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Guo Jing's representative thesis
1) Interaction between folk performances and film and television media —— Taking Guansuo Opera as an example, 28,000 words, Anthropological research on national cultural trends and state system in China, edited by Yoko Yokoyama, Japanese Museum of Ethnology, 200 1 edition;

2) The mountain of nature is also the mountain of diversity-local knowledge about the space of Habad Karpo (the mountain of nature and culture), 10000 words, The Relationship between Culture and Biodiversity, Proceedings of the 2000 International Mountain Culture Conference (English version), Yunnan Science and Technology Press, 2000;

3) The face of God, the elegant demeanour of human beings-An Introduction to China's Mask Art, 10000 words, Art Research (edited by Central Academy of Fine Arts), 199 1, No.2;

4) A Probe into the Source of the Divine Dance of Qiang in Tibetan Monastery, 20,000 words, Literature and Art Research (edited by China Academy of Fine Arts), No.2 (1996);

5) A field trip to San Ye Temple in Tibet, 20,000 words, Literature and Art Research,No. 1998,No. 1;

6) Three types of roles of the Qiangmu Festival in Tibetan Buddhist temples, 13000 words, Tibetan Studies in China19961;

7) The Tibetan Festival masquerades and dances Qiang Mu, with the word 10000, and the monthly history (Taiwan Province Province)19610;

8) Soul-turning-a ghost doll of Tibetan Qiang wood, 12000 words, Folk Quyi (Taiwan Province Province) 1996, No.3;

9) Sacrificial space with multiple meanings, 10000, Ideological Front, No.3,1997;

10) land control and manpower control-on the role of Sadina system in ancient Thailand, social sciences in yunnan 1992 No.6;

1 1) on the historical evolution of Nuo, 10000 words, ideological front19891;

12) Ancestor Sacrifice and Kinship Structure of Miao Nationality in Ningcun, 12000, Selected Thesis of Graduate Students of Yunnan Academy of Social Sciences, Yunnan People's Publishing House, 1987.