Singing overtones is to keep the pitch of a bass unchanged, but to highlight the sounds in its overtone series in turn, so that it is possible to sing another high-pitched part at the same time with a continuous pitch.

The most direct auditory feeling without overtones is that the sound is dry and there is no emotion. If the pronunciation is correct, it is easy to get a good resonance, which is overtone. Overtone is an important factor supporting beautiful singing, and it has become a singing skill that singers must learn, master, use and pursue. However, due to improper methods in the learning process, it is easy to go into the misunderstanding of overtones and appear bad overtones.

A good voice has overtones on the basis of resonance. This overtone is equivalent to the core of the sound, and the core of this sound comes from your concentration in your mind. Good voice is concentrated and penetrating. Being able to identify the overtone level means that everyone must have mastered the basic skills such as opening the voice.

Decryption of overtone singing skills

1, a kind of resistance on vocal cords (against breath) needs to be obtained through mental practice. As long as you keep practicing your mind, you will keep getting ideas. In fact, many people who engage in instrumental music also try to convey their ideas to musical instruments, and all of them have achieved good results. The vocal cords are our musical instruments. Your consciousness guides him, so he will.

Of course, you will feel nothingness when you start practicing, but once you realize something, you will continue firmly. The power of that kind of voice is close to that of opera singers in the early twentieth century. Because before the development of electronic amplification equipment, people obtained the grand volume and profound appeal of the opera house through confrontation.

3. Some people sing without overtones, but an air column and a straight line. There are also overtones, but few; Some people sing like chimneys. They are straight at first, and then they begin to "float". The so-called "floating" here is the natural overtone. Some people sing with overtones, but artificial overtones come from trembling throats.

But after all, we sing for music, not for singing. The former is a musician, singer and artist, while the latter is a singer. Different purposes show different ways, and their appreciation level is also very different.