1, audience and readers: the difference between theater art and drama literature from the perspective of reception aesthetics, 10000 words, Journal of Nanjing University,1990,4.
2. The modern western landscape painting art tour is 9000 words, with 100 artists 199 1, 1.
3. Narration and endorsement: Comparison of Chinese and Western drama modes, 13000 words, Drama (Journal of Central Academy of Drama), 199 1 2.
4. From novel to drama: genre differences and mutual infiltration, 65,438+02,000 words, 100 artists, 65,438+0992 and 65,438+0.
5. "Songs and Ci: Exchanges and Differences between Chinese and Western Dramas" 13000 words "Literary Studies"1992,2
6. Text, reading and readers, 9000 words, Journal of Nanjing University,1992,2.
7. Vision and Dramatic, 8000 words, Academic Essays1992,3.
8. Shakespeare and the Structure of Western Drama, 8000 words, Artistic Landscape,1992,3.
9. Home and two ultimate cares, 8,000 words, Humanities Magazine,1992,4.
10, On the Structure of Drama Horizon 18000 words, China Drama Studies,1992,4.
1 1, between silence and movement 12,000 words, Literary Studies (Nanda Press) 1992,12.
12, Narration and Dialogue: Comparison of Chinese and Western Drama Discourse Patterns, 14000 words, China Social Sciences,1992,5. (The Mode of Drama: A Comparative Study, 8000 words, China Social Sciences1997,4. )
13, Time and Space of Chinese and Western Drama and Theater Experience 13000 words, Drama (Journal of Central Academy of Drama),1992,4.
14, script and theater: the concept and method of drama and its research 1 1000 words, literature and art research1993,3.
15, martial arts novels in cultural context from Jin Yong's works 17000 words, China Social Sciences,1995,5. (9000 words on Jin Yong's Works, China Social Sciences,1996,4. )
1 6,8000-word fantasy hero, Journal of Xiamen University, 1996,1.
17, illusion and artistic conception, 8000 words, literature and art research,1996,3.
18, Towards the Starting Point of Comparative Drama between China and the West 1 1 0,000 words, Drama Art (Journal of Shanghai Theatre Academy), 1997, 1.
19, Identity of Chinese Literature in Singapore: Creation and Tradition, 9000 words, Studies on Overseas Chinese History,1997,2.
20. On the Relationship between Drama Discourse and Action, 8000 words, Literature Studies,1997,6.
2 1, 30 years of Chinese literature in Singapore, 5,000 words, Wen Yi Bao,1997,4,29.
22. From impassioned criticism to unhurried prospect, 6000 words, Wenyi Bao,1997,8, 14.
23. Cultural Context of Chinese Literature in Singapore, 9000 words, Literary Theory and Criticism,1997,6.
24. Study on image of cross-cultural text, 8000 words, Jiangsu Social Sciences, 1999, 1.
25. At the end of the century, there were 60 million words of French drama, 2,000,626 words of drama literature, 9,000 words of diaspora literature, Malaysian literature and Xinhua literature, and 200 words of literary theory and criticism.
Four paradigms of western literary criticism in the 20th century, 9000 words, Journal of Xiamen University, 200 1, 2.
28. Stagnation/Progress: The Image of the West and the Reality of China, 25,000 words, Bookstore, 200 1, 10.
29. World Stage, 24,000 words, Drama (Journal of Central Academy of Drama), 200 1, 3.
30. Realism, Patriotism and Pluralistic Literary Ontology, 1 1, 000 words, Singapore New Century Magazine, 200 1,
3 1, "Study on the Westbound Movement of Lieban Sweeping Horse", 12000 words, the third series of International Sinology, April 2002.
32. The Double Other: Deconstructing China's Imagination of Falling Flowers, 14000 words, Drama (Journal of Central Academy of Drama), 3 issues in 2002.
33. When the Great Wall of Wan Li was completed: Kafka's China myth, 9000 words, Journal of Xiamen University, No.6, 2002.
Orientalism: Theory and Debate, 9000 words, Journal of Xiamen University, 2003, 1.
35. The East Wind Spreads to the West: From Confucian Utopia to Red Holy Land, 2 1 000 words, Literary Theory and Criticism, 2003, 1.
36. The great legacy of China's image, 5600 words, newspaper, 2003,218.
37. Epic Theater and Cruel Drama: Ideological Criticism of Modern Theater Regime, 14000 words, Drama (Journal of Central Academy of Drama), 2003, 1.
38. Building Ideology from History: The Significance of China's Modern History and Historical Plays, 9000 words, Humanities Magazine, February 2003.
39. The Boxer Movement and Dr. Fu Manchu: The "Yellow Disaster" Panic in the Early 20th Century, 17000 words, Bookstore, 2003,4.
40. The Image of China: The Cultural Other of Western Modernity, 10000 words, Guangdong Style, March 2003.
4 1, Exploring China's cultural resources of world civilization,15,000,000 words, Southeast Academic, 2003,3.
42. Discussion on Historical Drama, 8000 words, Jinyang Academic Journal, No.4, 2003.
43. Pastoral Pastoral Pastoral Pastoral: Another China Imagined by the West in the 20th Century, 18000 words, Bookstore, 2003,6.
44. Tea and Opium: Rewriting the Fate of Two Empires, 300,000 words, Tianya, 2003, No.4..
45. Cleaning up cultural resources for the rejuvenation of the Chinese nation, 70 million words, Literature and Art Newspaper, No.8, 2003, 19.
46. Expressed by others: the discourse pedigree of western national criticism, 17000 words, Literary Theory and Criticism, May 2003.
47. Brave New World, 18000 words, Bookstore, 2003, 10.
48. The Opium Empire: An Oriental Imagination in Romantic Times 1 1 000,000 words, Foreign Literature Studies, 2003,5.
49. The image of China at the end of the century: inexplicable hostility and panic, 19000 words, Bookstore, 2003, 12.
50. Sinology or Sinology, Journal of Xiamen University, 13000, 2004, 1.
5 1, China's heterotopia: Western cultural otherness in the 20th century,180 million words, Bookstore, 2004,2.
52. Reorganizing the uniqueness of Chinese literature in Malaysia, 10000 words, Studies on Overseas Chinese History, 2004, 1.
53. A seafaring tourist will talk about Japan: the Western Image of China in Imperial Age, Bookstore, April 2004.
54. The World Differentiates Different Places: The Image of China in the West in the Late Qing Dynasty, Bookstore, June 2004.