Zhang Menglong, a famous inscription in the Northern Wei Dynasty, is the most representative inscription in the Northern Dynasty. The full name is "Ode to the Qing Dynasty in Zhang Fujun, the satrap of Luwei County". Xiao Ming and Zheng Guang in the Northern Wei Dynasty (AD 522). Existing Confucius Temple in Qufu, Shandong. In regular script, the inscription on the tablet reads "Qing Song Monument of Zhang Fujun, the magistrate of Lu Wei". The inscription is an official book with 26 lines and 46 words, and the last 4 lines have the title and date. A column with 12 different rows. The inscription consists of 3 lines 12 words. There is no author's name. The inscription records the story of Zhang Menglong's education. It is dominated by pens, supplemented by round pens occasionally. The brush gesture is flat and edgy, calm and complicated. Wei Bei is usually horizontal and flat, but this monument is vertical and imposing, with a tight structure in the palace and strokes stretching around. The whole article is full of changes in neatness, and changes belong to Zhuanghe. Zhang Menglong tablet is a calligraphy treasure of the Northern Wei Dynasty. The font is rigorous and changeable, and the pen is powerful, but there is no sense of formality. The calligraphy styles of stele forehead, stele yang and stele yin are different. Yan Qiwei's tablet has a large inscription, but the inscription is natural and unrestrained, which reflects each other with the integrity and vitality of the inscription and forms a perfect unity. The use of calligraphy completely got rid of the traces of official script, which is the first example of regular script in Sui and Tang Dynasties and an important symbol of the maturity of regular script. Song people found that in the Qing Dynasty, with the praise and encouragement of Bao and others, this monument gained great fame and was more and more respected by calligraphers. Jin Shi Lu, Postscript of Jin Shi Tang, Jin Shi Zuo Shi Lu, Jin Shi Lu anthology, etc. Zhang Menglong's inscription extends the words "warm in winter and cool in summer" well. The existing rubbings in the early Ming dynasty are called "three horizontal versions of time characters"; In the late Ming Dynasty, the rubbings were called "Gai and Wei did not meet". This monument is the first masterpiece of the Northern Wei Dynasty. Its monument is vigorous and handsome, its structure is precise and refined, and it is full of danger and interest. Fiona Fang's style of writing and painting is both square and changeable, combining merits and demerits. Even the same strokes, there is almost no difference. It can really be described as: [the dragon sees the head but doesn't see the tail], [the Sect of body love]. In the forest of steles in the Northern Wei Dynasty, Zhang Menglong's stele is a masterpiece, which has won unanimous praise from the book circle. Yang Shoujing in the Qing Dynasty commented: "The monument of Zhang Menglong is completely folded, but the monument is strange." He also said: "Calligraphy is unique and ancient, so it is higher than the six generations of Tang people. (Pingbei Ji) "Protecting Chen Shi in the Qing Dynasty: Zhang Menglong, the official book, followed the big order, and Longzang Temple followed the right army. Qing Kang Youwei said: "Zhang Menglong and Jia Sibo-exquisite structure and endless changes." Some people also say that this monument "Zhang Menglong" is a sect of abnormal body. For example, when the Duke of Zhou made a ritual, all things were beautiful and good (Guang Yi and Zhou Shuang Talk), and Kang Youwei in Qing Dynasty honored it as "the Sect of Orthomorphism": the person who was called the Monument Peak in later generations was the Tang Dynasty, where famous artists came forth in large numbers and all bodies stood side by side. However, from my point of view, it is not like Webster's. Tang people pay the most attention to structure, but they have the method of stretching back and forth. The monuments in the Tang Dynasty are more beautiful than those of Yang Yi, Jia Sibo and Zhang Menglong! His brushwork is vigorous and his posture jumps down; Length and size, each due to its body; It is wonderful to distribute white cloth in batches; It is wonderful to combine change with neatness and hide the miracle in the square. When it comes to writing words, Si is the first. It can be said that people are extremely clever, but a leopard cannot change his spots. It can be seen that this tablet is one of the best examples for calligraphy lovers to learn Wei Bei's calligraphy style. Qing Kang Youwei: The structure of Zhang Menglong's tablet is the best among calligraphers, but its length and pitch are different. I take "Zhang Menglong" in the main book as an example, and each one has changed greatly. ("Guang Yi Zhou Shuang Tan")