Where does this sentence come from? -Song Liu Yong's Yulin Ridge, Chilling and Sad.
The complete original text is like this:
The cicadas in autumn are so sad and urgent, facing the pavilion, it is in the evening and a sudden rain has just stopped. Farewell outside Kyoto, but not in the mood to drink, reluctant to leave, the people on board have been urging to start. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Thinking of returning to the south this time, this journey is another road. Thousands of miles away, it is misty, and the night sky is a vast night fog.
Since ancient times, the most sad thing for sentimental people is to leave, not to mention the bleak autumn, how can they stand the sadness. Who knows where I am when I am awake tonight? Fear is just the edge, facing the sad morning wind and the setting sun of the waning moon. This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only. Even if it is full of emotions, who can enjoy it together? (Good Scene 1: Beautiful Scenes)
I also released a translation for your understanding:
Qiu Chan's cry was bleak and urgent. In the evening, facing the pavilion, the shower just stopped. I hosted a farewell dinner in the suburbs of Kyoto, but I was not in the mood to drink. When I was reluctant to go, the people on board were already urging me to start. Hold each other's hands, look at each other with tears, and choke. It's a long road, Xiu Yuan Xi, a thousand miles of smoke and waves are slim, dusk clouds cover the sky, it's deep and vast, and there is no end.
Since ancient times, sentimental people have always been sad for parting, not to mention in this cold and desolate autumn! Who knows where I will wake up tonight? I'm afraid only Liu 'an faces the sharp morning breeze and the waning moon at dawn. I've been away for a long time, and it's estimated that even if I meet good weather and scenery, it's just like nothing. Even if there is full affection, who will tell?
Here are some words that I think are more important. Let me explain them to you separately:
Pavilion: In ancient times, a pavilion was built every ten miles along the main road for pedestrians to rest, also known as "Shili Pavilion". The pavilions near the city are often places where the ancients bid farewell.
Sad: sad and urgent.
A shower.
Doumen: the gate of Beijing. This generation refers to Bianjing, the capital of the Northern Song Dynasty (now Kaifeng, Henan).
Drinking under the account: hosting a farewell dinner in the suburbs.
Not in the mood: not in the mood.
Blue Boat: According to legend, Lu Ban once carved a magnolia tree into a boat (Shuo Wen Jie Zi by Ren Fang in Southern Dynasties). It is used as a good name for this ship here.
Choke: I have a choked throat and can't speak.
Go: repeating the word "go" means long-distance travel.
Dusk: Evening mist.
Heavy: deep eyes.
Chutian: Fang Chu's sky guide.
The evening is heavy, and Chu Tiankuo: the mist in the evening hangs over the southern sky, deep and vast, with no end.
Tonight: Tonight.
Year: Year after year.
Longitudinal: Even if. Style: affection. The love between men and women is affectionate and sweet. Love: a kind of "flow".
Duo: One is "waiting".
If you only read the article, it may be difficult to understand the meaning, so you have to interpret it in combination with the creative background of the article at that time:
Liu Yong is frustrated and resentful because of his sincere lyrics, and often hangs around the Chu Museum, writing lyrics for singers and musicians. This word should be Liu Yong's farewell to his lover when he went south from Bianjing.
Having said that, let's appreciate and comment on this article together:
This word should be the poet's farewell to his lover when he went south from Bianjing. Liu Yong, because he loves benevolence, writes lyrics for singers and musicians. Thanks to the close cooperation of artists, he was able to change the old into the new, and created a large number of slow words on the basis of Xiaoling in Tang and Five Dynasties, which made Song Ci begin a new stage of development. The tune of this word is Yulin Ling, which is copied from an old Tang Dynasty song. According to Ming Taizu Miscellaneous Notes, during the Anshi Rebellion, Emperor Xuanzong of the Tang Dynasty took refuge in Shu, and when he heard the bell ringing in the rain on the plank road, he remembered the idea of mourning for Yang Guifei, and "chose his voice as" Yulin Order "to show his hatred". There are five lines in Wang Zhuo's "Biji Manzhi": "Today's two-tone" Lin Yuling Slow "is quite sad, and the original song still exists." Lin Yuling, the earliest two-tone slow ci work in the history of ci poetry, should be the first one. Liu Yong made full use of the sad and long tone of this word and wrote euphemistic and sad feelings, which can be described as incisive and enjoyable.
The first paragraph of the word is about a couple's farewell dinner Write the first three sentences about another time, and point out the place and order of the festivals. "Book of Rites and Moon Order" says: "It's cold in Qiu Meng." It can be seen that the time is probably July of the lunar calendar. But the poet does not describe the natural scenery purely objectively, but through the description of the scenery, the rendering of the atmosphere, the feelings come out of the scene, and the meaning is deep. In autumn, the scenery is bleak; And the value of the day is late, and the twilight is gloomy; After the rainstorm, it was followed by chilling and sadness: what the poet saw and heard was bleak everywhere. In addition, the syntactic structure of the sentence "Late in Changting" is one, two and one, which is extremely frustrating and swallowing, and more accurately conveys this bleak situation.
Through the description of the scenery, the first three sentences also pave the way for the "not in the mood" and "in a hurry" in the last two sentences. In Doumen Drinking on Credit, Jiang Yan wrote: "Du Dong drinks on credit, and Jingu sends guests off." His lover held a farewell banquet for him in the pavilion outside Doumen, but the poet was not interested in wine and food. It can be seen that his mind is focused on his lover, so the word goes on to say: "homesickness, Lanzhou urges hair." These seven words are completely realistic, but they describe the typical environment and typical psychology with concise pens: on the one hand, they have a deep relationship, on the other hand, they promote youth. How sharp such contradictions and conflicts are! Lin Bu's "Acacia Order" says: "You are full of tears, I am full of tears, my heart is not tied, and the tide is flat." It's just a hint that the ship is about to sail, and lovers are inseparable. Liu Kezhuang's "Sauvignon Blanc" says: "The smoke is far away, the water is far away, and it is planned to be scraped by the river, and the boat people frequently report the tide." Although it is obvious, it still does not break away from Linz's model. However, the "Lanzhou Cui Fa" here wrote the urgency of parting with a straight pen. Although not as touching as they are, they are tall and slim, which can promote the deepening of feelings. Then the words "holding hands and staring with tears, but speechless and choking" came out in generate. The language is popular and affectionate, and the image is realistic, such as in front of you. Eleven words, a close call! In later legendary operas, there are often lyrics of "heartbroken people are heartbroken at the sight of tears", but they are not as concise and powerful as Liu Ci. So what did the poet choke on? The sentence "think about it" is his inner monologue. Ci is a lyric poem attached to music, so we should pay attention to the flat yin and yang of each word, especially the disyllabic words. The word "year" is used very well here. Qing Wanshu's "The Law of Ci" said: "Where nouns swing, they should be silenced more. Why? Among the three tones, the upper tone can be leveled, but the outer tone is different. ..... If you use it, you can't afford it if you don't go. " This word takes the word "year" as the leading case, connecting "choking" with the natural turning point, and breaking through "thousands of miles" below. After the word "read" is used with the word "go", it shows more and more strong feelings. After reading a word, I feel that the road is endless, and the road is Xiu Yuan. "A Thousand Miles Down" has harmonious colors and picturesque scenery. It is not only "smoke wave", but also "twilight" and "heavy", and the coloring can be described as heavy; It is both "a thousand miles" and "wide", and the space can be described as broad. In such a vast and distant space, it is full of such a thick and deep haze, and its sadness is unimaginable.
Say goodbye to the opening credits, this is the ending; The next film, first of all, makes a general discussion, from the individual to the general, and draws a philosophy of life: "Love hurts and leaves since ancient times." It means that parting is not from the beginning, but from ancient times. Coupled with the phrase "clear autumn season is more worthy of being left out", it is said that when autumn is cold and desolate, it is more than usual. The word "clear autumn festival" is mapped to the first three sentences. Before and after taking care of it, the needle and thread are extremely dense; The three empty words titled "Gengnakan" strengthen the emotional color, which is more obvious and profound than the first three sentences. The three sentences of "tonight" come from the last sentence, which is the warning strategy of the whole article, and later became the object of Su Shi's victory. According to Yu Wenbao's Record of Blowing Sword, "On the Jade Hall Day in Dongpo, a monk sang a good song, so he asked,' What is my character like Liu Qi?' To Japan:' Liu Langzhong's lyrics are only one hundred and seventy-eight girls, holding red fangs and singing' Xiao Feng in Yang Liuan can still see the moon'. Bachelor's degree, you must be a big shot in Kansai, singing "River of No Return" on bronze pipa and iron rake. ""These three sentences were originally imagined on the trip tonight: a boat docked, and the poet woke up from a drunken dream, only to see a breeze blowing the rustling willow trees and a waning moon hanging high on the willow branches. The whole picture is full of sad atmosphere. The coldness of the guests, the quietness of the scenery and the sadness of parting are all completely condensed in this picture. Comparing the two sentences at the end of the last film, although it is also a scene of sadness, the former seems to be a splash of ink and a vast expanse; However, here, it is like a meticulous picture frame, which is beautiful. The poet mainly uses the painter's usual stippling technique to describe this beautiful little picture frame. Liu Xizai, a Qing Dynasty man, said in "Introduction to Art": "Affection hurts separation since ancient times, and neglecting the Qing Autumn Festival is even worse. Who knows where I am when I am awake tonight? Yang Liuan, Xiaofeng, Canyue. The last two issues were cold, and the last two sentences were dyed' tonight'. There can be no other words between points, and aphorisms become dead. " In other words, these four sentences are inseparable and set off each other. If you insert another sentence in the middle, it will destroy the integrity of artistic conception and the unity of image, and the following two aphorisms will lose their luster.
The words "through the years" constitute another situation. Because the above is situational language, here it is changed to sentiment language. In the days of gathering, they will always feel happy in prosperity; However, the time is getting longer every day, and year after year, even if there are good days and good scenery, it will not arouse the interest of appreciation, and only increase the account. The word "visit here", from a distance, should be "read and leave"; The word "nian" is close to "tonight", closely linked in time and thought, advancing step by step, showing a close structure. "Even if there are thousands of customs in Qian Qian, who should I talk to?" It is beneficial to see love and sadness. Summarizing the whole word is like running to rein in the reins, which tends to live but not live; Another example is that many people have returned to the sea, and there are still unfinished things. Ending with a question is more meaningful and intriguing.
Fei Qing's ci is good at narration, and some of his works are plain and shallow. However, this word can be "straight, dense and sparse, flat nose, difficult to reach the scenery, and natural" (on Liu Yong's Ci in Feng Xu's Sixty-one Anthology). A sentence like "Lanzhou Cui Fa" can be said to be arrogant, but its first and second sentences are self-indulgence and grace in depression. "Tonight" three sentences, expressing feelings about the scenery, can be called Qubi. However, the sentences before and after it look straightforward. Since the fourth sentence, the first one has been meticulous in writing feelings, but when it was changed, it was written from a distance with an air-lifting pen, which looked sparse and clear. Poets don't stick to one pattern, and their composition is changeable, so the whole word is ups and downs, full of sounds and emotions, and can be beautiful and moving.