1 and 17 teaching experience.

17 years of experience in dance art education, after years of precipitation, the teaching system is becoming more and more perfect, and a professional teaching and research department is established to update the teaching content according to market demand every year to ensure that students get the latest and most effective dance knowledge.

2. The environment is excellent.

Of the 29 venues, there are 3 venues in Chengdu, all located in the bustling business district with convenient transportation. Spacious space, reasonable layout and complete equipment allow you to learn dance comfortably without worrying about other things.

3. Super teacher.

At present, there are more than 900 teachers, 85% of whom have more than 5 years' teaching experience, most of whom graduated from professional colleges, and one person trains students 1000.

4. The charge is reasonable.

The fees are relatively high in institutions at the same level, open and transparent, there is no problem of arbitrary charges, and there will be many preferential activities.

Introduction to dance:

Dance is a performing art, which uses the body to complete various elegant or difficult movements, usually accompanied by music, and rhythmic movements are the main means of expression. It usually uses music and other props. Dance itself has multiple social meanings and functions, including sports, socialization, courtship, sacrifice, etiquette and so on.

Before the origin of human civilization, dance was very important in ceremony, etiquette, celebration and entertainment. Dance appeared in China five thousand years ago. It was born in slave society and developed into a certain feature in Qin and Han Dynasties.

The characteristics of dance:

Dance movements in dance works should also have certain skills, and dancers should have high-level skills such as jumping, rotating, tumbling, softening and controlling. However, performing high-level skills in dance works is not an end in itself, but a means to express characters' thoughts and feelings and shape their character and mental outlook.

If, in dance works, the means is the purpose, the superb skills of the actors are not based on reflecting life and expressing the thoughts and feelings of the characters, or the corresponding dance action skills are not based on the dance content, but on showing the dance skills and abilities mastered by the actors, then the dance works will fail because of the disconnection between content and form, or the lack of artistic integrity, and the dancers' own skills will fall into acrobatic skill performance and lose the basic character of dance art.