Eason Chan's songs are generally difficult, but this is not the characteristic of his singing. In fact, the songs of several first-line Mesozoic male singers in China are very difficult. Like Jay Chou, Wang Leehom, Tao Zhe and JJ Lin, their songs were outstanding in the Mesozoic era, and their songs were difficult, but their songs were difficult for laymen to understand. First of all, they are tall. Some of their songs are so high that girls are competing to sing (like snow, full of fire, let's learn), and male voices are basically behind; Then there are these people who are deeply influenced by European and American music. There are many elements of hip-hop and blues in the song, which requires a higher sense of rhythm and rhythm for the singer. Most people who are good at singing their songs may not be so good at music. These people sing their own songs live and never follow the studio version. Most people can hear these difficulties even if they can't tell you why. The difficulty of Eason Chan's songs is different. You have to sing his songs at least often to clearly feel the difficulty of his songs. The initial feeling may be that no matter what song he sings, it is very infectious and mellow, and most people have no mood to sing it. This is actually a matter of breath support, not the so-called "singing without feelings." Eason Chan's breathing support is very good, and the sound thickness is also very good. When it is open, it is a wall. Only thickness can be infectious. However, the aesthetic trend of ordinary people listening to music in China now ... not to mention ugliness, at least the direction is a little biased. Some people just like to hear the sound without breath support and feel "light and ethereal", so they prefer singers who use uncontrollable air leakage to create an atmosphere and feel "pure and simple". Not so good. It's blowing too hard. "You can't help them.