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What does' ink bone' mean in artistic language?
"Ink bone" is a technique of "meticulous painting" in Chinese painting, and it is also a technique of dyeing with ink.

Origin: Zeng Whale was a famous portrait painter in Ming Dynasty. He devoted his life to the creation of portraits. He faithfully inherited the tradition, and in the process of creation, he pioneered the ink painting method of bone, and made innovations in dynamics, images, composition, background and so on.

BACKGROUND: There are many reasons for the fundamental changes in China figure painting in the historical process. In our view, it has something to do with China's Confucianism. China's landscape painting has sprouted in Sui Dynasty, and its style classification has matured in Tang Dynasty.

Extended data

Chinese painting techniques:

Ink should be used as a whole. Generally speaking, the "thick ink is broken off" is relatively complete, while the "thin ink is broken off" is due to the preconceived characteristics of raw rice paper, especially when the thick ink is 80% dry, it is broken with light ink or water, so that the initial painting is clearer. A painting should have an overall design, and the ink color should pay attention to the arrangement of black, white and gray. Black is thick ink, gray is light ink, and white is white paper and space.

The gaps and blanks in the crowd should be well echoed. Another point must not be forgotten, the change of line density will also cause the effect of gray scale, and the line and surface should be matched reasonably. Especially when there are many people in the picture, don't look for too many small changes in the local area, but look for big contrast in a group.

Six methods of ancient painting:

1, verve is vivid, which means vividness. In addition, it also means to express the painter's character or use pen and ink skillfully.

2, the bone method uses a pen, that is, the skill of using a pen should have "bone strength" when showing the hook line, which is related to the inseparable relationship between painting and calligraphy at that time.

3, it should be pictographic, that is, feel the structure of the object and draw the shape of the object.

4, color matching, that is, according to the color of the object itself, add appropriate tones to the work, showing a sense of hierarchy.

5, business positioning, that is, thinking about the composition and depth of the work.

6. Transfer, that is, add or delete your own draft and then draw it again to complete the work. In addition, it also means learning by imitating ancient works.

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