The Storm is a novel written by modern writer Zhou Libo on 1948. This is a classic of revolutionary literature, which reflects the agrarian revolutionary movement in Northeast China during the War of Liberation, and vividly describes the extremely sharp and complicated struggle of peasants with the feudal landlord class and counter-revolutionary armed forces under the leadership of the Party. This work won the third prize of Stalin Literature Prize in 195 1. The main characters in the works are Zhao Yulin, Guo Quanhai and Lao Suntou.

The structural combination of radical storm pinyin bào fēng zhòu yǔ explains the storm: sudden and violent; Sudden: rapid. A violent storm. Metaphor is a huge and rapidly developing movement. Chapter 23 of Laozi: "Therefore, the wind does not stop, and the showers do not stop all day." Wu Ming Cheng En The Journey to the West 69: "There are two birds, a male and a female, who were flying together in one place, but suddenly they were blown away by the storm." Usage as subject and object; Describe a rapid and violent storm or mass movement. Zhou Libo's The Storm Part I: "It takes a storm to abolish the feudal system for thousands of years. This is not an ordinary thing. Synonym storm, storm rain antonym wind and Mao Mao rain, east wind and rain.

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From 65438 to 0948, Zhou Libo completed the novel Storm, which is a classic of revolutionary literature. The novel describes the whole process of land reform from 1946 to 1947 in a village named Yuanmaotun in the northeast. The first and second volumes of the novel are about the process of "three fights against Han Lao Liu" in the early stage of land reform, the review and in-depth "cutting down trees and digging for treasures" in the later stage of land reform. The first meeting of poor peasants and farm labourers held by Yuanmaotun Land Reform Team after entering the village was an "unexpected failure". The initiative of "fighting for a big belly" was only approved by a few poor peasants and farm labourers with insufficient confidence and full of doubts. The problem was that it failed to effectively "mobilize" the masses. Zhao Yulin was the only one who really "launched" the first struggle against Han Laoliu. For the men, women and children in Yuanmaotun, the "struggle" was just strange, happy, worried, suspicious or waiting to see. Under the influence of this complex group mentality that has not been fully "launched", it is difficult to form ideals. The tension between the two opposing camps ended in a farce-like "emotional easing". Although the second struggle meeting was held after Guo Quanhai, Bai Yushan, Laotiantou and others successfully "launched" and formally established the "Federation of Agriculture and Workers", Han Laoliu's several complaints and reviews made the "fighting mood drop again" and led to the discussion that "as long as people have a lot of land, they should be told to give it up, and there is no need to ask anything else". The group indignation aroused by Mr. Laotian's accusation of blood and tears is easily diluted by a few drops of nosebleeds of Han Laoliu. The third struggle meeting that successfully defeated Han Laoliu, in addition to the effect that the task force continued to "launch", a key factor was that "Han Laoliu whipped pigs", which aroused public anger. It was the combatants who turned the originally mild atmosphere of struggle into an angry fire, which was the criminal behavior of the current bully landlord and "mobilized" the masses. The second volume of the novel mainly tells the process of "cooking raw rice into mature rice" with the nature of review and rectification, which is also a common link in the land reform movement. This mainly includes two aspects: the first is to regain the power of the peasant association usurped by the bad guys. Guo Quanhai, a former peasant association, immediately exposed the vacancy and passive role of the "starter" after losing the "starter" engine of the task force. They really don't have any initiative and ability to defend the achievements of land reform, let alone open up a new situation. Secondly, further launch the "cutting and digging movement". Different from the previous land reform struggle, the focus of the struggle now is not the "bad roots" of the bully landlord Han Laoliu, but the "bad beards" such as Du Shan who eats fast and worships Buddha and "repairs the afterlife" and Tang who is timid and gives his life for money. The protagonist is Guo Quanhai, who led the peasants to continue their unfinished business, fought against the traitor landlord Du, finally consolidated the fruits of victory, and took the lead in joining the People's Liberation Army and fighting south. On a broad background, the novel profoundly shows the true features of the great land reform movement in the vast liberated areas during the War of Liberation, and enthusiastically praises the precarious revolutionary struggle of peasants under the leadership of the Party to overthrow feudalism, thus telling readers that land reform not only eradicated the feudal system for thousands of years, overthrew the rule of the landlord class, eliminated feudal land ownership, and changed the class relations and social outlook in rural areas. And effectively stimulated the class consciousness of farmers at all levels, changed the mental outlook of farmers, and some advanced farmers became proletarian revolutionary fighters. Farmers in China, led by * * * *, broke the feudal trap and rushed to Jiefang Avenue.

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"A Storm" is a novel reflecting the land reform in Northeast China during the Liberation War. With plain words, it reflects the society of China at that time and answers many questions, including social problems at that time and some social problems now. The Storm is Zhou Libo's masterpiece, a novel reflecting the land reform movement in the liberated areas, and an epic work reflecting the peasant liberation earlier in the history of modern literature in China. Together with The Sun Shines on the Sanggan River, it became the most important work in the novel of land reform. The Storm is divided into two parts. The first part tells the story of Yuan Maotun village near Harbin, under the leadership of the task force, defeating the bully landlord Han Laoliu and repelling the bandits' attack after 1946 when the Central Committee of the Communist Party of China issued the May 4th directive and before 1947 when the outline of China land law was promulgated. Zhao Yulin is the main character in this film. The second part is about the further struggle of the land reform movement after the promulgation of the Outline of China Land Law in June 1947, with Guo Quanhai as the protagonist. The whole novel completely reproduces the process of large-scale land reform in the liberated areas. The Tempest also describes the class relations in rural areas, but unlike On the Sanggan River, it shows the class relations filtered by policies and removes the complexity of the life form itself. The novel rarely touches on the contradictions within each class, mainly focusing on the contradictions between the two well-defined camps of farmers and landlords. The peasant camp is centered on Guo Quanhai, surrounded by poor farm labourers and activists, Bai Sister-in-law, Dae-kun Lee, Liu Guilan and Zhao Sister-in-law, as well as the poor farm labourers Lao Suntou, Lao Tiantou and his wife and middle peasant Liu Deshan of the older generation. The landlord camp is headed by the bully landlord Han Laoliu. Others include Du, a big grain grower in Tunli, Tang, a bandit, and Han Laowu, a spy, Han Laoqi, a housekeeper in cahoots, a lackey, Han Changsheng, and a rich farmer. The plot of the novel revolves around the deadly battle between the two camps. This novel has created many characters with distinct personalities. Writers use a variety of methods to describe characters, not only good at depicting characters in fierce conflicts, but also able to describe the psychology of characters with delicate strokes through the characteristics and details of daily life and life scenes. Writers are also good at highlighting the description of certain scenes, setting off the environment and improving the characterization. The novel shapes the image of rural newcomers and endows them with idealism. These newcomers are represented by Zhao Yulin and Guo Quanhai. Zhao Yulin's family was down and out under the cruel oppression of Han Laoliu and Japanese puppet reactionary forces, and got the nickname "Zhao". But others are not poor, they are strong and have backbone. He joined * * *, took an active part in the land reform movement, went forward bravely, and was not afraid of sacrifice. When distributing the fruits of victory, he put others before himself, and he showed lofty revolutionary spirit and moral quality. Guo Quanhai's image is written through several typical examples, such as leaving the horse and joining the army. His noble qualities of cleverness, shrewdness, decency, selflessness and infinite loyalty to the people's revolutionary cause are relatively successful. The novel also created some vivid images of the older generation of farmers, among which Lao Suntou is the most representative. He travels all over the country, is knowledgeable, cheerful, humorous and likes to show off his knowledge. He longed for turning over and liberation, but he was timid. He likes to brag and stand out, but once he is really in danger, he quickly flinches. He is kind, but a little greedy for petty gain. When leaving the horse, he took a fancy to the good horse "glass flower", but he was afraid that others would see it and tried his best to hide it. He has shortcomings, a little Jianghu spirit, but he still belongs to a positive peasant image. The images of landlords portrayed in the novel are mainly Han Laoliu, Du and Tang Guazi, but their images are somewhat funny, lacking three-dimensional sense and different in appearance, but their personalities and attitudes towards land reform are basically the same. The novel has simple clues, develops in the order of the development of the land reform movement, complete structure and clear context. It draws lessons from the practice of classical novels. At the junction of chapters, hanging guesses are often used to attract readers and make the works more readable. But the second half is a bit sloppy. The novel is full of rich life flavor, lush foliage, many real and vivid life scenes, humorous and lively life details, and full of farmers' interest. This novel shows the inherent richness and vividness of life itself. Writers can not only paint the great waves of the times with splash ink, but also paint such scenes and details with great care. For example, the scene of splitting a horse is full of real feelings, and splitting a horse also points out the personality of the characters. Another example is Zhao Yulin's husband's honest and wife's warm family life, and Bai Yushan's husband's "confused" and wife's provocative humorous family life, all of which are very vivid and vivid. The language of the novel pays great attention to colloquialism and dialectalization. The works use the spoken language of farmers in Northeast China, with rich vocabulary, liveliness, strong expressive force, strong flavor of life and local color. The language of the novel embodies the lightness and simplicity of male writers and is full of farmers' unique sense of humor. The Storm successfully created the images of poor farmers such as Zhao Yulin and Guo Quanhai. Under the double oppression of Japanese imperialism and bully landlord Han Laoliu, his mother starved to death, his wife begged for food, and all three of them were "naked" (hence his nickname Zhao). He was imprisoned and brutally lynched. Guo Quanhai's father was killed by Han Laoliu in the old society. At the age of thirteen, he became the groom of the Han family, and he had a bloody feud with the Han family for two generations. Before the contingent entered the village, they had no choice but to live a life of oppression and slavery. Once encouraged by the task force, the revolutionary fire in their hearts will burn brightly and no force can put it out. Here, the author emphasizes the mass base of the land reform movement and the inevitability of this great revolution. Although the author also wrote about their weaknesses (such as Zhao Yulin's lack of struggle experience, and Guo Quanhai's will to fight was once depressed after the bad elements came to power), it is more important to highlight their noble character of diligence, simplicity, initiative, courage, selflessness and fear of sacrifice. As for other figures, such as Heguan and other rich people, as well as women such as Zhao Yizi, Bai Sister-in-law, Liu Guilan, most of them actively struggle and have distinct personalities. Judging from the artistic image, the driver Lao Sun is the most plump figure in the book. This is an old generation of peasants who are backward and selfish for the time being, but they are eager to turn over and liberate. He is a little timid, selfish, boastful and arrogant, but when he saw that the landlord power began to really disintegrate, he couldn't restrain his inner happiness and actively participated in the struggle. The life experience of driving has infected him with some bad habits of the old society; However, his rich life knowledge and cheerful personality also make him very funny. The author wrote this character with enthusiasm and love, and also used a typical technique in art, which not only summarized but also specifically wrote the characteristics of this kind of farmers, so the characterization was quite successful. In addition, the image of the older generation of farmers and Laotiantou's character are also quite distinct. Storm attached great importance to the Party's leading role in the whole process of land reform. Through the activities of group leader Xiao Xiang, the work shows the importance of the Party's leadership. Judging from the story development of the whole book, Xiao Xiang is actually the central figure running through the whole work. If the farmers in Yuanmaotun are kindling, Xiao Xiang is the igniter. Because he is new here, Yuan Maotun launched a vigorous land reform struggle. Because of his second arrival, Yuan Maotun was usurped by bad elements, the phenomenon of land reform was reversed, and the in-depth struggle for reexamination began. In a sense, the author's emphasis on the importance of the small direction is a bit excessive, because he made a "comeback" when he left the village landlord, which shows that the farmers who have been tested and organized by the land reform struggle are a bit too weak. But as a relatively correct ideal figure, Xiao Xiang's image is quite touching. He is a well-honed, mature man in thought and style, and has the demeanor of a leader in party member. Because the author is familiar with this kind of people, he writes more specifically and kindly. The author did not write him as a "savior" standing above the masses, but shaped him as the embodiment of the party's policies and the leader of the masses. He understands the masses, inspires them, and supports them at an important juncture in the struggle. His characteristics are: a clear-cut class stand, a keen and sober understanding of problems, seeking truth from facts, being good at taking the mass line and being far-sighted. Liu Sheng, another member of the task force, was deliberately written by the author. Xiao Xiang, with his subjectivity of being divorced from the masses, reality and seeing problems, has set off a deep understanding of the masses, which is also quite successful in art, and the characteristics of the times and places reflected in The Storm are quite distinct. At that time, the Kuomintang reactionaries tried to win over and stick to the Northeast, and the CPC Central Committee and Comrade Mao Zedong clearly pointed out: mobilize the masses, constantly develop revolutionary forces, and "establish a consolidated Northeast base area." Therefore, the land reform movement in Northeast China is very necessary and important, which is more acute and urgent than the general old areas in the same period. In fact, the land reform movement in Northeast China is closely related to the struggle against hegemony and the war of liberation. The front-line war situation affects the progress of the land reform struggle, and the development of the land reform struggle also has a great influence on the war ahead. The arrogance of the old six in China and South Korea, the counterattack of the old seven in South Korea, and the arrest of the old five in South Korea are full of the unique atmosphere of Northeast China at that time. After the work, Guo Quanhai and other young people joined the army, revealing that the war of liberation promoted land reform and the land reform struggle supported the war of liberation. The Storm is full of revolutionary passion. When describing characters and expressing their struggles, the author instills deep class feelings, praises exposure and distinguishes right from wrong. Here, realism and idealism are combined. Zhou Libo is good at selecting outstanding typical events and characteristic details, describing them with concise and simple pen and ink, and expressing the character. There are few long and dull narratives in the works, and the style is simple and lively. The author introduced that he was forced to work and met his wife as a beggar when he came back, and also reproduced the origin of the nickname "Zhao" and the scene that he borrowed money from the landlord. For Guo Quanhai, the author only pays attention to the murder of his father and the process of his being deceived by the landlord. Guo Quanhai began to appear, and the author wrote down the details of his dexterity in subduing a stallion, showing Guo's brave, bold, bright and intelligent personality. The novel is simple in structure, prominent in story and clear in clues. Taking the development of land reform struggle as the main line, the book wrote a series of struggles, which moved all the characters. At the same time, there are also some vivid plots or details in the struggle to increase readers' interest. Some scene descriptions, such as the section on "dividing horses", are clearly written and the characters are vivid and vivid. In addition, the author is good at learning from the language of the masses and using the spoken language of farmers in Northeast China in his works, which is rich in vocabulary, lively and expressive, with strong flavor of life and local color. In particular, many dialogues are personalized language, which makes people feel like people. The disadvantage is that oral English is sometimes used too much in works, which affects readers' understanding to some extent due to the lack of refinement and choice. There are also some shortcomings in the structure of the work. The second part is a bit loose, reflecting more events, not enough concentration and refinement; The connection between the first part and the second part is not close enough, which gives people a sense of disconnection. Some details are complicated, and some important struggles are not fully carried out. As for characterization, the main characters such as Zhao Yulin are too simple; The villains, such as landlords Han Laoliu, Du and Tang Dou, are stylized and faceless, which makes the reflection of rural class struggle somewhat simplified. But on the whole, The Tempest is still a successful work and occupies a very important position in the history of modern literature.

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Formerly known as Zhou He Fengxiang, also known as Zhou. 1August, 908, was born in Qingxi village, Yiyang county, Hunan province, and entered a family of middle peasants and freelancers. 1In the autumn of 924, Shao Yi was admitted to Changsha Provincial No.1 Middle School with excellent results. Encouraged, inspired and educated by his teacher, he began to contact new literature from 1926 and was influenced by the May 4th revolutionary thought. In the current turmoil and revolutionary wave, he has successively joined the Shanghai Workers' Movement and participated in the "Left League". During War of Resistance against Japanese Aggression's time, he went to the battlefield in War of Resistance against Japanese Aggression with great patriotic enthusiasm. 1939 12 arrived in Qiaoergou, Yan 'an, and was arranged to work in Luxun College of Literature and Art.. Mao Zedong's Speech at Yan 'an Forum on Literature and Art published in 1942 is a milestone in the development of Zhou Libo's literary thought.

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Director: Xie Tieli Xie Tieli

Screenwriter: Photography: Wu Shenghan Art: Cheng Rongyuan Composer: Li Huanzhi Starring: Yu ... Captain Gao Baocheng ... Lu Feifei Road, Zhao Yulin ... Bai Yushan Film Type: Revolutionary Film Country/Region: China Release Time:196/Dialogue Language: Mandarin Chinese Color: Black and white old-fashioned feature film. Produced by Beijing Film Studio 196 1. (Based on Zhou Libo's novel of the same name)

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From 65438 to 0946, Xiao Xiang was ordered to lead a rural land reform team to Yuanmaotun, a liberated area in Northeast China. Because the masses still don't understand the party's land reform policy, and the bully landlord Han Laoliu instigated Zhang, a lackey who stole the position of director of the peasant association, to make trouble in the dark, the land reform work encountered great resistance and difficulties. While deeply mobilizing the masses, the task force exposed the plot of Han Laoliu, dissolved Zhang and reorganized the peasant associations. Zhao Yulin, who is well-meaning, is convinced that the task force is working for the welfare of the poor peasants. He joined forces with Guo Quanhai, Bai Yushan and other activists of poor peasants and farm labourers to cooperate with the task force, so that the land reform can be carried out smoothly. Han Laoqi is unwilling to fail. He not only created rumors and sabotage everywhere, but also bought people's hearts by means of false land distribution. When beating the little swineherd who delivered the letter to the task force, Captain Xiao and the masses arrested and detained him. Han Laoliu, who fled to Daqingshan, led the remaining Kuomintang armed forces to attack Yuanmaotun and organized the peasant self-defense forces to fight bravely to defend their hometown. With the reinforcements of the county brigade cavalry, Han Laoliu was killed, but Zhao Yulin was unfortunately sacrificed heroically. Han Laoliu was punished by the people's government according to law. The peasants who turned over by Yuan Maotun actively produced and joined the army, which strongly supported the war of liberation.

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Mbth: Briar Patch Starring Dominic Swing and Arie Verveen Directing Zev Berman Type: Plot | Love Language: English Length: 103 Minutes Release Date: 065438+2003120 October Country/region: USA Rating: USA: R.

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Love, marriage, murder, sometimes at the same time. A woman is addicted to an animal triangle-a foreign admirer actually killed her cruel husband. The heroine played by dominique swain is a savage girl who has no formal education but is full of animality. When she was dying, her husband saved her and they got married from then on. However, there is a third party between them. As a result, the heroine and her husband began to live a life of fear every day.

The Definition of "Storm" in Chinese-English Dictionary

A violent storm

Let me perfect the relevant entries in The Storm:

Storm, storm, storm, storm.