1. For graduates, it is very good to shoot like this ... Some scenes, also as college students, really produce * * * sounds ... For example, the sentences on my parents' phone are so familiar and true ... and Xiaodong really plays well! Very good!

2. After watching "Sleepless Night" by Nanyi, the protagonist's idea of going whoring is too similar to mine, and the protagonist's mother's words are too fucking similar to mine. The only difference is that I still stick to my idea, so I guess he tried it in the play ... but the youth of these young people is much more interesting than fucking 2B movies. Urban planning plans all draw people as machines, and the construction industry is still too rational. Drama, to hell with it, has been forgotten. Drawing and writing are all a bunch of analysis or analysis, nonsense or nonsense. The routine of that text is numb, drowning people, losing all lyrical excitement and freedom ... well, I'm still talking, thinking about non-existent ideals. Just look at the poems quoted in the film. I wrote about the Wild Goose Pagoda, but so did I. At that time, he taught philosophy in Xi 'an ... At least I climbed the Big Wild Goose Pagoda, but at least I looked at it from the perspective of Zhong Jian's fucking history ... and it had nothing to do with women, heroes, drinking, loess dust and obscene glory. Are we becoming a machine? No way! We have to jump out!