Qu Yuan

Di Zi fell on Zhu Bei, and his eyes were pitiful.

Autumn wind, Dongting wave, under the leaves.

Deng Bai? I'm looking forward to it and I'm very happy.

Bird extraction? In the middle, what's on the wood?

Yuan You? I am depressed, but I dare not speak.

Looking at the distance, looking at the running water? .

Why eat in court? What is the source of coke?

Chi Chao Ma Yu Xi Gao Jiang, Xi Ji Xi? .

When I hear that beautiful woman calling me, I will drive away.

Build a room in the water, repair it and cover it.

The sun wall is like a purple altar, and the pepper is like a hall.

Guidong Xi Lan? Xinyi Meixi pharmacy

This is a slap in the face, isn't it? Zhang Xi.

White Xi is a small town, and Shi Lan Xi is perfume.

Wu, dazzling Du Heng.

A hundred herbs combine with the real court to build a fragrant door.

When nine flowers meet, the spirit comes like a cloud.

Donated more than the river, what's left? Xi puyi.

If you go to Tingzhou and Du Ruo, you will be far away.

You can't get it suddenly, you can speak freely and be tolerant.

background introduction

"Mrs. Xiang" is selected from "Chu Ci? Nine songs. Jiuge is the name of an ancient movement, but it is the general name of a group of poems in Chuci, including eleven poems such as Mourning the Country, Xiang Jun and Xiang Fu. Jiuge is an imaginary number and means a lot. Wang Yi's "Songs of Chu" said: "In the past, between Yuan and Xiang in the south of Chu, people believed in ghosts and became good temples. When they start singing, they will inspire God. Qu Yuan was exiled and dormant. He was worried and bitter, worried and depressed. He saw the ceremony of the laity and the joy of singing and dancing. His words are very modest. Because of the song "Nine Songs", he respected the gods and saw his own grievances. "This makes sense. However, it seems inappropriate to completely define Nine Songs as Qu Yuan's self-creation. At present, it is generally believed that "Nine Songs" was rewritten by Qu Yuan according to local folk sacrificial songs, which is credible in both content and form.

Xiang Jun and Xiang Fu are sisters, and they are both music songs dedicated to Xiang Shui Shen. Mrs. Hexiang is a lover of Xiangjiang River, or a husband and wife god. Xiang Jun is chasing Xiang Jun with a wizard's tone, and Xiang Fu is chasing Xiang Fu with a wizard's tone. There are different opinions about the origin of Mrs. Hexiang as the water god of Hunan. The most popular local saying is that Xiang Jun was an ancient Shun Di who died in Cangwu during his southern tour and was buried in Jiuyi Mountain. Shun's wife is E Huang and Nv Ying, the second daughters of Emperor Yao. They followed her husband to Yuanxiang, but he died and cried. Tears fell on the pillars, making the bamboo pole full of spots, hence the name "Banzhu" (see Shuo Wen Jie Zi). The theories of later generations, Xiangfu and Zhu all originated from this. But legends are legends, and there is no difference between true and false. What we should know now is that these two poems have rich historical and cultural accumulation in the ancient myth era, which adds a strong mysterious and romantic color to them.

Content review

One is the tragic scene that is difficult to meet in the middle of God's love life.

Although the title of this poem is "Mrs. Xiang", the lyrical hero in the poem is Xiang Jun. The poem intercepts a rare fragment of his love life with Xiang Jun, focusing on a series of pursuit behaviors and psychological activities, showing his sincere love for Mrs. Xiang and his pursuit of a happy life. The whole poem can be roughly divided into four paragraphs. Because it is about God's love, the artistic conception is obscure, so we must concentrate on it.

The first four sentences are the first paragraph, always referring to the situation that Mrs. Xiang was difficult to meet for an appointment and was sad. Judging from the following two sentences, "I will drive away as soon as I hear a beautiful woman calling me", it seems that I have an appointment with Mrs. Xiang and hurried to the appointment. However, when I looked at the appointed place, the situation changed: "Di Zi went down to Xi Zhu Bei", and Mrs. Xiang came, but she landed on the island in the north. They can only face each other across the sea. This scene is like the Book of Songs? Just like "the so-called Iraqis are on the water side", Jia Jian is within reach. "My eyes are dim and I am worried", which says that he can only look for and pursue in the boundless and seemingly real world, so a kind of lost sadness rises in his heart. Autumn wind, rippling water waves and falling leaves render this sadness by writing scenery.

The fourteen sentences in the second paragraph are about Xiang Jun's pursuit behavior and psychological activities after his difficult appointment. "Deng Bai? Looking forward to it, with the ceremony, "Write to climb high and look far, waiting day and night." "Yuan You? Being unhappy and afraid to make any noise means that in the place where Mrs. Yuanjiang and Mrs. Lishui used to haunt, there should have been an opportunity to meet and express their love, but they missed it. It's really a pity and annoying. "Suddenly looking at the distance, looking at the running water?" Does it mean Xiang Jun is looking for it, and there are vast waves and ripples everywhere? Running water, there is no trace of Mrs. Xiang, so he is in a trance. "Chi Chao Ma Yu Xi Gao Jiang, Xi Ji Xi Xi Xi?" Writing is still in a trance day and night, and there is quite a scene of repeated "back", "back" and "follow" in Jiaxu. "When you hear a beautiful woman calling you, you will fly away together." It is not so much a call as a longing for your heart: in his trance-like pursuit, there always seems to be a voice calling him to fly to a happy love harbor. Therefore, poetry will naturally transition to the dreamland of the third paragraph. The third paragraph also describes four abnormal scenes, such as "bird what", "lost what", "looking for what" and "dumped what", which is the contrast and dyeing of Xiang Jun's embarrassing situation and chagrin.

The sixteen sentences in the third paragraph tell the story of Xiang Jun decorating his new house in the water to marry his wife. This is an illusory space, born in a trance of disappointment and hope. First write about building a house and decorating a new house, and then write about decorating the porch and welcoming guests. He tried his best to put on a show, beautify in every way, pursue luxury and be happy, which fully showed Xiang Jun's persistent pursuit of ideal love life.

The last six sentences are the fourth paragraph, describing Xiang Jun's behavior and mood when he left the appointed place. Mrs. Xiang did not appear in the end, and her mood returned to the helpless reality from her dream. So he threw his clothes into the river, left a token and entrusted his true feelings to Acacia. Picking a fragrant Du Ruo and giving it to "people far away" in the future means that hope still exists, and yearning and pursuit will continue. "It's too late to get it suddenly, and it's hard to talk about it." It is to convince yourself to look further and see the resilience of never giving up on a happy love life in an open-minded self-explanation.

Second, the similarity between Qu Yuan's emotional sustenance and readers.

Mrs. Xiang's artistic conception is various, and the above analysis only unfolds God's love life. In addition, three aspects are also worth noting, namely, the sacrificial ceremony of the water god, Qu Yuan's emotional sustenance and the continuous growth of readers. Regarding the sacrificial ceremony of the water god, let's talk about it from the artistic characteristics first. Let me talk about two or three levels first.

"Mrs. Xiang" was processed by Qu Yuan according to the music songs that sacrificed to the water god. Processing sacrificial music songs must meet the needs of sacrificial ceremonies, but it is also a process of self-emotional venting and spiritual compensation. At that time, Qu Yuan was exiled by the King of Chu in the wild land of Yuan and Xiang. He is in a difficult situation and sad, but he still cares about state affairs from time to time and sticks to his ideals, hoping that the king of Chu will change his mind. All these will resonate with Xiang Jun's situation, mood and pursuit consciously or unconsciously in the process of processing music songs. From the tragic scene that it was difficult to keep an appointment during Xiang Jun's rule, can we think that Qu Yuan was alienated and exiled by the King of Chu many times? Does Xiang Jun's wandering and searching figure on both sides of Yuanjiang River and Lishui River sometimes overlap with Qu Yuan's image of "walking along the river" and "searching up and down"? Does Xiang Jun's persistent pursuit of sincere love and happy life pin Qu Yuan's political ideal and the road to rejuvenation? Is Xiang Jun's "easy tolerance" in a helpless situation integrated with Qu Yuan's life-long forgiveness and masturbation? Generally speaking, the author's emotional infiltration in literary works can't be said to exist here and there, but it is indeed everywhere, and it must be realized by readers in their painstaking appreciation.

"Mrs. Xiang" is about the love life of immortals, but it is full of realistic world situations. Therefore, we can interpret it as a love poem between Chu and the local people at that time. But this is not enough, because the water god sacrifice in the poem is not love, nor is Qu Yuan's emotional sustenance love. Moreover, readers' free reading will always break through the limitation of subject matter and carry out a wider range of heterogeneous isomorphism. This is an inevitable law. When we associate the difficult situation of going to work with the scene of "so-called Iraqis are on the same side of the water", when we are chasing Xiangfu everywhere on both sides of Yuan and Xiang, we associate it with "going back and forth, the road is blocked and long", and following it, we will reach the middle of the water ("Di Zi falls on the north of Zhu"). Isn't that "everything is in the middle of the water"? ), so that the artistic conception space of "Mrs. Xiang" suddenly expands infinitely: in social life, all persistent pursuits are always illusory and rare realistic situations, and all persistent pursuits are always illusory and rare troubles, annoyances, disappointments and disappointments, which seem to get isomorphic induction and spiritual sustenance here. This is the artistic conception space of "Mrs. Xiang" and the real charm of poetry.