Song Dynasty: Su Shi

Jinling Shangxin Pavilion sends a dragon picture of Wang Sheng. Wang Shoujin's mausoleum was moved to Nanjun one day.

Throughout the ages, dragons and tigers have lived in harmony. From the rise and fall of the masses. This is a foggy, oblique wind and drizzle. Fangcaodu Jiangnan elderly live in public.

Driving a flying car in a colorful fog. The red bear rides on the green bear. But the name egret in this state surprised me. Not my partner. Don't worry and fly away.

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"There is a dragon in Zhongshan and a tiger in the stone", which has aroused people's nostalgia for the past. It's rare to mourn this vicissitudes with you. It is windy and drizzling, and there is a feeling of parting. Unforgettable this grass ferry, Jiangnan elders say goodbye and earnestly retain you.

Don't be sad. In my imagination, you drive a flying car through colorful clouds, you take a phoenix bird as your companion, and you come all the way. I am surprised that the sandbar here is called Egret, which is not a suitable habitat. So he didn't rest his wings, but flew elsewhere.

To annotate ...

Fisherman's pride: epigraph name. Also known as "Wumen Six", "Enduring Immortals", "Jingxiyong" and "You Xian Guan". Two-tone sixty-two words; It's the same before and after, but the seven-character rhyme is completely integrated into one. The difference is that there is a third rhyme, the third sentence.

⑵ Wang Shengzhi: Wang Yirou (1015-1086) was born in Henan (now Luoyang, Henan).

The phrase "through the ages" means that Jinling ancient city is the capital of many emperors. Legend has it that Liu Bei sent Zhuge Liang to Jinling at the end of the Han Dynasty, saying that Sun Quan said that "the terrain of Moling, the dragon pan of Zhongshan, and the tiger residence of Shicheng, is the emperor's residence." Pan, or "disk".

From: and, and. Ancient emperors built their capitals in Jinling, so the author has a metaphor of "rise and fall".

"Jiangnan" sentence: Because Wang Yirou is an honest and prestigious official, he says "waiting for the public".

Luan: the legendary phoenix. Cān: refers to the car driving on both sides. Yu: driving in a car. Because Wang Yirou is a straight man in Longtuge, the author has this metaphor.

Egret: Egret Island, outside the west gate of Jinling City (now Nanjing), surrounded by Qinhuai River and Yangtze River.

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The word begins with a brief description of the geographical situation and historical changes of Jinling, which was the capital of many ancient emperors. Then it focuses on the feelings of Jinling people who bid farewell to Wang Shengzhi in the drizzle.

Pat a few words to praise Wang Shengzhi's noble character with the metaphor of wandering immortals. Finally, with playful language and brisk brushwork, Jinling is not an ideal place to live, which is intended to comfort Wang Shengzhi.

In this poem, the real life scene and emotional experience of the poet's farewell singing become the theme of his poem. The poet's personal life experience has entered the field of word expression. At the same time, the proportion of scenery in words has greatly decreased, and its function has obviously weakened. On the one hand, the scenery in Ci is no longer a generalized and typed water town scenery in Yan Ci, but a realistic scenery that the poet personally experienced and saw; On the other hand, the relationship between scenery and emotion in Ci has undergone a fundamental reversal. The scenery is no longer the dominant part of the work, but the scenery in the eyes and hearts of the characters, which has a distinct imprint and influence on the activities of the characters.

Starting from Su Shi, Ci described the unique life course and creative direction of emotional experience of the subject, which was inherited and followed by many poets in later generations. With the continuous enrichment of creation, more complex and diverse emotional connotations are integrated into ci. Among them, the most concentrated and loudest voices are the denial of fame and the reflection on the lifestyle obsessed with fame, such as "fame is as thin as a stack before the wind", "it is true to hold a micro-official", "fame in the world" and "vanity Fair", all of which belong to this singing method. Secondly, with the fame and fortune of Bohuan, the worries of homesickness and the sadness of parting from relatives and friends, such as "Wan Li's dust collection hurts my arm", "Looking back at my hometown with tears", "Seeing off at Jiangtou Road well" and "How can I forget my old friend's company and now I can't be a lonely room" are all expressions of this feeling. In addition, the expression of seclusion wish is often seen in the pen, such as "Never again Xu Yunshan's wish", "May be covered by misty clouds" and "Nymphs must taste well in the end".

Extended reading: the enlightenment of Su Shi's anecdotes

When Su Shi and Su Zhe were teenagers, they studied in Tianqingguan, Meixian County, Sichuan Province. Their first teacher was Taoist Zhang. At that time, Zhang had hundreds of students, Su Shi was one of Zhang Daochang's favorite students, and the other was Chen Taichu, a famous Taoist who was later included in Xian Jian. According to Dongpo's Zhi Lin, when Su Shi was relegated to Huangzhou, his old classmate Chen Taichu died in Hanzhong.

Because Su Shi was enlightened by Taoism since childhood, he had a special liking for Taoism all his life. He often wears Taoist robes and visits Taoist priests. For example, He Ting Ji praised Taoist Zhang Tianji, while Poems on the Back of Red Cliff ended with Taoist sleeping. When he was demoted, he still wrote articles for many Taoist temples and temples, so there were many beautiful articles, such as Biography of Gemiaotang, Biography of Guanmiaotang and Biography of Zhuangzi Ancestral Temple. In Miao Tang Ji, he tells the story of meeting his primary school teacher Zhang in his dream and being deeply taught by him, which shows the profound influence of Taoism on him.

Su Shi's younger brother Su Zhe said at the beginning of "A Brief History of Longchuan" that he dreamed of the concept of primary school reading. In his dream, Su Zhe revealed a little-known phenomenon of heaven retribution through his dialogue with Lao Zi: if you don't kill anything, you can live a long life.