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Yu Fei (1959.7), Hao Quan, was born in Huludao, Liaoning. China contemporary painter and Chinese painting theorist.

Published publications

Published a series of Chinese painting techniques.

Yu Fei's Chinese painting grape technique, Yu Fei's Chinese painting lotus technique, Yu Fei's freehand flower-and-bird painting collection, Yu Fei's China landscape painting collection, Yu Fei's TV teaching CD-ROM Chinese painting lotus technique, Yu Fei's TV teaching CD-ROM Chinese painting grape painting technique, Yu Fei's TV teaching CD-ROM Chinese painting sunflower technique, Yu Fei's TV teaching CD-ROM Chinese painting pomegranate technique, Yu Fei's TV teaching CD-ROM landscape painting technique and Yu Fei's TV teaching CD-ROM plum blossom technique. Chinese painting techniques of peony flowers, Chinese painting techniques of persimmon on Yu Fei's telephone teaching CD, Chinese painting techniques of peach blossom on Yu Fei's TV teaching CD, TV interview: a different life-painter Yu Fei.

Theoretical article

Theoretical articles on Chinese painting:

(Feng Shui in China's Landscape Paintings) (Appreciation and Collection of Chinese Paintings) (Dilemma of Modern Pen and Ink in Chinese Paintings) (Between Self and Non-ego in Chinese Paintings) (Modern Chinese Paintings and Markets) and many other works. Zhongnanhai conference hall, professional art gallery, conference reception hall of large enterprises and so on all display and collect many huge hall landscape paintings. His traditional Chinese painting grape works have become popular collections of many collectors. Creative achievements and photos of works have been included in dozens of professional newspapers and periodicals.

Style of works

Yu Fei advocates "returning to nature" in his Chinese painting creation, and his works show "between me and myself". "The aesthetic principle of taking the ancients as the soul and nature as the teacher. His Chinese painting Between Me and No Self is also a creative mentality and concept of the painter. Facing the creation of nature, he emphasized my existence, and the painter formed his own unique techniques by studying traditional culture and tempering techniques. Show me your own skills. But in the face of natural creation, we respect the harmonious law of nature and abandon ourselves, so that the paintings contain the painter's own unique technical personality and aesthetic orientation, and respect the unique natural law in the world. In the process of creation, I unconsciously put myself into it and integrate with it, that is, I am the promoter and spokesman of all kinds of nature, edifying my mind and enjoying myself, and depicting the natural music melody of the universe and the natural sounds of nature to the maximum extent with pen and ink. His traditional Chinese paintings are full of color, full of charm from a distance, and intriguing from a close look. With this unusual pen and ink charm, he gradually established his artistic position. He is a painter who studies hard, works hard, is knowledgeable and has accumulated a lot of money. He is good at painting landscapes and flowers and birds. His flower-and-bird paintings are elegant, beautiful and unique, while his landscapes are magnificent and superb. From the object of creation, Yu Fei's works are divided into traditional Chinese painting grapes and huge hall landscape paintings.

Yu Fei's Chinese painting Grapes is full of traditional culture and modern positive elements, which embodies the painter's unique aesthetic style and rich cultural connotation. The greatest attraction of his Grapes lies in his accurate grasp of the original colors of nature and the use of changeable and personalized lines. The painter firmly grasped the spiritual characteristics of Chinese painting, with ever-changing lines, free and powerful pen and ink, and a perfect grasp of the speed, strength and intensity of using the pen. In addition to the flexible use of lines, the painter also painted grapes with freehand brushwork filled with water, showing the feeling of fullness and juiciness of grapes. From his freehand grape paintings, we can see that the painter's line technique has been honed very skillfully. When creating, he first outlined the vines of grapes with simple lines, and then repeatedly smudged the branches and leaves and grapes with ink. This complex and simple artistic technique not only makes the grape shape lifelike, but also has a strong interest in pen and ink. In his freehand brushwork The Grapes of Mo Miao, there is always a strong charm of China traditional culture. Like a deep pool hidden in a valley, it is clear and dripping, but it is bottomless and memorable. It embodies the painter's unique aesthetic style and rich cultural connotation. In terms of creative techniques, he borrowed the color and structure of western landscape painting and applied it flexibly to ink painting. This kind of painting is not only to shape the image, but also to create a subtle spiritual realm. It is hazy, quiet, near, far and as real as fantasy. The painter expressed the modern concept with traditional pen and ink, full of his own distinctive painting style. Yu Fei's huge hall landscape painting also has unique artistic charm. The success of Yu Fei's landscape painting is first manifested in his realm creation. There used to be a distinction between "writing environment" and "creating environment", but he has gone beyond "writing environment" to "creating environment", detached from "having me" and "not having me". He brought the relationship between life and nature closer, and highlighted the image characteristics with strong modern flavor. His works, with mountains as the main body, are full of high-spirited humanistic spirit. In the concept of flying, there is no "dichotomy between subject and object" of western painters at all, only "things are me" and "harmony between man and nature" of China painters. Whether painting' Cangshan Mountains and Rivers' or clanging ancient trees on the vast sea, they have deeply injected the historical memory and realistic excitement of the whole nation.

Worked in a trade association.

Member of China Federation of Literary and Art Circles (Folk Writers Association)

Studio Director (China Landscape Painting Research Institute)

Member (China Artists Association)

Vice Chairman (Hong Kong Chinese Painting Research Institute, Taiwan Province, Chinese mainland)

China Beijing People's Painting Academy is a national first-class artist.

Director (Centennial Liyuan Sketch Training Base of Liaoning Artists Association)

Member (Liaoning Artists Association)

Director (Liaoning Gongbi Village Association)

Director (Longmenshan Art Sketch Creation Training Base in western Liaoning), director of the Art Committee.

Vice President (Liaoning Boya Painting Academy)

Chinese name