Musicology, No.3, 1986)

Reflections on the Research Status of Western Music History in China (China Musicology, No.4, 1986)

Levels and Ways of Music Experience (People's Music No.8 1986)

Self-awareness and Musical Thinking (Shanghai Artists, No.2, 1987, in collaboration with Sun,,)

Introspection and Puzzlement of Music Historians (China Musicology No.2, 1989).

The Absurd State of Modern Music (China Music Newspaper, 3rd Edition,1February 3rd, 989).

Seeking self in the breakthrough (China Music Newspaper, 3rd edition, 1989.3. 17).

1989 (China Music Yearbook 1990): An Overview of Musicology Methodology.

Positivism and Its Decline —— A Review of the Development of British and American Musicology after World War II (Musicology of China,No. 1990,No. 1).

On the Reconstruction of Western Music Studies in China (Huang Zhong 1990No. 1)

Special Recommendation on Translation of Western Music Bibliography (Musical Academic Information 1990No. 1)

Seeking Self-reliance —— On the Significance of Western Music Research in China (People's Music No.2, 1990)

Absurdity and Its Essence —— Subjective Abandonment and Self-affirmation in Western avantgarde music (Musical Life No.3, 1990)

Musicology as a Humanities (journal of the central conservatory of music, No.2, 199 1).

The Relationship between Music and Action in Mozart's Opera Ensemble (I and II, Music Art, No.2 and No.3, 1992)

The main fields of western music research and their representative works (I and II, Art Garden Music Edition, No.2 and No.3, 1992)

The Relationship between Composers and Opera Screenwriters (Music Studies, No.4, 1993)

Silent Talk —— Talking about Chamber Music (Music Lover, No.5, 1994)

Reflections on Music (XII. Music Lovers, No.6, 1994)

Today's authoritative disc review (four-disc music review, music lovers, No.6, 1994)

Humor in music (music lovers, No.65438 +0995, No.65438 +0)

Introduction to the study of the dynastic history of western music (Part I, edited with Sun, journal of the central conservatory of music No.2 and No.3, 1995).

Defending musicology —— Re-discussing the humanism of musicology (China Musicology 1995 No.4). This article won

1994- 1995 Shanghai third prize for outstanding achievements in philosophy and social sciences)

Listening and reading music (music lover, No.6, 1995)

The Love of Shakespeare, a Tragedy Classic —— Written on the occasion of the Shanghai premiere of Cournot's Romeo and Juliet (Opera Art Research 1996 No.3). The abridged version of Cournot's opera Romeo and Juliet, Xinmin Evening News (1996,No. 15).

Recording feelings and live experiences (modern audio technology No.7+65438)

A modern hermit with transcendental genius —— A record of glenn gould, the eccentric piano player (Song of the East,No. 1996,No. 1 1)

Individual Perception and Oriental Fable —— Comment on the Concert of Overseas Chinese Works at Shanghai International Radio and Music Festival' 97 (Music Weekly 3rd Edition 1997 12 19)

Exploring the History of Music: Four Issues of Methodological Reflection (China Musicology 1998No. 1 Issue)

Reinterpretation of Classic Stories —— Comment on Liu Dunnan's Dance Drama Butterfly Lovers (folk music 1998 per 1)

Conflict between Responsibility and Humanity —— Written on the occasion of the premiere of Aida in China (Wen Wei Po 65438+ Pen Club, 8th edition, 2nd September, 0998, reprinted in Research on Opera Art, 6th issue 1998).

The Soul Echo of Music —— Congratulate music lovers for one hundred issues (Wen Wei Po 1998 10 10/0 18 4th edition of the Special Issue of Pen Club)

Opera interpretation of Faust legend (Wen Wei Po1998165438+10/5 "Pen Club" 4th edition; Research on Traditional Chinese Opera Art 1999 No.65438 +0 Reprinted)

Opera Faust: Background, Interpretation and Evaluation (Shanghai Grand Theatre, 165438+ 1998 10).

Cournot Faust's trip to Shanghai (Xinmin Evening News1998165438+1October 20th, 32nd edition; Research on Traditional Chinese Opera Art 1999 No.65438 +0 Reprinted)

On the different aesthetic characteristics of opera and musical: origin, musical function and prospect (Study of Opera Art 1998 No.6).

Puccini's Road to Opera Creation (Music Art, No.4, 1998)

Experience Art Troupe, Xinmin Evening News (32nd edition, 1998, 12, 18).

1996 (China Music Yearbook 1997) A Summary of Western Music Studies.

Interpretation of La Traviata: Realism and Psychological Insights (including La Traviata performed by Shanghai Grand Theatre in February 1999, reprinted in Music Lover,No. 1 2000).

The Essence of Opera: Music Carrying Drama —— On Coleman's Opera as Drama (Music Art, 1, 2000)

Looking forward to Zheng Jinghe (Xinmin Evening News (April 6, 2000 17 edition).

Notes on Translated Western Civilization Music (Music Art, No.2, 2000)

Hold on or retreat? "(Wen Wei Po, February 24, 2000, 1 1 version)

Confessions of "Professional Fans" (Wen Wei Po, July 4th, 2000, edition 1 1)

A Brief Introduction to Oxford Music History (Music Lovers, No.3, 2000)

Bach's Divinity (Philharmonic Orchestra, No.3, 2000)

Enlightenment and Awakening —— Inside story of Mozart's magic flute (9th edition, Wen Wei Po, September 9th).

Poetic Forging in Extraordinary Times —— Rereading Tian Feng's symphonic chorus "Five Poems for Mao Zedong" (Music Weekly, 3rd Edition, September 2000 15).

New Enlightenment of Copland Research —— Reading He Ping's New Book Copland and His Music World (China Musicology, No.3, 2000)

Notes on the Collection of Famous Piano Songs for Children in the World (World Book Publishing Company, 200 1)

A Brief Introduction to the Top Ten Musicians in the 20th Century (Shanghai Ancient Books Publishing House 200 1 Edition)

Gustav mahler's Contemporary Future (Top Ten Musicians in the 20th Century, Shanghai Ancient Books Publishing House, 200 1 Edition)

Random Talk on Artistic Song Creation —— Postscript on the View of National Artistic Song Creation Competition in Art Colleges (People's Music No.2, 200 1)

Seeking the Truth of China's Music (Reading, No.2, 200 1)

Introduction to Chinese Translation of Music in Western Civilization (abridged edition, Music Lovers, No.2, 20065438+0; In addition, the full text of this paper was published in Reading (No.10, 200 1) with the title of "Music History Beyond Time".

Verdi Centennial Celebration (Philharmonic Orchestra,No. 1, No.2,2000)

Looking forward to the ideal "musicology ecology" (Huang Zhong (Journal of Wuhan Conservatory of Music)No. 1, 20065438)

Ruthless Destiny —— On Pyotr Il'yich Tchaikovsky's Opera The Queen of Spades (Xinmin Evening News, May 27th, 2006, 5438+02)

Endless Art —— Excerpt from Di Yun's Chopin Piano Competition Award (Wen Wei Po July 1No.1Edition)

Analyzing Politics with Music —— Comment on the Concert Opera Don Carlo of Shanghai Grand Theatre (Philharmonic No.9, 200 1)

The Dilemma of Form (Dialogue with Yang, Art World,No. 1 1)

Bold or meaningful (on China Philharmonic magazine and China Book Business Review Weekly, 23rd edition, 200 1 year/year 1 day).

Listening to Mozart's Three Realms (Wen Wei Po, May 28th, Philharmonic No.4, 2002)

Modern Music and Chinese and Western Cultures —— From "Yang Sun Philharmonic Orchestra Concert No.6 in 2002"

Comparison of Chinese and Western Music Cultures (Guangming Daily, March 2, 20021)

Music "Two Cities Gathering" (People's Music, No.9, 2002). The abridged version was published in Wen Wei Po on July 27th, 2002)

Poetics of Bohemians (Wen Wei Po, 8th Edition, 65438+February 22nd, 2002)

Poetics of Daily Life: A Review of The Bohemian (Study of Opera ArtNo. 1, 2003)

Classic Pillow Book (Book Review of Cambridge Pictorial Music Guide, China Book Business Daily, 8th Edition, June 65438+ 10/0, 2003; In addition, in 2003, the second issue of Music Lovers was reprinted, and it was renamed as Popularization of Academic Music-Reading Cambridge Illustrated Music Guide).

/kloc-romantic symphonic music in the 0/9th century (in The Enlightenment of Beauty —— National Famous Experts Talk about Aesthetic Education, Beijing: Higher Education Press, 2003, pp. 239-273).

Music and Media (Wen Wei Po, 13, April 30, 2003).

Social Criticism and Human Reconciliation —— A Humanistic/Musical Interpretation of The Marriage of Figaro (Opera Art No.3, 2003)

6. Finding the Way by Listening to the Sound —— Talking about Tan Dun's new work Map and others (Wen Wei Po, August 8, 2003,No.1/edition).

dictionary entry

Dictionary of New Grove Female Composers: Huang Zhun, Liu Zhuang, Qu Xixian, Xin Huguang, 1993)

International Dictionary of Modern Art (edited by Yu, Shanghai Literature and Art Publishing House, version 1996, with the entry 14 of the 20th century musicology classics).

Students' Ci Hai (Shanghai Dictionary Publishing House, 1998 edition, with 25 entries about music knowledge)

translate

Main features and representative works of modern music (Part I and II, original by G.Anderson, signed by Xiang Qi, music translation 198 1, No.2 and No.4).

German-Austrian music after Wagner (original by M.Bernstein, signed by Qi, translated by music 1982No. 1)

The concept of music history (original by Lang Ping, Music Art No.4, 1986)

Neoclassicism (original by A.Whittall, Gu School, Styles and Schools of Western Music, People's Music Publishing House, 1990).

Meaning and information theory in music (original by L.B.Meyer, Huang Zhong, No.4, 1990)

Debate on the Meaning of Music (original by L.Treitler, Music Art 1997No. 1 issue)

European Piano Course (Volume III by E.Fritz, translated by Zhao Xiaohong, Shanghai Education Press, 1998).

The essence of Beethoven's music (original by music lover PaulHenryLang, No.3, 2000)

Comment on Mozart's Opera (original by music lover PaulHenryLang, No.4, 2000)

Classical Tendency in Literature, Art and Academics (original by paul henry Lang, Music Art, No.3, 2000)

Kiness 1000 preface to classical records (Shanghai Dictionary Publishing House, 200 1 edition).

Bonus; prize

He has been awarded "Outstanding Young Teachers in Shanghai Universities" (1993), the State Council Lifelong Special Allowance (1993), "Outstanding Experts of the Ministry of Culture" (1994), "National Outstanding Returned Overseas Students" (1997) and "Outstanding in the New Century by the Ministry of Education". , special government allowance in 2008), Research Award of Fok Ying Tung Education Foundation (1996) 2000), Second Prize of National Teaching Achievement (collective award, 200 1), Shanghai Yucai Award (200 1), German Academic Exchange Center (DAAD).

Social assessment

Yang: Reading is very important. When Yang was a child, he was fascinated by several things: playing slingshots, winning cigarette brands and reading.