Jin Bo, 1935 was born in Beijing in July. Literary creation began in universities. He has published more than ten poems, such as Echo, green watermelon, My Snowman, Between You and Me, Moonlit Night in the Woods, Trees in the Wind, Flowers with Rain, Let's Go and See the Sea-Children's Sonnets of Jinbo. Fairy Tales Collection: Little Leaf Fairy Tales, Golden Sea Snail House, Adventures of Little Apple Man, Eye Tree, Shadow Man, White Castle, Tracking Little Green Man, etc. In addition, there are collections of essays such as Waiting for Good Friends, Waiting for You to Knock, and Thanks for the Past. Commentary collection "Pursuing the Elves". Selected Works of Jin Bo, Selected Poems of Children of Jin Bo, Selected Works of Jin Bo, Collection of Poems and Songs of Jin Bo, etc. Many works have been included in Chinese and music textbooks for primary and secondary schools. My ancestral home is Jixian County, Hebei Province. 1957 was admitted to the Chinese Department of Beijing Normal University. While studying, I began to publish my works. After graduation, he stayed in school to teach, and successively taught in Chinese Department and Music Department. He is currently a professor at Capital Normal University, a member of the Children's Literature Committee of the Chinese Writers Association, and the director of the Children's Literature Creation Committee of the Beijing Writers Association. Over the past 40 years, more than 40 kinds of poems, fairy tales, essays, children's literature, literary criticism and poetry anthologies have been published. The anthology includes Jin Bo's Children's Poems, Jin Bo's Children's Poems, Jin Bo's Fairy Tales, Jin Bo's Children's Songs and Jin Bo's Works. His works won the first, second and third National Excellent Children's Literature Awards of the Chinese Writers Association, the first and second National Children's Book Awards, the second Bingxin Children's Book Award and the fourth Soong Ching Ling Children's Literature Award. 1992 was recommended as a candidate for the International Andersen Prize.

His works have won the National Book Award, the "Five One Project" Award, the National Excellent Children's Literature Award of the Chinese Writers Association, the Soong Ching Ling Children's Literature Award and the Bingxin Book Award for many times. 1992 was nominated by the International Andersen Prize.

Executive summary:

Philosophical connotation

Jin Bo's Adventures of Udi Udi is a poem, a philosophical poem. Its philosophical connotation includes two aspects: one is profound children's philosophy. Although children are smaller and weaker than adults, they have their own philosophy of life, their own spiritual world, their own independent personality and equal life value and significance with adults. In The Adventures of Wuliuliu, Mr. Jin Bo shows his concern for children's lives and innocent care for children by describing how Yin Lao took Wuliuliu to find grandpa and Jane, and by describing Yin Lao's encouragement and praise for Yuner, a girl with an egg. Laozi, an ancient philosopher in China, pointed out that the ultimate goal of human life is to "return to nature" and have a pure and simple childlike innocence. In the Ming Dynasty, Li Zhi also thought: "Those who are childlike are sincere." The essence of children's literature works is to express, praise and care for childlike innocence. And almost every word in The Adventures of Udi Udi is full of innocence, which reflects the writer's emphasis on children's spiritual life. The second is a profound philosophy of love. Udi Udi's adventure also reflects Mr. Jinbo's deep love. There are at least three kinds of love in the book: one is love for his mother. For example, in the book, Yin Lao dreamed of his mother many times, and Wu Dudu's feelings for Grandpa Bao all showed his attachment to his parents' affection. The second is the love of life. For example, when Udi Udi felt sorry for himself because he had only one foot, Yin Lao's encouragement to Udi Udi who jumped on one foot actually expressed the writer's love for life. Another example is the butterfly looking for wild roses against the wind, which is a symbol of the writer's love for life. There are also descriptions of sculptors and girls playing flutes, which also express the writer's call for true love between people. Thirdly, The Adventure of Udi Udi shows the writer's love for children everywhere. It is these three kinds of love that constitute Mr. Jin Bo's broad and touching view of love, and make The Adventure of Wududu not only a fantasy text, but also a milestone with heavy life force: it marks the direction of life and shows the power of human nature.

Artistic innovation

There are two artistic innovations in Udi Udi's Adventures: one is the practice of dream poetics. Reading this fairy tale reminds me of the French poet Jean. Fran's Poems: In his eternal childhood, Yuan Ye poets wandered alone, not wanting to forget anything. In the Adventures of Udi Udi, Mr. Jin Bo tried to re-imagine his childhood in a dream way to resist forgetting the past. Bachelard, a French philosopher, once said, "When the years get old, the memories of childhood make us have subtle feelings. In the vast atmosphere, there is the poet Baudelaire's' smile chagrin'. In the' smiling chagrin' experienced by this poet, we seem to have reached a strange combination of chagrin and comfort. " "Childhood is deeply hidden in our hearts, still in our hearts, always in our hearts. It is a state of mind. " Mr. Jin Bo's fairy tale is to create the past with dreams and touch his childhood with dreams. His dream is to create the future and create a new state of life. The second is to try to write poetry across styles. The Adventures of Udi Udi is a beautiful fairy tale, but it is also an elegant and gentle lyric poem. This is a story, which is associated with the peculiar "garland" of sonnets-fourteen chapters of the story. The last sentence of the sonnet in the previous chapter is the same as the first sentence of the sonnet in the next chapter, and the last sentence is the first sentence of the sonnet in the previous fourteen chapters. This is a unique "poetic fairy tale", which embodies Mr. Jin Bo's consistent aesthetic style and charm.

It is precisely because of the above-mentioned aesthetic characteristics of Udi Udi's Adventures that it has two aesthetic inspirations for children's literature creation: First, it proves that children's literature should pursue the spiritual height of taking goodness as beauty. Mr. Jin Bo has always believed that children's literature should give children love and make their hearts pure, kind and beautiful. Professor Wang Quangen, when expounding the aesthetic connotation of children's literature, also thinks that adult literature takes "truth" as beauty and children's literature takes "goodness" as beauty. The Adventures of Udi Udi practices the aesthetic principle of "taking goodness as beauty" in children's literature. Second, it shows that fairy tale creation should not only promote fantasy, but also promote compassion. The charm of Udi Udi's Adventures comes not only from fantasy, poetry and love, but also from the writer's deep compassion. Compassion is an emotion that is more infectious and penetrating than love, and it is the best element for children's literature and even all artistic life to last forever.

This is a beautiful fairy tale. Udi Udi gained life because he can bring happiness to children. He cherishes the value of life and knows how to nourish life with love, making life more vivid and interesting. Love also sanctifies Udi Udi's friendship with the old poet.