1, China's dance skills-stylization
In classical dance, skills and charm are actually displayed independently, while in folk dance, skills and style are closely related, which means that the skills of folk dance are not pure skills, but stylized. The development of folk dance skills is the strengthening and development of stylized skills. Style skills include not only all kinds of props dance skills in folk dances, but also the unique skills of rotation, jumping and turning over in folk dances of all ethnic groups.
Second, China dance skills-emotion
If there is no emotional input, China's dance performance will be pale and dull, no matter how difficult and exquisite skills! Therefore, the skills in folk dance should be combined with emotional catharsis and scene contrast to make him more infectious! Therefore, in the teaching process, the dance training class will pay great attention to letting children understand the national customs and cultural stories behind the dance, so that children can better interpret its soul when performing.
Third, China's dancing skills-artistry.
With the continuous development and progress of the times, the performance of China's dance is not only an emotional catharsis, but also an important feature. For example, peacock dance in Yang li Ping, some people may feel that they have no skills, but Yang li Ping's unique use of action vocabulary is the highest embodiment of folk dance art skills. The dance modeling and dynamics in The Spirit of the Marquee are different from those of the original Dai peacock dance in the square. Through the exaggerated deformation of art, the peacock's noble and transcendental spirituality has been further sublimated, creating an artistic wonderland that seems to be true but not true. Under Teacher Yang's interpretation, peacock dance seems to be alive, and his aesthetic feeling and artistic sense are vividly displayed!