■ Bao Bo Jianbao expert. Com was originally named Dan Guoxiang, whose pen names were Guo Xiang and Xiang. 1942 Born in Shanghai in February, he is a researcher at the Palace Museum in Beijing. 1965 graduated from the art history department of the Central Academy of Fine Arts. After graduation, I worked in the Palace Museum.
Party member Zhong * * *, former director of exhibition department, now director of palace department, title researcher, member of collection appraisal committee of Jianbo Art Garden. He is mainly engaged in the study of the history of ancient calligraphy and painting and the appraisal of calligraphy and painting, and has written and published more than 100 articles with about 600,000 words. Write monograph 10, about 800,000 words; Co-authored 2 monographs, with 6.5438+0.5 million words; Atlas 10 edited by Yu Ben, writing a 200,000-word plate preface and illustrations; Deputy editor-in-chief 6 albums, 80,000 words preface or illustration. * * * Text 1.8 million. The monographs mainly include Appreciation and Collection of Ancient Paintings, Dai Jin, History of Paintings of Ming Dynasty in China, General History of Fine Arts in China, General History of Fine Arts in Ming Dynasty, Appraisal of Ancient Paintings, Ren Bonian, a Master of China Painting, Dai Jin, Wei Wu, Lv Ji, Yu and so on. Co-authored monographs include China's Painting and Calligraphy and China's Art History in Ming Dynasty. Editor-in-chief's picture album includes ancient ladies' paintings, ladies' paintings, figure paintings, Ming Dynasty paintings, Shen Zhou's paintings, Dong Qichang's paintings, Xu Wei's paintings, Jinling Eight Paintings, the complete works of Yangzhou Eight Eccentrics, and the Qing Dynasty calligraphy classification series. Assistant editors include National Treasures Collection, Cultural Relics Ceremony of the Forbidden City, Ming and Qing Paintings Collected in the Palace Museum, Wang Duo Paintings Collection and Wang Duo Calligraphy Collection. Editor-in-Chief of Encyclopedia of Fine Arts, Dictionary of Appreciation of Famous Paintings in China and Dictionary of Appreciation of Cultural Relics in China.
Invited to participate in American Ming and Qing painting, Dong Qichang art, modern Shanghai art, ancient Japanese figure painting, Hongkong and Paintings of Ming Dynasty and other overseas international seminars, and read papers. He was also invited to participate in international seminars hosted by China, such as the paintings of four monks in the early Qing Dynasty and four kings in the early Qing Dynasty in Shanghai Museum, the art of Zhao Mengfu in Yuan Dynasty in Shanghai Painting and Calligraphy Society, the life and art of Ni Zan in Wuxi Cultural Bureau, the paintings of Wumen in Ming Dynasty in the Palace Museum, the Analysis of Painting and Calligraphy in Ming and Qing Dynasties by Central Academy of Fine Arts, and the Third International Calligraphy Seminar by Cultural Relics Publishing House, and published papers.
1993 was rated as an excellent expert of the Ministry of Culture by the Ministry of Culture 1992, and enjoyed special state allowance.
Dan Guoqiang, an expert in the Forbidden City, talks about investment and auction of calligraphy and painting.
Dan Guoqiang, an expert in the Forbidden City, said that the transaction price in the auction market may not be true, reminding collectors to put their minds right before investing in calligraphy and painting.
At a painting and calligraphy auction in China, a Chinese painting by the famous landscape painter Lu fetched a sky-high price of 66 million yuan. However, Dan Guoqiang, an expert in the Forbidden City and a special expert on CCTV's Jianbao program, said that according to his understanding, the actual transaction price of this work by Lu was only180,000 yuan. Dan Guoqiang took this opportunity to remind collectors that the transaction price in the auction market is not necessarily true.
Buyers and sellers jointly raise prices privately.
Dan Guoqiang, a famous expert in Chinese painting and calligraphy, said in his speech in Chongqing: "The transaction price of China's painting and calligraphy simply made me look silly. Why are there so many sky-high prices? Since the second half of last year and this year, the price of calligraphy and painting has plummeted again. These make me unable to understand. " Taking the transaction price of a work by Lu as an example, Dan Guoqiang revealed some inside information of the domestic auction market at present.
"The auction price of a work by Lu reached more than 66 million yuan. Is it really worth that much money? I asked many insiders and finally learned that the transaction price was180,000 yuan. " Dan Guoqiang said that in fact, the buyer had reached an agreement with the auction company in advance to buy out the painting at a price of 6.5438+0.8 million yuan, and then put up a placard at the auction site until it reached 66 million yuan.
Dan Guoqiang said that in fact, Lu's works are worth more than 65.438 billion yuan per foot.
When answering a reporter's question, Shan Guoqiang emphasized that speculation does exist in the auction market, and the more important the lot buyers, the more cautious they should be. "Some auctions have a high transaction price. In fact, buyers and sellers have privately agreed that the price of buying one piece can actually get three works from the seller. "
Painting and calligraphy investment must first correct the mentality.
"Buying paintings and calligraphy works should start with hobbies and learn to appreciate. Some people trade calligraphy and painting purely from the perspective of investment. This kind of person has a bad mentality, and the more he wants to make money, the less he can make money. Real collectors first emphasize appreciation. After a long time, there are more opportunities to make money. " Dan Guoqiang suggested that collectors of calligraphy and painting should do what they can when buying. There are too many fakes in the market to collect. You must study a lot before you start. Without the necessary knowledge, it is difficult to buy real goods.
The traditional means of identifying the authenticity of calligraphy and painting collections are no longer reliable.
Whether collecting or investing, the first thing collectors should do is to identify the authenticity of calligraphy and painting collections. In addition to brushwork and composition, inscriptions, seals, mounted and published picture books are all reference materials for appraisal. But Dan Guoqiang, an expert in the Forbidden City, said that these measures are no longer reliable.
Dan Guoqiang said that the seal is an important indicator of calligraphy and painting identification, but since 2000, counterfeiters have used computers to make plates, and the seals produced are basically the same as the real ones; Paper is the identification basis of traditional calligraphy and painting, but the paper produced in Qing Dynasty can still be bought. Some collectors are used to seeing whether paintings and calligraphy are old or new mounted, while some counterfeiters use collectors' mentality to buy old mounted paintings in mounting shops and then substitute flowers for fakes.
The identification of calligraphy and painting needs the published picture album as circumstantial evidence, but Shan Guoqiang stressed that the picture album published after 1990 is not credible, because the publication number can be bought at will, so the counterfeiters specially print fake paintings into the picture album. Some counterfeiters even found an album published in the 1930s, tore off a few pages, and then put fake paintings in it to deceive investors.