Tumi Sambuza: the founder of Tibetans. /kloc-More than 0/300 years ago, Tunmi Sambuza wrote "Song Zang Gan Bu Song" by himself on the stone wall of Zengkelando Temple (now Zunmucai Temple in Mozhugongka County) in the east of Luomou (Lhasa). His handwriting is vivid and even, like a frog jumping on a stone wall, and later people call it toad body.

Nusanjie Yixi: Nusanjie Yixi, a monk in Chidesongzan period, also created a new style of calligraphy. It looks like a lush highland barley, which is called a tree body in later generations.

Angren Qingba: During the period of Mansong Mangzan (650-676 AD), the calligrapher Angren Qingba was called "brick juxtaposition" and later called brick arrangement.

Giogapzer: In the third period of Junkman (676-704 AD), his words were like a rooster crowing, and later they were called the rooster's body.

Zang Mo of our association: During the period of Chisong Dêzain (754-797 AD), the characters written were like pearls strung together, and later called beads;

Zewa Deng Yun: During the Munizan period (797-804 AD), the characters written were like fish swimming on paper, which was later called fish jumping; Mohist Lama: He wrote The Sphinx during the period of Chizu Dezan (AD 8 15-84 1);

Zhuo Neichi: He lived in Tibetan areas in Qinghai at the end of 10, studied Tibetan scriptures and inscriptions, improved the brushwork of Tibetan writing, and created a "Han-new style".

Sa 'an Tenzin: From the end of 18 century to the beginning of 19 century, Sa 'an Tenzin, a monk in De 'ang, founded the font of De 'ang Sazhi.

Aribanze: A famous German scholar in the 20th century A.D., he created the Kangqu style in the process of writing, carving and printing warp plates.

Luoqu: A famous German scholar in the 20th century, Kampo of Babang Temple. Two fonts were created, Qiongti and Niti. Gazongduoji: His ebony, Tusi and Tibetan-printed characters have great influence in Tibetan areas. He is a descendant of Gama Ghazi Thangka School of Painting. On the basis of mounting Thangka, he founded the Tibetan calligraphy binding of Karma School, which perfectly combined Tibetan calligraphy with mounting, and its binding techniques were adopted by Kangba, Yunnan and Aba. 1996 international Tibetan calligraphy competition won the first prize in the art group. His calligraphy is gentle and gentle, and is deeply loved by people.

Duo Zhi: His calligraphy has a great influence in Tibetan areas, including Wujin style and chieftain style. The key to learning Tibetan copybook abbreviations has become a calligraphy textbook for Qinghai University for Nationalities, Southwest University for Nationalities, Qinghai Institute of Education, Sichuan Tibetan School, Ganzi Prefecture and Aba Prefecture.

Gega: A famous great Rinpoche and Tibetan doctor in Kangba area. His calligraphy has great influence in Tibetan areas because of its homophonic, Latic and Sanskrit. In Dege Zhu Qin, he preached charity, truth, goodness and beauty with calligraphy and writing, and won the second prize of fine arts in 2009 International Calligraphy Competition, which was deeply loved by people.

Eight branches:1From the end of the 8th century to the beginning of the 9th century, Saan Tenzin, a monk of De 'ang nationality, founded the font of De 'ang Sazhi. 200 years ago, there were seven generations, and eight were the seventh generation.

Jiumei Zicheng: She is good at Mount Everest 20 1 1 year. At the invitation of Beijing Tibetology Research Center, I participated in the work of the "Everest" Tibetan font development research group of Tibet Research Center and wrote Everest cluster fonts.

Rabakajean: Secretary General of Xizang Autonomous Region Calligraphers Association. He is proficient in calligraphy styles such as Wujin, Ebony, Sanskrit and cursive, and has a wide influence in Tibet.

Mina: The famous Rinpoche in Kangba is good at Niti, Yiti and Sanskrit. Because of the wide range of calligraphy works, Sanshu Nuoren Library has been built as a research and collection center of Tibetan calligraphy. 1992 international Tibetan calligraphy competition won the second prize of fine arts.

Da Qiongpei: He has won many national and provincial calligraphy awards during his years of hard study. In addition to inheriting and accepting traditional calligraphy knowledge and skills, it also studies and collects ancient and modern Tibetan calligraphy to make breakthroughs and innovations. Among several works by Da Qiongpei, the Tibetan calligraphy encyclopedia and 30-letter hieroglyphics were exhibited in several cities in the form of Thangka. Write and edit the book Tibetan calligraphy treasure house.

Zeren Wengga: Professor of Southwest University for Nationalities, proficient in Tibetan and Sanskrit. He is the author of Tibetan Copybook for calligraphy, The Use of Possessive Case and Possessive Case Phrases in Tibetan Grammar, The Use of Possessive Case and Possessive Case Phrases in Tibetan Language and Literature Practice, Some Thoughts on Tibetan Calligraphy, etc.

Buddy: His calligraphy has a great influence in Tibetan areas, such as Wujin style and chieftain style. He is a professor at Sichuan Tibetan School. "Hardware Style" written in Tibetan has almost become a sample manuscript of the whole Tibetan area, and won the first prize of Tibetan calligraphy in Tibetan areas in China in September 1 9 8 9.

Danzhu Zeren: He is good at exotic flowers and has created more than 1000 Tibetan calligraphy works. /kloc-0 won the National Tibetan Calligraphy Excellence Award in September, 1989, and/kloc-0 held a solo exhibition of Tibetan calligraphy in Kangding, Ganzi Prefecture in the Spring Festival of 1994. Modern people's names are widely used on TV and the Internet because of their three-dimensional sense and strong graphic sense.