Gusu nostalgic appreciation Gusu Mountain, namely Gusu Mountain. In Suzhou City, Jiangsu Province, during the Spring and Autumn Period, King Wu began to build a platform on the mountain. When his son Focha was there, it had been completed. It is called Gusutai, and its platform spans five miles. Fu Cha once prepared thousands of prostitutes on the platform, built the spring night Palace, and burned it for a long night. The State of Yue attacked the State of Wu, and the King of Wu was defeated. Later generations often express their feelings about the history of wuyue's hegemony by chanting Gusutai. This poem was written when Xu Hun sailed through Gusu and went to the stage to hang the ancients.
The first joint narrative was staged. The last sentence refers to the theme with plain narration, and "Yu Ji in the Palace Museum" refers to the traces of Gusu. It is said that "I have dropped out of school" and landed on the ancient platform. The next sentence, "Millet seedlings", inherited from "the foundation left by the Palace Museum", first set foot on the foundation and looked around, only to see broken bricks and tiles, rows of millet seedlings, and wormwood growing on the residual wall. The word "millet seedling" actually describes the scenery in front of us, but also secretly strips off the poetry of the Book of Songs, and expresses his feelings about the vicissitudes of the world through the grief of the ancients. The word "independence" is vivid, and it is extremely true to mourn the melancholy of the ancients. "Elegy" means sadness of separation. This couplet begins with narrative, ends with sentimental words, and lays the emotional tone of the whole poem with the word "sadness". The plain language and rich rhymes have brought readers into a nostalgic atmosphere.
The scene of the site of Gusutai is depicted with Fu Pen, but the implication in the scene is profound. On the one hand, people go to the desolation and tranquility of Taiwan Province, on the other hand, elk compete for new grass, and waterfowl nest on different sedges. The wording of this couplet is extremely elegant: wild deer and seagulls are extremely alert, and when you wander here, you can see deserted platforms and empty gardens; New grass and shallow sand, when spring begins, see the emergence of spring machines. The verbs "contend" and "occupy" describe the exuberant vitality of nature. The neat antithesis shows the poet's originality. The juxtaposition of personnel images and natural images, through the precise and expressive modification and connection of adjectives and verbs, unifies the dead silence of historical traces and the vitality of natural life in an organic picture, forming a strong contrast between life and death, vividly forcing people's inner ruthlessness to history and eternity to nature. This couplet is very superficial and contains a deep core. The poet makes full use of the dual characteristics of rhythm and poetry, creates the artistic effect that images are greater than thoughts with the strong tension between images, and implies the author's attachment to ancient times with the help of the voice outside the air.
Necklace couplets use metaphors to express poets' feelings about history and reality. "The rain never comes" and "the wind comes from the Chu River" seem to describe the scenery in the eyes, but the literal meaning of the words "Wu" and "Chu" can trigger historical associations and shock the eye of the wind. The duckweed in the rain is not only a symbolic image of the country's demise, but also a symbol of the political status quo in the late Tang Dynasty. It is like this, it is like this, and it is difficult for each other. "Cold in the Empty Threshold" is the poet's idea of stepping onto the stage when Shan Yu is near, which is caused by the change of the present weather. At the same time, it is also caused by the poet's nostalgia for the past, which makes him shudder at the present situation and his personal future. The voyage in the wind and rain is what the poet saw when he looked out, and it can also be regarded as the truth that he realized in nostalgia to avoid troubled times and disasters. In fact, the poet's idea of "returning home, South Lake has two hectares of land" ("Night Return to Dingmaoqiao Village") is precisely because of troubled times.
The two couplets in the poem describe the scenery, which is the poet's clever use of traditional poetry's techniques of fu, bi and xing, and also shows his dexterity in the genre of seven laws, which can be said to be both right and left.
The couplet takes care of the beginning of the article, expressing the poet's ruthless and natural feelings for history. "Loyal minister" refers to Wu Zixu, wuyue War, Fu Cha was defeated by Yue, Gou Jian made peace, Zi Jian didn't answer, Fu Cha refused to accept, and believed uncle's slanderers, which drove Zi Xu to commit suicide and abandon his body in the river. Later, the State of Yue really defeated Wu. The "pity" sentence is the poet's lament for Wu Zixu's tragic fate. In the face of the rolling river, Confucius once felt that "the deceased is like a husband, staying up all night." With strong winds and sails, the river flowed eastward in the turbulent Bai Bo and disappeared into the sky. Life is short, history is ruthless and nature is eternal, which makes the poet think a lot.
This poem begins with a narrative and ends with a picture. The two couplets in the middle turn from beginning to end with realism and symbolism, making the whole poem round and smooth. At the same time, the word "unique sadness" dominates the whole poem, injecting the sadness of the past and the present into the whole artistic conception space, forming a completely different style from the "vigorous and vigorous" of the five-rhythm poem. This style was admired by later generations and fascinated by Song people. "(Sleeping Night Talk) shows that Xu Hun's seven laws occupy a high position among the poets in the Tang Dynasty, and this poem can also prove this point.
Poetry: Nostalgia in Gusu's Poems Author: Classification of Xu Hun's Poems in Tang Dynasty: Climbing the Mountain, Writing Scenery and Writing Nostalgia.