19 1 1 studied in a private school, formerly known as Fu Changsheng.
19 15- as an apprentice in a porcelain shop, I began to teach myself seal cutting, calligraphy and painting.
19 17- 14 years old, admitted to the primary school affiliated to Jiangxi First Normal University in Nanchang, transferred to the fourth grade and changed his name to Fu.
192 1 year-after graduating from high school, he was promoted to the first normal school in Jiangxi Province and started artistic creation and research. He was named "Fu Baoshi, the owner of Baoshizhai".
1925 —— Complete the first "Overview of the Origin of Chinese Painting".
1926 —— Graduated from the Fine Arts Department of Jiangxi No.1 Normal School and stayed as a teacher; Watch the Northern Expeditionary Army conquer Nanchang and listen to Guo Moruo, director of the Political Department of the Northern Expeditionary Army.
The book is divided into seven parts: general introduction, printing materials, printing forms, seal cutting, composition, knife method and miscellaneous knowledge.
1929 ——1931the author of the Outline of the History of Painting Changes in China.
193 1 year, teaching in Nanchang No.1 Middle School. In summer, Huang Mufu was printed, and more than 4,000 squares were arranged in half a month. The Outline of the History of China's Painting Changes was published by Shanghai Nanjing Bookstore.
1932 —— Funded by Jiangxi provincial government, it was sent to Japan to study in the name of inspecting and improving Jingdezhen porcelain.
1933 —— Studying in Japan, entering the research department of Imperial Art School in Tokyo, studying oriental art officials, learning crafts and sculpture; Translate the book Wang Mo by Japanese Shui Ze Kazuhiko.
/kloc-held a solo exhibition of calligraphy, painting and seal cutting in Tokyo, Japan from October to May, and exhibited more than 70 works such as Yuanming Valley Wine Map, Qutang Map, Cage Chicken Map and Calligraphy Seal Cutting 170. In June, I translated the Map of Tang and Song Dynasties by Professor Wu of Jinyuan Province, Japan.
1935 From March to March, Japan published the Chronology of Bitter Melon and Monks. In May, he published the paper "Prospect and Construction of China National Fine Arts". He returned to China in July and taught in the Art Department of Nanjing Central University. In August, the book On Chinese Painting was published. /kloc-published the paper "History of Landscape Painting from Gu Kaizhi to Jing Haozhi" in October.
1936 published the book Basic Country Case Study from February. In July, a painting and calligraphy exhibition was held in Nanchang, Jiangxi Province, and more than 0/00 pieces of works were exhibited. Published papers "The Relationship between Qin and Han Art and the West" and "Shi Tao Chronicle Draft". In August, the translation of Biography of Lang Shining was published. 1 1 month, and the basic process mode method is compiled.
1937-March, Shi Tao Cong Kao was published, and China Fine Arts Chronology was published. In May, he published the article "Bricks of the Tomb of the Han, Wei and Six Dynasties". In July, he wrote The Postscript Collation of Didazi's Poems; He has published Re-examination of Shi Tao, Research on the History of Painting in China since the Republic of China, and An Introduction to Literati Painting in China. 10 completed the papers on Shi Tao's painting theory, Shi Tao's birth and death, and Painting in the Early Six Dynasties.
1938 —— 1940, working as a secretary in the third hall of the political department chaired by Mr. Guo Moruo. He often goes to Zhuzhou, Hengshan, Hengyang, Dong 'an and Guilin to do anti-Japanese propaganda work.
1939-April, arrived in Chongqing, Sichuan, and lived at the foot of Jingangpo in the western suburbs, known as "Jingangpo Xiashanzhai". In May, Biography of National Artists in China in the Late Ming Dynasty was published. In June, he finished the Art History of China-Ancient Articles, and wrote an article about Indian Huang Mufu.
1940-April, published an important paper "Study on Painting of Gu Kaizhi and Jinyun Taishan". For Yuntai Mountain Atlas, Mr. Guo Moruo has four unique topics. In August, the Third Hall of the Political Department was reorganized, and Mr. Guo Moruo quit and returned to teach in the Art Department of Central University. The school moved to Shapingba, Chongqing. In September, he wrote "A Brief History of China Seal Carving"; The book woodcut techniques was published.
194 1 year-1 month, published the article "Reading Zhou Liyuan's Indian Biography". In April, the atlas of Yuntai Mountain was drawn again. In May, Shi Tao's chronicle was completed.
1942 —— In March, he took a photo of Dida Caotang, and Mr. Xu Beihong wrote for it: "Full of vitality, really infectious." In August, Mr. Guo Moruo wrote poems for Qu Yuan, a portrait of Tao Yuanming, Gong Banqian and a poem tour, and Zhang Shihua. In September, Wu Wang's solo exhibition was held in Chongqing, with 100 pieces on display. This solo exhibition shows Guo Moruo's works such as Dida Caotang, Playing the lute to a cow, Fog in Early Summer, Qu Yuan and Tao Yuanming.
1943-Holding a solo exhibition in Chongqing. Hold a solo exhibition in Chengdu.
1944 —— During the Jingangpo period, the representative work "Summer Mountain Map" was the representative work, and "Fu Baoshi Art Exhibition" was held in Chongqing Sino-Soviet Cultural Association. "Guo Moruo's Calligraphy and Fu Baoshi's Traditional Chinese Painting Exhibition" was held in Kunming. 1945—February, painting Zhang Ruan Tu, Jin Xian Tu, Shi Tao Poetic Tu, Dida Caotang Tu, etc. Take part in the democratic movement and sign the Declaration on the Political Situation in China Literary and Art Circles. In March, I made Xiaoqing's "Twilight Rain" and other pictures. /kloc-painted the foothills of Jingangpo, San Xiao in the Tiger Creek and the picture album Jiuji in October.
1946- 10, moved back to Nanjing and continued to teach in the art department of Central University; Held a joint exhibition with Xu Beihong and Chen Zhifo in Nanjing.
1947-August delivered a speech "The Spirit of China's Painting". 10, "Fu Baoshi Art Exhibition" was held in Shanghai "China Art Garden", with more than 80 pieces of works/kloc-0, many excellent works, and people and scenery were equally divided.
1948- 1 month, The Chronicle of Master Shi Tao was published; Hold a solo exhibition in Nanchang. 1949-started to create Chinese paintings with Chairman Mao's poems as the theme. His works include Long March of Seven Laws, Spring and Snow in Qinyuan, Qingpingle Liupanshan and so on. His works participated in the "Nanjing First Art Exhibition".
195 1 year-June, elected as the Standing Committee of Nanjing Federation of Literary and Art Circles. In July, I wrote China's paintings.
1952 —— adjustment of colleges and departments in national colleges and universities, and professor of fine arts department of Nanjing Normal University.
From June, 65438 to July, 0953, he published the paper "The Artistic Achievements of the Taiping Heavenly Kingdom Murals in Tangzi Street and Their Importance in the History of Modern Painting in China". In September, "The First National Exhibition of Chinese Paintings" was held in Beijing, and "Crossing the Dadu River" and "Thousands of Miles of Snow on Minshan Mountain are more joyful" were exhibited.
1954 —— In April, I wrote Dongfanghong for China People's Committee for Defending World Peace.
1955 —— In March, he gave a lecture on "China Ancient Paintings" at the "Lecture on Literature and Art Week" held by Jiangsu Federation of Literary and Art Circles. Two figure paintings Xiang Jun and Shan Gui were exhibited at the Second National Art Exhibition.
1956—— 1 month was added as a member of the First Session of the Second CPPCC National Committee and attended the Second Session of the Second CPPCC National Committee. In August, he made an academic report on "Sesshū Tōyō and His Art" at the conference commemorating the 450th anniversary of the death of Sesshū Tōyō and other world cultural celebrities, and the full text was published in People's Daily. 10, the preparatory committee of China Artists Association Nanjing Branch was established and elected as its chairman.
1957-February, started to build the Jiangsu Provincial Academy of Traditional Chinese Painting as the main person in charge. From May to August, he led a delegation of artists from China to visit Romania and Czechoslovakia, painted more than 50 paintings, and then published two kinds of sketches. In July, the book "Writing Mountain Essentials" was published, which was compiled according to the original book "Writing Mountain Essentials" written by Takashima Beihai, Japan. In August, at the 30th Anniversary Art Exhibition of China People's Liberation Army, the military historical painting "Army Going South, Crossing the Yellow River" was exhibited in cooperation with Yaming. 1February, the book Landscape and Character Techniques was published.
1958 —— In April, the article "The Artistic Origin of Baishi Old Man" was published in Wen Wei Po. In July, The Painting of China was published. 12, Fu Baoshi's Painting Collection was published, with Mr. Guo Moruo's preface and signature. Select 40 works of 1942- 1957, such as Children Reading Paintings, Ten Extremes of Misty Rain, Lanting Map, Erer Road, Wild Goose in Pingsha, West Wind Blowing Red Rain, Twilight and Crossing the Dadu River. Jiangsu National Painting Exhibition was held in Beijing, and the new works "Butterfly Loves Flowers" and "Ode to the Yuhuatai" were exhibited.
1959-June, "China Art Exhibition" opened in Karachi, showing landscape paintings in spring, summer, autumn and winter and a Romanian station; He once sketched in Changsha and Shaoshan, Hunan Province, and later published the Sketch Collection of Shaoshan, which was included in the Full Picture of Shaoshan and Chairman Mao's Former Residence. From July to September, he cooperated with Guan Shanyue to draw a huge Chinese painting "Beautiful Mountains and Rivers" for the Great Hall of the People. Inscription by President Mao Zedong.
10, I attended the national conference of advanced workers in Britain.
1960—— 1 month, spring comes to Zhongshan, the song of water town, the new song "Hate thousands of feet is not too high" was exhibited in Nanjing. In March, Jiangsu Provincial Academy of Traditional Chinese Painting was formally established and served as its president. Published "Research on the History of Ancient Landscape Painting in China". In April, Jiangsu Branch of China Artists Association was formally established and elected as its chairman. Jiangsu Calligraphy and Seal Cutting Research Association was established and served as vice president. In August, he was elected as vice chairman of China Artists Association and member of All-China Federation of Literary and Art Circles. In September, he led a national painter from Jiangsu Province to sketch in more than ten cities in six provinces across the country, with a journey of more than 23,000 miles and many excellent works. Later, an exhibition of paintings was held and a collection of New Scenery of Mountains and Rivers was published.
196 1 year-February, published a paper "Thought has changed, pen and ink cannot remain the same" in People's Daily. In March, People's Daily published "Seal Carving of the Old Man Baishi-Collection of Qi Baishi's Works, Printing Preface". In May, an exhibition "New Landscape" was held in Beijing, and famous works such as Landscape Painting, Xiling Gorge, Huang Heqing, Zaoyuan Spring, Scenery of Northern Shaanxi, Hongyan Village and Mountain City were exhibited. From June to September, I went to the Northeast to sketch, and made paintings such as Flying Spring on the Mirror, Tianchi Linhai, Linhai Snowfield, Magnificent Coal City and Songhua Lake, and then published a collection of sketches.
1962 —— In February, the preface of On Zheng Banqiao and Zheng Banqiao was published in People's Daily. In August, Tianchi Waterfall was exhibited in Nanjing Art Exhibition. /kloc-in October, two works by Qu Yuan and Du Fu were exhibited in Jiangsu Portrait Exhibition. /kloc-From October to April of the following year, he went to Zhejiang to rest and sketch, and then published Zhejiang Sketch Collection, including Xin 'anjiang Impression, Santan Yin Yue, Tiger Run, Jiuxi, Longjing Early Spring and other works.
1963- 1 month, cooperated with He Xiangning and Pan Tianshou to draw several Chinese paintings. In March, a large-scale "Huashan Map" was made for the China Embassy in Myanmar. 1 1 month returned to Jiangxi and visited Jinggangshan, Ruijin and other old revolutionary areas. Later, I created Huang Yangjie, Ciping, the First Bridge of the Long March, Yeping and the cradle of revolution.
1964- Jinggangshan in January. In March, I wrote "Advance on the Road of Renewal". In September, he was elected as the representative of the Third National People's Congress and attended the meeting.
1965—— 1 month, the East China works of "National Art Exhibition" were exhibited in Beijing, and a large number of "Tiger Ju Long Pan wins the present and the past" were exhibited. Go to Shanghai in September to paint the lobby of Shanghai Hongqiao Airport. On the 29th of the same month, he died of cerebral hemorrhage at the age of 61.