Jingshan Sanxizi Jingshan Sanxizi is a ceramist who specializes in making tableware and utensils. His signature work is black and white utensils. Because he has always emphasized the beauty of utensils closely related to daily life, Sanxizi insisted on making pottery with plaster molds and making irregular-shaped utensils. Every musical instrument has lasting vitality because of the touch of the hand, which has both the taste of life and the aesthetic feeling of art. The most beautiful posture of utensils is in daily use. If an object is exquisitely carved, painted gold and inlaid with diamonds, it will only be used carefully when guests have a big banquet, and it will be shelved on weekdays, which is far from the essence of creation. From the beginning of her creation, she insisted on making pottery with plaster molds and making irregular-shaped utensils by touching them with her hands. For 20 years, she only used classic black and white, so that everything was integrated into life with a simple Jing Ya gesture.

Sam Man Xiu Sam Man Xiu was born on 1973 in Oita Prefecture, Kyushu Island, Japan. When he was in college, majoring in art education, he began to contact handmade pottery. 1996, Sam Shu graduated from Yi Xue University in Tokyo and went to Kyoto to study ceramics. In Kyoto, I studied as a famous ceramist and assistant, and accumulated practical experience bit by bit. In 2000, Sam Manxiu returned to his hometown of Oita County and set up a pottery workshop in Qingshan, Dashan Town. Since then, he has embarked on the road of independent pottery making. Like himself, his works have a very handmade appearance, mostly covered with mottled natural glaze, vaguely revealing the "starlight" left by some mineral elements, quiet and simple, expressing the intangible beauty of elephants. Thin appearance, introverted personality, this is the first impression given by Japanese ceramist Sam Man-soo. Sanmenxiu believes that great beauty is hidden in pottery, hidden in "invisible" pottery, and he also believes that it is the return to nature to make pottery that opens a unique creative path for him.

Chuangao City Chuangao, 1967 was born in Shiga County. He studied sculpture at the Education University in Hokkaido, and later balrog Okayoshi became his mentor. He entered the field of ceramics and devoted himself to making ceramics for nearly 20 years. His works take black and white, sauce color, dark brown and other natural colors as the theme, and the appearance of utensils usually looks Gu Zhuo and simple, with a strong local flavor. In addition, Takashi Ishikawa attaches great importance to the sense of weight and life of objects, and often thinks about some humanized detail design at the beginning of his creation. When these designs penetrate into his works, they show a kind of care from life. The independent workshop of ceramist Chuangao has stood for many years in Sanyuan, northeast of Shiga Prefecture, Japan. Three kilns built in different periods and places accompanied him through countless mixed days and nights. Although he has been doing pottery for a long time, Ishikawa Takashi is still very modest when it comes to his works and experiences. He always says that none of the existing works is completely satisfactory to him. Because the Tao is living feedback, and the Tao will continue to extend along the trajectory of life.

County Secretary Permanent County Secretary Permanent, 1977 was born in Tochigi Prefecture. His ceramics were fired in Yoshiko's firewood kiln.