In order to improve his calligraphy, 1996, he attended the China Correspondence Training Center and the Shandong Young and Middle-aged Calligraphers Training Course at his own expense. During my study, I got to know Mrs. Xu Beihong, Ms. Liao, a famous calligrapher and Mr. Calligrapher, and got their profound guidance and instruction. I wrote the words "Be diligent with a pen" and "Go up a storey still higher and broaden my horizons by three hundred miles" for his books, encouraging him to practice more. In addition, he also visited Beijing, Tianjin, Xi, Dalian and other places at his own expense, and visited famous artists to guide his works. Mr. Shen Peng, former chairman of China Book Association, pointed out in his comments that he has something in his eyes and something in his hand; Mr. Ouyang Zhongshi's evaluation of his works is excellent, hitting the nail on the head and writing the name "Riyuezhai" for him; Mr. Sun Boxiang of Tianjin commented that his official script is "seeking its exquisiteness and style"; Wei Qihou, a famous calligrapher in the province, praised his works and wrote "Self-improvement, Morality and Carrying Things" to encourage him; In his study, there is a saying, "Seeking truth in the sea of art and achieving something in virtue". He always urges himself to let the art of calligraphy run through his life. There is no end to learning on the road of calligraphy art.
Long-term calligraphy creation made him deeply realize that practicing calligraphy mainly depends on studying ancient and modern famous inscriptions, but calligraphy art is the embodiment of comprehensive art, and it is necessary to practice "external work". In recent years, he has read a lot of literary works, such as Yuan Qu, history, aesthetics, four books and five classics, etc., absorbed nutrition from various sciences and opened up new ideas for his creation, insisting on reading notes and newspaper clippings. For decades, he recorded more than a thousand study cards and dozens of Yu Ben reading notes. Even if you go to Beijing to see a doctor, you should take time to read and write notes in the library until you get off work. His efforts in calligraphy art are obvious to all. He can't see neatness in his study, let alone describe it in words. He can only say that it is an ocean of books and a river of words. It can really be said that Jincheng is the cause and the stone is the opening. Through diligent study and hard practice and the guidance of various calligraphy magazines, he realized the road of "borrowing power" in calligraphy, which is a new idea of using the basic skills he has practiced plus various inscriptions and techniques. In his own words, "calligraphy, the method in the book, should be studied hard, try to figure out the essence of traditional inscriptions, and add your own things to enjoy it."
In July, 2007, he participated in Korean calligraphy exchange activities with Jinan cultural delegation. His official calligraphy work "However, although China maintains our friendship, and heaven is still our neighbor" was praised by Kim Myung-woo, chairman of the Korean Calligraphy Association, saying that his calligraphy art was highly praised by the ancient artistic atmosphere in China, and he wrote an inscription on the spot as a souvenir. The reason why his works are recognized by Korean friends is sincere to me, because Korean calligraphy is mostly based on regular script and official script, and he is especially good at regular script and official script. Therefore, the recognition of Mr. Pan by Korean book circles is true, and it is also an affirmation of Mr. Pan's calligraphy art. On the way back to China, the leader of this cultural delegation commented and praised him for "saying that his works have their own style, and his words are like the wind of the ancients", warning him to study harder in the future. He said, "There are still many shortcomings in my works. The quality of words, such as personality, needs more practice." His modesty is as unforgettable as his words. In recent ten years, his works have been presented as gifts to Japan, Singapore, Australia, Canada and other countries. In addition, he was named the representative of Jinan Culture and Art Association for three consecutive times. And made a special report on the literary channel of provincial and municipal TV stations.
Pan Ming's calligraphy art can be said to have developed to the extreme. His font is full of vitality, exudes a kind of book fragrance, and reveals some cultural details. This is the result of his hard training. Buddhists pay attention to achieving positive results, so they also need to concentrate on practicing calligraphy on the road. In the center of the main entrance of Zhangqiu Millennium Dragon Hotel, there is a Zhuge Liang model inscribed by him personally. This masterpiece is ten meters long and two meters wide. It took him half a month to revise it more than ten times. It is also the greatest masterpiece of his life. This masterpiece infiltrated his hard work and was recognized by the calligraphy circle. Zhang Hai, chairman of the China Book Association, praised it after reading it. "This work is the crystallization of the author's basic skills and cultural heritage, and it is also a masterpiece." His pursuit of art is really admirable, and it is not easy to be recognized by calligraphy circles and famous artists all over the country. But her husband thinks it is an encouragement and a spur to make him study and practice better.
His works are rich and natural, with simple stippling, ups and downs, and profound traditional skills; Join the uneven level, leap around, and seek stability in the precipitous; The density of rules and regulations, the ups and downs of ink painting, new and sincere views and strong sense of innovation. He learns from others, especially Li and Kai. His book style is bold and graceful, vigorous and delicate. The two styles complement each other and reveal meaningful power.
His life is inseparable from calligraphy. He loves calligraphy, but he is more keen on artistic career. Madam President, in the past ten years, he has strengthened his artistic accomplishment, successively joined the China Calligraphy Association and the Shandong Calligraphy Association, repeatedly communicated with calligraphers from other provinces and cities, organized theoretical training, and adopted the traditional method of "going out, please come in" to strengthen the cultural heritage of calligraphy. We have made great achievements in the work of the book association in our city. In his work in 2009, according to the requirements of the municipal party committee and government, he actively arranged exhibitions, organized calligraphy theory to study, and insisted on "calligraphy goes to thousands of households" and "culture goes to the countryside" to make calligraphy enter the homes of ordinary people. It also makes Zhangqiu Calligraphy Association walk in the forefront of national calligraphy. August 20 10, participated in the national "hometown of calligraphy exchange meeting" held by China Calligraphy Association in Zhengzhou, and made a typical speech on behalf of Shandong.
His room is called "Riyuezhai", which absorbs the essence of heaven and earth and the aura of the sun and the moon. This seems to symbolize his persistent classical feelings, which is quite similar to Sun Simiao's philosophy of "keeping the sun and the moon in the heart, keeping the sun and the moon in the day, and keeping the sun and the moon at night". His name means a forward-looking cultural state. For him, tradition has always been a spiritual home that is firmly guarded, while new changes are consciously explored under the traction of artistic logic. What his artistic wings arouse is not madness, but the refreshing "second plum blossom" of calligraphy seeds on rich historical soil. In his calligraphy kingdom, which is strict in statutes, open in posture and full of ancient ideas and new qualities, tradition is no longer the so-called historical burden, but the source of infinite details; Its forward-looking vision is not alienated from history, but like a phoenix in a fire, reborn after experiencing silence.
The art of lettering is an extension of calligraphy art and a concentrated expression of calligraphy synthesis. In recent years, he stepped up his study of lettering theory, went abroad to learn from famous lettering experts in the province, and then conceived, designed, wrote, colored, decorated and decorated his lettering in his spare time. After several years of study and training, more than 80 pieces of lettering were engraved, one of which was exhibited in national exhibitions and two in provincial exhibitions.
Many good things grind, talent+diligence = success. His talent is his persistent love for calligraphy, and his diligence is his unremitting pursuit of calligraphy art. His works have been exhibited and won prizes at national, provincial and municipal book fairs many times. It is collected by many museums, cultural centers, literature and history museums and archives. Inscriptions of many shops and scenic spots.
As a leading figure in the local calligraphy art world, he often encourages himself with the famous saying that "the highest realm of calligraphy is no realm", indifferent to his ambition and devoted himself to research. It has had an important influence on the development of contemporary Zhangqiu and even Shandong calligraphy. His artistic achievements have won wide social recognition and contributed to the development of Zhangqiu's calligraphy.
Like a silkworm, he keeps spinning silk and brocade. When others saw that he was living too tired, he was really distressed and advised him not to be too busy, but he said, "I regard this bitterness and tiredness as a kind of happiness!" " "Every year he organizes many calligraphy exhibitions. In fact, every step forward is very difficult. But he is never afraid of these things, and he always meets the challenges of life with optimism and cheerfulness every day. He took the lead, contacted and communicated, wasting his breath; The bicycle wheels under his feet never stop turning forward. He knows that life is short and every second counts. He has been busy all his life, and his purpose is to do more work for art, for others and for social welfare, and to offer more fine works of art to the people.