Don't deflate the knuckles of your thumb, press or push them inward when you play with your fingers. Finger hand is similar to a handful of big fingers. When playing with money, open the base of your big finger.

Fingers control the touch of flower fingers, and you can't push them with your arms. Arms and wrists are driven by the tide, relaxing and flowing.

When you play, no matter how many notes you have played, you feel that you have only played one note, that is, the power of one action has driven you for several months, and the feeling of playing is coherent and smooth. Don't break every sound you pass, it sounds like whole grains.

Flower finger generally plays the role of decorative sound or sound transmission, and the connection with decorative sound and sentences should be natural and smooth, and more singing should be done during practice. Flower finger is sung as a part of melody.

The flower fingering without pitch notation is played in the decorated upper voice area (high-pitched area), and the changes of the length and speed of the flower fingering are handled according to the style and melody of the music. "Flower Finger" with pitch notation is played according to the requirements of the score.

Flower finger generally does not occupy the time value of forehand beat, that is to say, the flower finger part has been played before the decorative sound is taken, and the decorative sound is just at the beat point. As I said before, the playing method of the flower finger is very flexible, and you can find the feeling by singing more.

Key points of playing with flower fingers:

1, the touching angle of the big finger is slightly less than 90 degrees, the joint bears resistance, and the sound supporting the strings should be uniform and coherent.

2, the speed of the flower finger string should not be too fast, it should be kept granular, but it should not be too slow, so as not to usurp the host's role.

3. The force direction of the flower finger should be consistent, and it should not be lifted upward, so as not to weaken the sound.

4. The connection between the flower finger and the tonic should be close and not out of touch.

5, the flower finger fades slightly, highlighting the tonic.

6. When the flower finger is connected with the hook, it stops at the sound eight degrees away from the hook.

7, touch the string fingers naturally bend, other fingers naturally relax.

8. When playing, the tone of your fingers should be moderate.