We Are All Bad Boys gives the new generation a chance to think about youth independently. There is no criticism in this film, and no one is right or wrong. For the results that may lead to mistakes, mistakes may also lead to correct thinking, and they are unwilling to look at some practical problems in society as critics. The author leaves the thinking of these questions to the viewer. The film sensitively captures the huge group of post-90s generation, and shows the life state and spiritual world of the protagonist in such a huge group in the film. Bad boy is a successful educational blockbuster. First of all, they listed some lifestyles that make young people feel particularly happy, and they are crazy and happy. Later, when the conversation changed, they told everyone that if they followed their own personality and crazy lifestyle, very bad things would happen, and they would be very serious. A large number of post-90s moviegoers in Weibo are also in distress situation. (Xinhuanet Review)

The film touches the real emotional life of the post-90s generation, and the non-mainstream gender theory of the post-90s generation has become the most controversial topic in the film. Growing up, being confused, smoking, fighting, and so on, have spawned a different kind of sadness. Just as hometown is used for memory, youth is used for memory. When you cherish it, it is worthless. Only when it is exhausted and you look back, will everything become clear and meaningful. Whether it is pain or beauty, it is only dedicated to the memories of the post-90 s in the name of youth. This is a youth film that will only be reflected after watching it. It is not the post-70 s card of To Youth and the post-80 s card of Those Years, but the post-90 s card of Bad Kids. (Film critic: Zhang Yang)